Dabole
In Marathi, “Dabole” means wealth — not merely material possessions, but the hidden treasures every human quietly carries within.
The short film Dabole explores this idea through a raw, intimate portrait of a rural couple whose greatest riches are not tangible, but the ones they are yet to recognize.
A young, poor couple, primarily dependent on small-scale farming and daily-wage labour, lives hand-to-mouth in a remote Maharashtrian village. Their existence is minimal and almost primitive — food, clothing, shelter, and togetherness form the core of their world. Love, for them, is unfiltered; desire is honest; and joy is found in the warmth of each other’s companionship after long days of toil. They have no monetary savings, no security — only their bond, a small sack of brown rice, and the woman’s cherished gold earrings, which she treasures second only to her husband.
But nature has its own script.
Weeks of relentless rain confine them indoors, washing away all work opportunities. Their scant food stock disappears, the fields drown, and hunger begins to gnaw not only at their bodies but at their spirits. The man grows weaker — embarrassed that his body can no longer respond to his wife’s affection. Under the weight of starvation, their desire, once a refuge, becomes another casualty of the storm.
When the rain finally breaks, hope trickles in. The man scavenges whatever little food he can find. The woman prepares a modest pot of rice, and for the first time in days, the aroma fills their hut with life. That night, as they prepare to restore their lost warmth and closeness, a wandering beggar appears at their doorstep — drenched, starving, desperate. Moved by compassion, the wife offers him her entire portion of the precious meal.
Later that night, they confront a painful reality: the crisis is far from over. To survive the uncertain days ahead, they decide to sell the woman’s only valuable possession — her small gold earrings, their last material “Dabole,” treated always with reverence.
But destiny intervenes.
On the day before they are to sell the earrings, the couple ventures into the nearby woods to gather firewood, search for crabs, and find vegetables — hoping to ease their hunger and perhaps reclaim some intimacy. The man, eager, moves ahead in search of crabs. Alone and weakened, the woman pauses, slips on her earrings for what she imagines might be the last time, and follows the path into the woods.
There she senses someone behind her. Frightened, she runs until she finds a momentary sense of safety. As she tries to recover her breath, an elderly man — the same beggar from earlier — reappears, offering her water and food. Once she accepts and finishes eating, he emerges again, this time attempting to force himself on her.
Meanwhile, the husband, delighted with the crabs he has caught, returns to find his wife missing. She eventually returns, distraught and crying. In the chaos of the assault, she has lost her earrings — their last hope for survival. Whether lost in struggle or stolen, the earrings are gone. Overcome with grief, she regrets wearing them into the woods, knowing their only security has vanished.
The husband comforts her and brings her inside. Moments later, he reveals that during his search, he found a pair of gold earrings in the woods — identical to hers. As he places them in her hands, both realise the truth: these are indeed her earrings, miraculously recovered.
By the end of this ordeal, the couple arrive at a profound understanding:
Their real wealth was never the gold.
Their true Dabole is themselves — their bodies, their intimacy, their resilience, their compassion, and their ability to weather life’s storms together while continuing to choose love.
The earrings are merely a symbol of this richness, not its source.
Dabole ultimately asserts that true wealth lies within — in trust, in the courage to endure, and in the determination to protect the treasures that truly define us.
Millions around the world struggle each day for the basic comforts of food and human connection. Poverty does not merely starve the body, it also starves intimacy, dignity and the spirit.
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Raja PradhanDirectorMichael
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Jayant VidvansWriter
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Kayapalat StudioProducerMichael
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Shubhada TikamKey Cast"Sonabai"Michael
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Deven KolambkarKey Cast"Antu"
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Ravindra DeodharKey Cast"Old Man (mhatara)"Michael
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Sujata ShelatkarKey Cast"Lakshmi"
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Dr Sameer MoneScreen Play and Dialogues
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Pt. Ajay JoglekarMusic/ Background ScoreMichael
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Darsh SamantPromo Artwork
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Siddhesh ThakurCinematography and Editing
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Smita RahaneSubtitlesMichael
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Project Type:Short
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Runtime:35 minutes 43 seconds
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Completion Date:April 19, 2026
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Production Budget:300,000 INR
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Country of Origin:India
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Country of Filming:India
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Language:Marathi
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Shooting Format:Digital MP4
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No