Fuzzysurf’s “Don't Go Overboard”
Set sail with Fuzzysurf on a musical voyage filled with theatrics, thrills, and aquatic adventure.
-
Tommy SimmsDirectorKilling Time, She Was Crying Sugar, Sheep Shed, Top Secret Jazz, Sucky, Never Fell In Love
-
Sean LehnerKey Cast"Captain"Killing Time, Sheep Shed, Sucky
-
Joe LudwigKey Cast"First Mate"Killing Time, Top Secret Jazz
-
Colin O'DayKey Cast"Second Mate"Never Fell In Love
-
Corey MurphyKey Cast"Deckhand"Killing Time, Sheep Shed, Sucky
-
Sean LehnerWriter
-
Tommy SimmsWriter
-
Joe LudwigWriter
-
Ann VollrathWriter
-
Sean LehnerProducer
-
Tommy SimmsProducer
-
Ann VollrathSet Design
-
Ann VollrathProps
-
Tommy SimmsProps
-
Sean LehnerProps
-
Sean LehnerCostumes
-
Ann VollrathCostumes
-
Tommy SimmsCostumes
-
Tommy SimmsPuppets
-
Ann VollrathPuppets
-
Tommy SimmsAnimation
-
Tommy SimmsCinematography
-
Joe LudwigCinematography
-
Tommy SimmsEditing
-
Project Type:Music Video, Short
-
Genres:Nautical, Adventure, Musical
-
Runtime:4 minutes 44 seconds
-
Completion Date:October 27, 2025
-
Country of Origin:United States
-
Country of Filming:United States
-
Language:English
-
Shooting Format:Digital
-
Aspect Ratio:16:9
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:No
-
Digital Cinema Package:Unavailable
-
Milwaukee Film FestivalMilwaukee, Wisconsin
United States
April 28, 2026
World Premiere
Official Selection -
Atlanta Shorts FestAtlanta, Georgia
United States
May 16, 2026
Nominee - Innovative Vision
Tommy Simms is an interdisciplinary artist and award-winning filmmaker, specializing in stop-motion animation. While pursuing his Bachelor of Fine Arts from the University of Wisconsin-Milwaukee, Tommy discovered that filmmaking combines his passions for a variety of art forms. Animation is his main focus, but his work also ventures into puppetry and live-action. No matter the artistic style, the narratives of Tommy's films are executed with an animated approach. Capping off his time at UWM, Tommy single-handedly animated his senior stop-motion, “The Legend of Leatherface Larry,” which earned the honor of being showcased at the 67th Festival de Cannes. His subsequent works have been featured in film festivals around the world, on PBS, in theatre productions, and even at the Houston Museum of Natural Science. Tommy’s work on the candy-coated animated short, "She Was Crying Sugar" granted him a Best Director award from Milwaukee's International Short Film Fest, and won Best Mixed Media at the Los Angeles Animation Festival, among other notable accolades. In addition to filmmaking, Tommy shares his creative knowledge with aspiring artists. For years, he taught puppetry and stop-motion courses online and at art camps across the United States alongside public television's Emmy Award-winning cartoonist, Mark Kistler. Now, a frequent collaborator with the indie rock band, Fuzzysurf, and one half of the storytelling duo at Simwig Studios, Tommy’s animated adventures continue with the production of independent films and music videos.
Anchors aweigh! Just ignore the seasick and keep moving forward... Fuzzysurf’s musical short, “Don’t Go Overboard,” sees the indie rockers sail away on an oceanic odyssey. Fresh off their Double LP, “Chameleons,” the lyrics of this nautical shanty croon about a relationship navigating troubled waters, while the film’s visuals cast the narrative on the literal high seas. The band wanted to stage a live theatrical production with this voyage, keeping everything as practical as possible in order to capture as much as we could on camera. The on-stage performance was filmed over the course of a single weekend thanks to the generosity of Marquette University’s Helfaer Theatre. All of the cardboard sets are designed and crafted to appear as if they were handmade by a humble thespian troupe. Given their various functional elements, it took all hands on deck to get the set pieces moving. In addition to the puppeteering, stop-motion animation is utilized to aid and expand the scale of the on-stage antics, especially after the band is forced to disregard the advice they've been singing about. Every animated character was physically manipulated frame by frame to appear as if they were theatrical cut-out puppets interacting with the actors. The tangibility of these stop-motion visuals helped us maintain the illusion of a live production. From shark attacks to siren songs, Fuzzysurf stays the course through all of these seafaring escapades, delivering a maritime matinee that’s a true whale of a tale.