Experiencing Interruptions?

Color My Grey Street

A Brooklyn-based painter is prompted by her therapist to explore the synastry between her recent breakup and childhood traumas.

  • Rose Sutton
    Director
  • Rose Sutton
    Writer
  • Maggie Soik
    Producer
  • Nina Sundermeyer
    Producer
  • Alexa Whyte
    Producer
  • Priyanka Kedia
    Key Cast
    "Ama "
  • Autumn Parham
    Key Cast
    "Young Ama "
  • Michael Monroe
    Key Cast
    "Jared "
  • Aleya Jung
    Key Cast
    "Ama's Dad "
  • Maya Mahmood
    Key Cast
    "Julie (Ama's Sister) "
  • Tom Ciorciari
    Key Cast
    "Derek (Ama's Step-Father) "
  • Sezen Hatta
    Key Cast
    "Ama's Mother (Renee) "
  • Annie Bayliss
    Key Cast
    "Ama's Therapist "
  • Ryan McGovern
    Key Cast
    "Extra "
  • Donovan Counts
    Key Cast
    "Extra "
  • Messijah Hall
    Key Cast
    "Extra "
  • Maggie Brill
    Director Of Photography
  • Ronnie Gilmore
    1st Assistant Camera
  • Cameron Paradiso
    2nd Assistant Camera
  • Ben Cruz
    Gaffer
  • Diego Ruiz
    Grip & Electric
  • Tim Savin
    Grip & Electric
  • Max Cook
    Paintings
  • Jolie Gutierrez
    Paintings
  • Oriel Ceballos
    Paintings
  • SonjaRose Bugolubov
    Assistant Director
  • David Reid
    Sound
  • Nina Sundermeyer
    Sound
  • Viviane Arnone
    Production Design
  • Sil Rivera
    Production Design
  • Christine Parshall
    Production Design
  • Sara Goldberg
    Production Design
  • Isabella Diana
    Wardrobe
  • Willow Lynn
    Wardrobe
  • Niya Leigh
    Wardrobe
  • Emily Villarreal
    Intimacy Coordinator
  • Andre Ilaraza
    Script Supervisor
  • