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Doin' The Gangster

This Music Video is based on the hitman Crazy Carlo hired to kill my pop's character from The Polish Gang novel and screenplay - written, produced, acted, edited, and sung by Karl J. Niemiec.

Introducing THE POLISH GANG. A must-have in any library. A classic in the making, The Polish Gang delivers from laugh to bullet. A must-read for American history buffs, action-adventure hounds, and love story fans! The Polish Gang takes you deep into the heart of the Roaring Twenties. It violently shakes your emotions with both good and evil characters. Often lighthearted, yet tenderly thoughtful, Karl J. Niemiec captures a Runyonesque sense of humor.

Back Cover: In the grips of the "Roaring Twenties" Detroit was wide open to bootleggers and murderers. Dollars by the fistful were for the taking by anyone strong, cunning, and murderous enough to chance dying for them. A city in a stupor, gone mad with drink, where blood ran at the drop of rum, Detroit became a civilization taken over by strong-armed gang members. During this time of social unrest, at the very height of prohibition, there existed - now only in old-timers' porch swing tales that grow mysteriously dim as time slips by - a small band of young men known as The Polish Gang.

Just what happened to The Polish Gang? Where did they go? And why do so few people remember? And why, in a time of such profound documentation and national scrutiny of one city is there but one small newsprint article hinting about this elusive band of young men? These mysteries and more are answered in The Polish Gang.

Inside Flap: Though this story is a complete work of fiction loosely based on my grandfather’s family, the naked girl in the back seat of my pop’s convertible on the front lawn of Michal’s Bar was not. This is a ‘what if’ she was promised to someone else — a love story set in 1929 Detroit.

