Private Project

Documentary Into the Heart of the Mountain

In the face of oppression and threats female Zen Buddhist priest Joan Halifax strives to empower women and fight for gender equality in a male dominated culture and its impact on individuals and even entire societies. During an demanding medical pilgrimage, in the backdrop of the Himalayan mountains and the Tibetan plateau she starts to unravel the layers of deception and of gender-based violence that have shaped her life; started in her early childhood when she was taking care of an African American woman who's mother had been a slave. The issues that she transmitted to her, which where subliminal but they had to do with justice, love and also with joy. How one person can change someone's moral compass.

For 4 decades, the Nomads Clinic, an initiative created and led by Zen Buddhist spiritual leader Roshi Joan Halifax, has undertaken annual medical pilgrimages to some of the most remote and inaccessible mountain regions of the Himalayas in Nepal. Following ancient trails and crossing passes of more than 18.000 feet, the Nomads Clinic has facilitated urgent medical care for the indigenous people living there, as well as raising awareness about health and hygiene and empowering the preservation of their cultures. Equally, the lives and perspectives of the Western clinicians and supporters of these clinics have been transformed through their contact with the resilience, generosity and dignity of people living close to the earth and the elemental forces of the natural world.

‘Into the Heart of the Mountain’ is a multifaceted documentary that takes the viewer on a circuitous trail through Humla, a spectacular Himalayan mountainous district close to the Tibetan border. Secluded to a large degree from modern life even today, this area is home to the spiritual, pre-Buddhist, Bon culture. So far, these indigenous people have managed to preserve their social, cultural, economic, and political integrity. However, climate change together with their struggle for rights to their ancestral, nomadic lands and natural resources are undermining the very fabric of their existence. That is why many indigenous people are abandoning the land and migrating to urban areas in search of better living conditions, employment, and education for their children.

This film, as well as documenting the efforts of brave and committed clinicians, is also the portrayal of a way of life and a natural world in transition. It was a very challenging film to make in terms of the remoteness of the area, altitude, and logistics. Yet, the filmmaker is convinced that the mobilization of awareness around the role of indigenous people as stewards of the earth, and the preservation of their rich shamanic traditions, is of vital importance. The cultural and spiritual traditions of indigenous people have much to offer since they relativize a purely anthropocentric outlook in favor of a more respectful and sustainable exchange with the natural world we all share. ‘Into the Heart of the Mountain’ bears witness to one such interchange where modern science, indigenous life and the elemental forces of nature become a mutually enriching, inspiring and healing interchange. The circular route of the pilgrimage becomes a symbol for an ideal circle of life where each element is in balance and of equal importance. Roshi Joan Halifax, as well as participating in the Nomads Clinic, is the narrator of this documentary, and her words and teachings underscore this vision. Additionally she takes you along her life path, which is actively committed to gender equality. Gender bias is not unique to Tibetan Buddhism; it is in Japanese Buddhism, it is in the entire modern world, and it is global. As a Zen Buddhist priest, as a woman, she ask herself, why her religion? Why Buddhism? This is not what the Buddha taught. For too long in the West, and she is sure of it that in the East, gross misogyny has existed in the Buddhist world, a misogyny so deep that it has allowed the disrespect and abuse of women and nuns in our own time, and not only throughout history, and not only in Asia. As an elder within the global Buddhist community, she sometimes subjected to contempt and disrespect. It is no longer as direct as it used to be, but indirectly, through men with religious authority. Different from when she was young, then she really pissed her off! Now she especially feels compassion for the ignorance and stupidity of these men. She tries to approach them with respect, but she does not tolerate it and speak out. It remains an exercise for her not to be discouraged by psycho-social patterns that have existed for millennia, but to speak truth to power!

  • Annegré Bosman
    Director
    Documentary Wildlife Savers, unsung heroes, Documentary serie Life in the frontline, see film productions: https://www.youtube.com/channel/UCeGt-oF8DK0ONAUaptYK1gQ
  • By Nature Films Foundation
    Producer
    https://www.youtube.com/channel/UCeGt-oF8DK0ONAUaptYK1gQ
  • Roshi Joan Halifax
    Key Cast
    Upaya Zen Center
  • Tempa Dukte Lama
    Key Cast
  • Project Type:
    Documentary
  • Runtime:
    1 hour 37 minutes 25 seconds
  • Completion Date:
    June 30, 2023
  • Production Budget:
    15,000 USD
  • Country of Origin:
    Netherlands
  • Country of Filming:
    Nepal
  • Language:
    English, Nepali
  • Shooting Format:
    4K
  • Aspect Ratio:
    2.39.1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography - Annegré Bosman

Annegré Bosman, is a Dutch documentary filmmaker, film director, photojournalist, producer born in 1971 in Sappemeer. She studied Journalism at the University of applied sciences Utrecht, and studied screenwriting at the Writers school ‘t Colofon in Amsterdam. Since that time, she has dedicated herself to bringing new perspectives and deeper public understanding to topics around Human Rights with a special focus on Women's Rights, Gender Equality, Indigenous Cultures, Climate Change and Nature & Wildlife Conservation.

