Diah
Blinded by logic, Diah rejects her ancestral heirloom. But as supernatural forces begin to torment her, she realizes that only by embracing her destiny can she stop the impending disaster.
-
Succi PurnamasariKey Cast"Diah"
-
Sri FatmawatiKey Cast"Maryam"
-
SlametKey Cast"Kristomo"
-
AgusKey Cast"Suryono"
-
Salsabilla PutriDirector
-
Salsabilla PutriWriter
-
Yoga FebrianProducer
-
Muhammad Hamdanu SyakirinCo ProducersGrief Comes in Waves
-
RidwanLine Producers
-
Ahmad HaryadiUnit Production Manager
-
Abyan FitraAssistant Director
-
Bela AsasiAssistant Director
-
Rinaldi IrawanLocation Managers
-
Gustri Putra NandaLocation Managers
-
Teja Arianda IlhamAssistant Productions
-
Zinni RahanumCraft Services
-
Fadhilla TurahmiCraft Services
-
Septian AsniyardiDirector of Photography
-
AndriyanGaffer
-
Yusuf ParhatArt Directors
-
Yolanda Tri WardaniEditor
-
Yolanda Tri WardaniSound Designers
-
Chica Tiara Andaresta MangkubumiWardrobes
-
Sarah GaluhWardrobes
-
Cahya Ayu Rininta SyahputriWardrobes
-
Chica Tiara Andaresta MangkubumiHair Stylists
-
Divka Atmasmara DhamaMake Up Artist
-
Muhammad Hamdanu SyakirinProduction Sound Mixer
-
Yolanda Tri WardaniAssistant Production Sound Mixer
-
Muhammad Faezul FikriBoom Operator
-
Salsabilla PutriCasting Director
-
Yusril Ali AlfathSript Supervisors
-
Renaldi FazriansyahVisual Countinuity
-
Putty Adelya SastraClapper
-
Rahmat HamdiTalent Coordinators
-
Muhammad Habil MuhtadinTalent Coordinators
-
Selvia YuniyantiTalent Coordinators
-
Reyhan FadhilaAssistant Cameras
-
Belva LuthfiatiAssistant Cameras
-
Rezki Perdana PutraAssistant Cameras
-
Afdal MaulanaDIT
-
Aprillian Pratama LubisLighting and Grip
-
Abdul Muhaimin Hadi SiregarLighting and Grip
-
Sutrindo Latzirsah AdnilLighting and Grip
-
Rivol ChaniagoLighting and Grip
-
Zaki MaulanaLighting and Grip
-
Hezkiel TobingLighting and Grip
-
Muhammad AshariMaster Props
-
DikiSet Dresser
-
Arriel ArdhiSet Dresser
-
Imam AkbarBuilder
-
Alif MaulanaBuilder
-
Irwaldi PutraAssistant Editors
-
Sultan Akbar KamalVisual Effect Artist
-
Andri SyahputraColorist
-
Project Type:Short
-
Genres:Drama, Horror
-
Runtime:33 minutes
-
Completion Date:January 3, 2025
-
Production Budget:4,861 USD
-
Country of Origin:Indonesia
-
Country of Filming:Indonesia
-
Language:Indonesian
-
Shooting Format:digital
-
Aspect Ratio:2.35:1
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:Yes - ndonesia Art Institute of Padangpanjang
-
Digital Cinema Package:Unavailable
-
Prologue: Final Exam ScreeningBukittinggi, West Sumatera
Indonesia
January 3, 2025
-
- -
Sinema Muda Layar NusantaraKaranganyar, Central Java
Indonesia
Salsa Billa Putri is an emerging Indonesian filmmaker with a strong foundation in television and film production. Born and raised in Sumatra, she graduated from the Indonesian Institute of the Arts (ISI) Padangpanjang, majoring in Film and TV. Her works often explore the psychological and cultural tension between tradition and modernity, especially through the lens of Gen Z experiences.Her directorial style combines realistic narrative structures with stylized visuals, frequently incorporating local folklore and contemporary social issues. In addition to writing and directing, she has experience in voice acting, makeup effects, and script development. DIAH is her latest short film that delves into Javanese mysticism and inherited destiny. Previously, she worked as part of a creative team in a content agency and developed various short-form visual storytelling projects.
This story is about a family that strictly adheres to a tradition to avoid danger. I am a girl from a family that strongly believes in tradition. Although the tribe in this story is different, the seriousness in carrying out the tradition to keep it alive is the same. A small example is that my grandmother always makes her own ketupat pulut during the holidays. This is a habit that my grandmother has done year after year. Even if there were no ketupat pulut, the holiday would still be a holiday. However, if this tradition is not continued by me or future generations, it will fade away and be forgotten as times change.
In this modern age, there is nothing wrong with continuing a tradition; it does not mean it is outdated, but rather it helps preserve and maintain the continuity of traditions passed down through generations.