From the Inside Flap
"So?" Anthony asked after Bartolommeo had finally squeaked and groaned himself into the booth.
Bartolommeo motioned the worker to beat it. The old-timer sauntered off into the shadows of the stage with his push broom. Bartolommeo kept an eye on the worker to be sure what he was about to say was not overheard. "It's done. Carlo Axler, ten thousand."
"This is a Polish boy, not the Pope."
"Perhaps you prefer to have your son do it."
"The price of blood money, these men are vampires. I don't think we should go through with this, Bartolo." Anthony's face became so distraught he appeared to be a pale-skinned Englishman.
"This is my daughter found naked and your, soon to be, daughter-in-law."
Anthony retrieved a tattered telegram from his pocket and began to read aloud. "Nicole is mine, she was never yours. Your families' blood will never run pure." He studied the expression on Bartolommeo's face. It read nothing but trouble. "What kind of hogwash is this, Bartolo? Any bum could've sent it. It happens all the time for Christ's sake."
Bartolommeo took the telegram and crumpled it in his stubby hand. "Not to me. Don't you see, Anthony, they've fallen in love. They met at your God-forsaken lake and now they're spending nights together. I say this Polish boy sent Nicole this telegram."
"We don't know that for sure. I say we hire a real detective."
"I say we end the problem right now and pay Carlo the money."
"I'd say you've gone mad."
"Then mad I've gone. But this Polack won't run off with my only daughter and destroy my family's name."
Anthony let the hard truth sink in. Nicole running off with this Polish boy, embarrassing his only son was hard venom to swallow. Reluctantly, "I don't trust reporters so don't get this in the papers. I can't afford a public scandal."
A broad, tough smile broke across Bartolommeo's face. "Relax, Mr. Big Shot District Attorney, no one will point their pencil-worn finger at us."
"What about O'Garrity? The fool, I don't like him. He couldn't find his way home from a daydream."
"That's why he's perfect for this. We've taken every legal step we can take. O'Garrity keeps the boy on the run. His family is, or perhaps could be, involved with illegal running of rum across the Detroit River. If the boy disappears or is brutally murdered, who would be the wiser? Certainly not O'Garrity."
"Still, this kind of thing makes me nervous. We're not little boys playing in Palermo any longer."
At this, Bartolommeo held up his glass. "Yes, we were troubled young men. To when days were different and we were different men."
Bartolommeo took a mouthful and swished it about his hippo teeth.
"Salute," Anthony said and did the same, but with a lot more grace. "Not bad for a couple of old Guineas like you and I."
"You and your public life are old, Anthony. I am merely fermenting in the shade like fine wine waiting for my time to be cherished by others." Bartolommeo pulled two hand-rolled cigars from his coat pocket. He rolled one between two of his stubby fingers and waited. He knew Anthony had tried to quit so he didn't offer. He merely clipped their ends. He knew Anthony well. Inevitably, Anthony extended his hand and Bartolommeo placed the cigar in it. The other one he threw at his face and it lodged firmly in place between his stained teeth. He sucked on it like a newborn child. Anthony held up his lighter. Its flame leaped in front of Bartolommeo's face. Bartolommeo's eyes shifted away, hiding something as unfathomable as sinister from his best friend.
"What is it, Bartolommeo?"
"Nothing." Bartolommeo fought to hide any thought of his deep dark secret that was buried beyond the glow in his calculating eyes. As far as he knew, only two other people alive that night knew how much truth that telegram contained. And one of them was a poet.
"Are you sure?"
"Of course."
Anthony smoked a moment, dropping the mental strip search, and sank into a familiar reflective mood. It was part of the reason why he tried to quit smoking. It reminded him of his dear departed wife. "Women," he said and sighed as he lit his cigar again, "love them and they perish to the beyond, despise them, and they live to haunt you forever."
"Political power has made you cynical, my dear friend."
"Thank you. It has also made me a lonely man. I look forward to the pounding of little feet again."
"Perhaps you should remarry."
"Digamy? Never. A promise is a promise." Anthony swirled his cognac and held it up so that the work light from the stage shone through it. "How much of this have we brought across this month?"
Bartolommeo chuckled at his childhood friend and reached for the bottle that lay between them. He splashed another ounce in both glasses. "You, Anthony, would make love to the most beautiful woman in the world then ask yourself how much. I, on the other hand, would have to kill for such an opportunity and laugh at how little it cost me."
"I am a public figure. It's my nature to worry. I do worry, I promise you, Bartolo, I worry."
"Nature! The wind is the force of nature. The wind billows the sails of innocent men and launches the ships of reason. Nature doesn't worry where it blows our ship, and neither should you. So, relax, let the wind introduce us to whole new worlds."
"Screw Columbus, I don't want new worlds. I want money and power and a family to pass it on to. You understand me, don't you? Now, how much?"
"Trust me, my friend, we want the same things, me and you. Two more truckloads arrive at the lake tomorrow. For a total of just eight this month. I'll move it to Florida on the sixth and we'll be done for thirty days. Fast and simple." With this he drew contently on his cigar and blew out a cloud of boastful smoke, following it with his eyes toward the old darky who now somberly roamed further out onto the dance floor, locked in a silent romance with his mop. Bartolommeo leaned across the table, keeping his hands underneath, "Don't worry. I've got Albert and Johnny tracking the Niemiec family to see if they' restocking a warehouse. If Michal is running rum and is as careless as his boy, and we tip O'Garrity at the right moment, perhaps with a little luck, The Polish Gang will be out of the bootlegging business forever, maybe even deported on charges by my dear friend the DA. Charming enough?"
Anthony had to smile at the way his fat little friend's devious mind worked. "You always were a cruel bastard."
"True, I am to blame that bad things happen to those who wrong me. That is not being cruel in my eyes. That is just playing the game."
"And I'm fully aware I wouldn't be where I am today politically without a good man like you making things happen the way they're supposed to happen in this town." They toasted in agreement. "To Prohibition."
"May it, and all our generations live forever."
They drank deeply then smoked philosophically. A cloud formed above them before Bartolommeo continued, "You and I, Anthony, we should've been brothers."
"And now we shall be grandparents together, instead."
"At last."
"God bless America."
So the solution to the unfortunate circumstances that life had bestowed upon Bartolommeo and Anthony was simple -- ten thousand dollars. The outcome, the Polish boy must die.

