DAUNCE 3x
This 3 channel stereoscopic 3D film installation gives up traditional verbal narratives, instead it is a meditative journey through recent dance history, juxtaposing the 20th century with the memory of five bodies – an embodied dance history. Exploration of somatic awareness, representation, perception, and participation.
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Jobbágy BernadettDirector
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Zsolt MagyariDirector
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Jobbágy BernadettProducer
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Zsolt MagyariProducer
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Márton BánProducer
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Eszter GálKey Cast
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Attila HorváthKey Cast
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Vera JarovinszkijKey Cast
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Ferenc KálmánKey Cast
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Rebeka Petra KissKey Cast
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Szabi TóthOriginal score
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Melissa RayneVoice
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Bernadett JobbágyChoreographer
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Zsolt MagyariStereographer
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Gábor KocsisLight
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Márton SzamosRig-technician
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Mihály DiósyFocus puller
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Gergely KásaGrip
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Bernadett JobbágyEditing
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Zsolt MagyariEditing
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Viktor BorbélyColoring
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Kővágóörs Alkotótábor AssociationProduction partner
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Project Type:Installation
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Runtime:37 minutes 22 seconds
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Completion Date:April 16, 2025
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Production Budget:12,000 EUR
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Country of Origin:Hungary
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Language:English
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Student Project:No
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(pre-)premierBudapest
Hungary
October 21, 2024
Hungarian pre-premier // test screening
Zsolt MAGYARI is a cinematic storyteller with a multidisciplinary
background. He has contributed to the making of numerous
fiction films and documentaries as cinematographer and as stereographer and directed music videos, short films and documentaries. He is the co-founder of Stereographer Ltd.
that creates highend technology for stereoscopic filming.
Bernadett JOBBÁGY is a choreographer, dancer, performer, Somatic Movement Educator in Body-Mind Centering® (BMC®), and filmmaker. She graduated as a landscape architect – and space remained a key interest and inspiration for her since. Currently she is finishing her doctoral studies (DLA) at the Hungarian University of Fine Arts. Her research interests include film as embodied art, the somatic possibilities of choreographic moving images and multimedia art.
The representation of the human body is a fundamental theme in fine art. But the moving body embodies a unique quality, a physical intelligence and form of communication that cannot be fully captured in words. Each person’s movement is as distinct as their genes or fingerprints. Our bodies carry the movements of our ancestors, our cultural milieu and our bodily experiences. When we pay attention to it, movement can be a key to healing, our lifestyle, and our relationships. Dance is a form of expression that articulates itself through its own means. It is an art in constant flux, evolving and transforming through a chain of encounters, and it was radically renewed in the twentieth century. Dance broke free from the bounds of representational forms to become self-reflective, liberated, and formally experimental.
Dance can also be seen as an art of female and human emancipation. It provided a space for women to redefine their identities and experience social roles more flexibly, as dancers on stage often projected strength, passion, and independence. Thus, dance became not only an artistic expression but also a vehicle for autonomy, body positivity, and cultural freedom, promoting women’s selfworth and social acceptance.