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Diah

Blinded by logic, Diah rejects her ancestral heirloom. But as supernatural forces begin to torment her, she realizes that only by embracing her destiny can she stop the impending disaster.

  • Succi Purnamasari
    Key Cast
    "Diah"
  • Sri Fatmawati
    Key Cast
    "Maryam"
  • Slamet
    Key Cast
    "Kristomo"
  • Agus
    Key Cast
    "Suryono"
  • Salsabilla Putri
    Director
  • Salsabilla Putri
    Writer
  • Yoga Febrian
    Producer
  • Muhammad Hamdanu Syakirin
    Co Producers
    Grief Comes in Waves
  • Ridwan
    Line Producers
  • Ahmad Haryadi
    Unit Production Manager
  • Abyan Fitra
    Assistant Director
  • Bela Asasi
    Assistant Director
  • Rinaldi Irawan
    Location Managers
  • Gustri Putra Nanda
    Location Managers
  • Teja Arianda Ilham
    Assistant Productions
  • Zinni Rahanum
    Craft Services
  • Fadhilla Turahmi
    Craft Services
  • Septian Asniyardi
    Director of Photography
  • Andriyan
    Gaffer
  • Yusuf Parhat
    Art Directors
  • Yolanda Tri Wardani
    Editor
  • Yolanda Tri Wardani
    Sound Designers
  • Chica Tiara Andaresta Mangkubumi
    Wardrobes
  • Sarah Galuh
    Wardrobes
  • Cahya Ayu Rininta Syahputri
    Wardrobes
  • Chica Tiara Andaresta Mangkubumi
    Hair Stylists
  • Divka Atmasmara Dhama
    Make Up Artist
  • Muhammad Hamdanu Syakirin
    Production Sound Mixer
  • Yolanda Tri Wardani
    Assistant Production Sound Mixer
  • Muhammad Faezul Fikri
    Boom Operator
  • Salsabilla Putri
    Casting Director
  • Yusril Ali Alfath
    Sript Supervisors
  • Renaldi Fazriansyah
    Visual Countinuity
  • Putty Adelya Sastra
    Clapper
  • Rahmat Hamdi
    Talent Coordinators
  • Muhammad Habil Muhtadin
    Talent Coordinators
  • Selvia Yuniyanti
    Talent Coordinators
  • Reyhan Fadhila
    Assistant Cameras
  • Belva Luthfiati
    Assistant Cameras
  • Rezki Perdana Putra
    Assistant Cameras
  • Afdal Maulana
    DIT
  • Aprillian Pratama Lubis
    Lighting and Grip
  • Abdul Muhaimin Hadi Siregar
    Lighting and Grip
  • Sutrindo Latzirsah Adnil
    Lighting and Grip
  • Rivol Chaniago
    Lighting and Grip
  • Zaki Maulana
    Lighting and Grip
  • Hezkiel Tobing
    Lighting and Grip
  • Muhammad Ashari
    Master Props
  • Diki
    Set Dresser
  • Arriel Ardhi
    Set Dresser
  • Imam Akbar
    Builder
  • Alif Maulana
    Builder
  • Irwaldi Putra
    Assistant Editors
  • Sultan Akbar Kamal
    Visual Effect Artist
  • Andri Syahputra
    Colorist
  • Project Type:
    Short
  • Genres:
    Drama, Horror
  • Runtime:
    33 minutes
  • Completion Date:
    January 3, 2025
  • Production Budget:
    4,861 USD
  • Country of Origin:
    Indonesia
  • Country of Filming:
    Indonesia
  • Language:
    Indonesian
  • Shooting Format:
    digital
  • Aspect Ratio:
    2.35:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - ndonesia Art Institute of Padangpanjang
  • Digital Cinema Package:
    Unavailable
  • Prologue: Final Exam Screening
    Bukittinggi, West Sumatera
    Indonesia
    January 3, 2025
    -
    -
  • Sinema Muda Layar Nusantara
    Karanganyar, Central Java
    Indonesia
Director Biography - Salsabilla Putri

Salsa Billa Putri is an emerging Indonesian filmmaker with a strong foundation in television and film production. Born and raised in Sumatra, she graduated from the Indonesian Institute of the Arts (ISI) Padangpanjang, majoring in Film and TV. Her works often explore the psychological and cultural tension between tradition and modernity, especially through the lens of Gen Z experiences.Her directorial style combines realistic narrative structures with stylized visuals, frequently incorporating local folklore and contemporary social issues. In addition to writing and directing, she has experience in voice acting, makeup effects, and script development. DIAH is her latest short film that delves into Javanese mysticism and inherited destiny. Previously, she worked as part of a creative team in a content agency and developed various short-form visual storytelling projects.

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Director Statement

This story is about a family that strictly adheres to a tradition to avoid danger. I am a girl from a family that strongly believes in tradition. Although the tribe in this story is different, the seriousness in carrying out the tradition to keep it alive is the same. A small example is that my grandmother always makes her own ketupat pulut during the holidays. This is a habit that my grandmother has done year after year. Even if there were no ketupat pulut, the holiday would still be a holiday. However, if this tradition is not continued by me or future generations, it will fade away and be forgotten as times change.
In this modern age, there is nothing wrong with continuing a tradition; it does not mean it is outdated, but rather it helps preserve and maintain the continuity of traditions passed down through generations.