  • Karl J Niemiec
    Director
    Law of Average
  • Karl J Niemiec
    Writer
  • Karl J Niemiec
    Producer
  • Karl J Niemiec
    Key Cast
  • Project Type:
    Music Video, Short
  • Genres:
    Drama, Noir
  • Runtime:
    3 minutes 42 seconds
  • Production Budget:
    500 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Black & White and Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • California Music Video & Film Awards - "Doin' The Gangster
    San Francisco, CA 94123
    United States
    January 24, 2023
    North American
    Finalist - Solo Artist Music Video - Best Editing and Action
  • WideScreen Film & Music Video Festival
    Toronto, Ontario
    Canada
    November 7, 2024
    Canada
    Quarter-Finalist
Distribution Information
  • LapTopPublishing.com
    Distributor
    Country: Worldwide
    Rights: All Rights
Director Biography - Karl J Niemiec

Former IUPUI adjunct professor Karl J. Niemiec is the grandson of Detroit Polish mobsters portrayed in his book and screenplay The Polish Gang – 1929. Raised in the small country town of Jonesville, Michigan, near the Ohio border, Karl grew up working on farms, playing sports, shooting guns, and riding horses. After attending UofD and UCLA, he now lives in Carmel, Indiana, with his wife and four children, where he writes love stories that blend heart, humor, and grit across multiple genres using The Inside Pitch-recommended How to Be a Prolific Screenwriter, originally developed at UCLA Extension, and taught at IUPUI. Doin' the Gangster was produced at Hit Man Studios in Van Nuys, California.

AFTRA/SAG - WGA Eligible

Add Director Biography
Director Statement

I can attend your festival.

Love stories because the world needs them.

Dedicated to Bronislaus Niemiec.

Thanks for everything, Pop. You survived a bullet to the face while carrying your wounded lieutenant on your shoulders and saved his life. Silver Star and a Purple heart. Took three years to put your face back together. And I still wear the ring your mother gave you for good luck on your way into surgery. My kids live on because of the courage and fortitude you had to live through it. You inspired me to write my first book and screenplay The Polish Gang, so you'll never be forgotten. You live on in my kids, the 4th generation of The Polish Gang. 💙

More about the Director:

Karl J. Niemiec writes heartfelt love stories across multiple genres and lives with his wife and four children in Carmel, Indiana.

A former Los Angeles resident, Karl relocated to Indiana in 2006 and began teaching at IUPUI as an Adjunct Professor. There, he taught courses based on his bestselling books Write to Be Published and The Inside Pitch-recommended How to Be a Prolific Screenwriter, originally developed at UCLA Extension.

Two documentary projects he and his family produced when they first arrived were:

“This Is Why - Why Do Six Garbage Trucks Go By My House In One Day?” Karl gifted the project to the city of Carmel and Mayor Brainard to help him implement his plan to get all of Carmel on one garbage and recycling service. After it passed, the Niemiecs were given a Carmel Green Environment Award by the Carmel City Council.

And "Special - Give Us A Game", an 8 year study of The Michigan Far Flyers, a Special Needs Hockey team created and coached by Karl’s brother Ben Niemiec and the team's quest to find other teams like them to play. The 60 minute documentary on Amazon inspired "The Indy Twisters" to form right here in Carmel, Indiana.

https://www.facebook.com/indytwisters/

Karl's Written, Acted, Directed Film Festival Projects Include:

Law of Average - In the Endless City - a proof of concept Neo-Noir Series Pilot - Won the LA Film and Script Neo-Noir Film Fest.

Out of the Coffin - Short premiered at Haunted Newport, Rhode Island, also screened at The Santa Monica Film Fest and The Indianapolis Gen Con.

To Answer Your Question - Short Screened at the Great Lakes International Film Festival.

Don't Tell Mom - Family Covid Short - Screened at the International Mobile Film Festival

His teaching journey continued as he directed nine parent acclaimed hit children's musicals, which opened the door to instructing students of all ages at the YMCA, Monon Center, and KjN Studio. The Studio’s signature on-camera technique, The Hero Face, stems from Karl’s private training in ABC’s film library—an experience that saw him move from the mailroom to on-screen roles on General Hospital and Welcome Back, Kotter.

Karl’s passion for performance and storytelling is showcased in his book Audition Monologues That Work, five scenes from which earned IMDb credits. Two of these scenes were selected for film festivals—three of which premiered locally at The Box Film Studio, home to the Indiana Film Network's monthly gatherings.

His expertise in screenwriting and directing led to national opportunities, including a recurring role directing Agent/Manager audition scenes at showcases back in Los Angeles. These biannual events also involved directing and editing actor reels while shooting a day-and-the-life production of the actors and their families from across the country.

Today, Karl continues to write and adapt his screenplays into stage plays, novels, audiobooks, and even game boards to broaden his projects' marketability using the same simple five reformatting techniques that spawned The Game of Halloween inside How to Be a Prolific Screenwriter.