DRIVE
Driving through the night, a young man is chased by someone looking just like himself. As he shakes off his haunter, his confidence grows, causing him to become dangerously unwary. Soon, his follower is back – involuntarily. Who outruns who?
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Victoria KobersteinDirectorBreeze, Patrycia
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Victoria KobersteinWriterBreeze, Patrycia
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Victoria KobersteinProducerBreeze, Patrycia
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Luca A. HettlingProducerBreeze
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Luca A. HettlingKey Cast
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Makito KumazawaDirector of PhotographyBreeze
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Victoria KobersteinEditorBreeze, Patrycia
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Niklas SeehausenDramaturgic Advisor
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Project Type:Music Video, Short, Student
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Genres:Thriller, Western, Music Video
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Runtime:4 minutes 1 second
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Completion Date:August 20, 2021
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Country of Origin:Germany
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Country of Filming:Germany
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Language:English
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Shooting Format:Digital 4K
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Aspect Ratio:17:9 DCI
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - School of Art and Design Kassel
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Boden International Film FestivalBoden
Sweden
October 14, 2022
Sweden Premiere
Best Music Video Selection -
TAKT Film FestNovi Sad
Serbia
September 22, 2022
European Premiere
Music Video Selection -
Panther City Film FestivalFort Worth, Texas
United States
July 13, 2023
North American Premiere
Best Music Video Nominee
Victoria Koberstein started her film studies in Chicago in 2014 and continued at the School of Arts and Design – Kunsthochschule in Kassel, focussing on Visual Communication in Film.
She writes, directs, produces and edits fictional short films, documentaries, music videos and dance films.
A continual collaborator is award-winning Director of Photography Makito Kumazawa as well as Musician & Composer Luca Alessandro Hettling.
Working with musicians, it is really important to me to capture the lyrical as well as personal sense of a song and its artist. The video is a dive into subconscious waters: something is close to the surface but we won’t quite let it come up and breathe, we push it further down instead. But keeping these thoughts and feelings under water for too long will make them jump right out when we least expect it. I used the „Doppelgänger“-motive to visualize this conflict, a conflict that we can’t contend with others, only with ourselves.