Days Of The Future Past

  • Magdalene Paniotte
    Writer
  • Project Type:
    Screenplay
  • Genres:
    Romantic Drama, Fantasy, Dark Comedy
  • Number of Pages:
    120
  • Language:
    English
  • First-time Screenwriter:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • Near Nazareth Film Festival, 2018
    Israel
    Semi-Finalist, Screenplay
  • Eurofest International Film Festival, 2018
    St. Petersburg
    Finalist, Screenplay
  • Beverly Hills Film Festival, 2019
    Beverly Hills
    Official Selection, Screenplay Competition
  • Bridge Fest, 2021
    Vancouver
    Winner, Best Screenplay
  • Athens Int'l Film & Art Festival, 2023
    Athens
    Special Mention, Best Original Script
  • Mediterranean Film Festival, 2025
    Cannes, Milan, Athens
    Official Selection, Screenplay
  • The MacoProject Film Festival, 2025
    New York City
    Official Selection, Feature Screenplay
  • Digital Griffix Film Awards, 2025-26
    Montreal, Quebec
    Nomination, Best Screenplay for Feature Film
  • Top Indie Film Awards, 2026
    Tokyo, Japan
    Official Selection, Feature Script
Writer Biography - Magdalene Paniotte

Magdalene Paniotte is originally from Chicago, Illinois and pleased to be a member of Film Freeway. Her professional interest in writing for the screen developed as a natural progression of her early studies in the performing arts. Magdalene has a BA in Theatre (Acting/Directing) from Illinois State University (1983), and in later years completed her online MFA in Creative Writing (Screenwriting) at National University (2017). She has written a few screenplays, several fiction and literary non-fiction short stories & scripts, and a selection of poetry...

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Writer Statement

In conceptualizing "Days of the Future Past", my intention is to reveal the mystery of life from a romantic and naturalistic perspective interspersed with elements of magical realism... toward that effort, the significance of the dream world is integral to the story, as are flashback sequences in creating an abstract, non-linear landscape. Religious beliefs take on relevance as do ghostly perceptions, particularly as they relate to cultural affectations and a subconscious fear of the unknown. Setting becomes important in revealing character motivation, i.e., the sophisticated New York City backdrop draws a contrast to the rural and peaceful existence of Nebraska, save for occasional inclement weather that gets more ominous as the plot progresses, and is a catalyst to imparting how atmospheric elements affect the interrelationships between the main characters.