Private Project

DAUNCE 3x

This 3 channel stereoscopic 3D film installation gives up traditional verbal narratives, instead it is a meditative journey through recent dance history, juxtaposing the 20th century with the memory of five bodies – an embodied dance history. Exploration of somatic awareness, representation, perception, and participation.

  • Jobbágy Bernadett
    Director
  • Zsolt Magyari
    Director
  • Jobbágy Bernadett
    Producer
  • Zsolt Magyari
    Producer
  • Márton Bán
    Producer
  • Eszter Gál
    Key Cast
  • Attila Horváth
    Key Cast
  • Vera Jarovinszkij
    Key Cast
  • Ferenc Kálmán
    Key Cast
  • Rebeka Petra Kiss
    Key Cast
  • Szabi Tóth
    Original score
  • Melissa Rayne
    Voice
  • Bernadett Jobbágy
    Choreographer
  • Zsolt Magyari
    Stereographer
  • Gábor Kocsis
    Light
  • Márton Szamos
    Rig-technician
  • Mihály Diósy
    Focus puller
  • Gergely Kása
    Grip
  • Bernadett Jobbágy
    Editing
  • Zsolt Magyari
    Editing
  • Viktor Borbély
    Coloring
  • Kővágóörs Alkotótábor Association
    Production partner
  • Project Type:
    Installation
  • Runtime:
    37 minutes 22 seconds
  • Completion Date:
    April 16, 2025
  • Production Budget:
    12,000 EUR
  • Country of Origin:
    Hungary
  • Language:
    English
  • Student Project:
    No
  • (pre-)premier
    Budapest
    Hungary
    October 21, 2024
    Hungarian pre-premier // test screening
Director Biography - Jobbágy Bernadett, Zsolt Magyari

Zsolt MAGYARI is a cinematic storyteller with a multidisciplinary
background. He has contributed to the making of numerous
fiction films and documentaries as cinematographer and as stereographer and directed music videos, short films and documentaries. He is the co-founder of Stereographer Ltd.
that creates highend technology for stereoscopic filming.

Bernadett JOBBÁGY is a choreographer, dancer, performer, Somatic Movement Educator in Body-Mind Centering® (BMC®), and filmmaker. She graduated as a landscape architect – and space remained a key interest and inspiration for her since. Currently she is finishing her doctoral studies (DLA) at the Hungarian University of Fine Arts. Her research interests include film as embodied art, the somatic possibilities of choreographic moving images and multimedia art.

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Director Statement

The representation of the human body is a fundamental theme in fine art. But the moving body embodies a unique quality, a physical intelligence and form of communication that cannot be fully captured in words. Each person’s movement is as distinct as their genes or fingerprints. Our bodies carry the movements of our ancestors, our cultural milieu and our bodily experiences. When we pay attention to it, movement can be a key to healing, our lifestyle, and our relationships. Dance is a form of expression that articulates itself through its own means. It is an art in constant flux, evolving and transforming through a chain of encounters, and it was radically renewed in the twentieth century. Dance broke free from the bounds of representational forms to become self-reflective, liberated, and formally experimental.
Dance can also be seen as an art of female and human emancipation. It provided a space for women to redefine their identities and experience social roles more flexibly, as dancers on stage often projected strength, passion, and independence. Thus, dance became not only an artistic expression but also a vehicle for autonomy, body positivity, and cultural freedom, promoting women’s selfworth and social acceptance.