After making the documentary ‘Baby’s world; the life of the newborn, ‘La Vida Pura’ in 2005, a short documentary 'Can Hunting be Conservation?' in 2010 and several Human Interest TV-series for production company’s as a director, editor-in-chief and executive producer she started her own film production company Pluk Media BV and worked ever since as an independent documentary filmmaker. She produced the documentary 6-partial documentary series ‘Out of jail, at work’ (2012) and ‘Amongst each other’ (2013) she completed the documentary ‘Dance under fire’ in 2013, ‘A clean breast’ (2013), Primal Force from the Wild (2014), followed by the 5-partial documentary series ‘Living on the front line’ (2014), short documentary series ‘Women of Amsterdam, Capital of the city! (2016-2017), the short documentary 'This could have happened to me' (2015) which was selected by the International Dutch Film Festival (Idfa). In 2017 she made the short documentary ‘Just People’, Project mangrove; a piece of Belize in Arnhem (2018) followed by Wildlife Savers, unsung Heroes (2018) who won the Conservation award at Wildlife Film Festival Rotterdam (WFFR) for the most effectively contribution to raising awareness of current and relevant conservation issues. The documentary Into the Heart of the Mountain she finished in July 2023.

Bosman is founder of the By Nature Films Foundation is driven by an insatiable curiosity to explore, uncover and tell stories often hitherto untold and concealed from view. She travels to extreme and often remote regions of the Earth to document not only the physical landscapes, but also the people living there. In her films and photographs, the dramatic peaks of Nepal, the deserts of South Sudan and Indonesian rainforests are also backdrops for the soulscapes of people whose territories are being altered, often dramatically, by climate change, governments, business developments, and exploitative individuals. Her outer explorations interface with profound enquiries into the role of humans in relation to the natural world and how we express our humanity. It forms the basis for her work as director, screenwriter, filmmaker, and editor.

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Director Statement

Filming during the pilgrimage was a challenge. The filming largely consisted of daily exhausting walks through mud, rain, cold and snow and battling altitude sickness at extreme heights. I deliberately chose to film alone and to keep the team as small as possible. This way, I could capture intimate stories because people are more likely to trust you and let you into their lives when they are not intimidated by a whole camera crew. It allows them to remain authentic. This meant of course that I had to do everything myself during the trip; directing, filming, production; charging all the batteries with solar panels after a day of hiking and filming; loading and backing up the film material, all in an environment of moisture, rain and extreme cold. At night, in my tent, trying to sleep with a hot water bottle and the camera batteries to keep them charged, I would sometimes ask myself, why am I doing all this? The answer is always the same. It’s a deep curiosity about something or someone. It’s the way I become invested in other people’s lives, causing me to shed assumptions and biases so that I’m openly and humbly taking in information.
It’s very enlivening to be physically and mentally challenged. It's empowering to discover what I can tolerate and what my limits are; to know that I don't always have to opt for the comfort zone. But most of all it makes me realize how and under what conditions these indigenous people live and survive. I leave again with a story to tell. They remain.

In addition to the substantive story was for me, the poetic image translation of cinematography a important form of amplifying and resonating the words of Roshi Joan Halifax. For me it was important to portray Roshi Joan not only as the Zen Buddhist teacher, anthropologist, writer and activist that Wikipedia attributes to her, but also as herself, in an environment that was completely outside her comfort zone. The route we took through the most remote areas of the Himalayas of Nepal, I saw a woman who wanted to be there to the depths of her being and that tenacity, letting go and resilience were no longer just words but also actions. As a filmmaker, I also had to make this pilgrimage. I went into the depths with her, literally and figuratively, I climbed the enormous heights with her, crossed the difficult areas, we sat in damp tents during freezing cold and extreme heat between laundry that did not dry. We were at the mercy of the immense rugged nature, battling altitude sickness. That offers mutual respect. As a filmmaker I could go further than if I had written her story in a studio setting. No boundaries were imposed on me, but as a documentary maker I kept my distance to capture the real story between her and her environment.

We are living in difficult times plagued by multiple crises. In our Western culture we suffer the loss of certain values essential for our ultimate happiness and wellbeing. Nevertheless, I still have so much faith and hope in the process of bringing these environmental, cultural, and social challenges to consciousness. We need to keep looking at indigenous peoples to learn or rediscover what's important in life. Through my work, I wish to inspire people to create a more balanced world.

This film was made thanks to donations, the sponsorship of equipment and, in the post-production phase, the grit and determination of the filmmaker. In addition to directing, screenwriting, filming and production, Bosman also took care of the editing of the film, due to the lack of a budget during the Covid19 outbreak and the temporary closure of the usual funding facilities. It was a pilgrimage of another kind.