Current

My creative practice is a synesthetic pursuit that deliberately blurs the borders between clinical observation and allegorical dreamscape. I am a "collector of chaos," scavenging the socialized urban landscape for a sense of "otherness" that is often discarded by the casual passerby. In our post-pandemic reality, these films function as cinematic "exquisite corpses," where highly worked, overlapping imagery creates a visual puzzle of shapes and textures. By reclaiming a slow, attentive gaze—a faculty increasingly degraded by the era of instant, reductive media—I explore the haphazard "human remains" of our environment, treating the medium as a pixelated "Wild West" where the only constant is flux.

This exploration is anchored by The Elemental Imbalance, a robust interrogation of the four ancient pillars of our planet: Air, Earth, Fire, and Water. While these forces traditionally represent the functional core of organic life, the impact of the Industrial Revolution and escalating climate change has stressed them into states of violent unpredictability. In these non-narrative meditations, I draw upon alchemical symbolism to frame this crisis: the volatile transformation of matter and the transmutation of the natural world into something unrecognizable. The elements shapeshift from their pure, foundational states into their fearsome modern counterparts—the tornado, the quake, the forest fire, and the flood—representing a dark alchemy where the "great work" of nature is being undone by human interference.

Rendered in stark black and white to strip away historical markers, the series serves as a surreal mantra—a necessary pause to witness the "checks and balances" of Mother Nature. Supported by an intense international collaborative score, the work captures the visceral tension between the peaceful and the savage. It is a cinematic study of a fragile ecosystem in transition, where the alchemical gold of our planet is being reduced to the soot and salt of a fractured horizon.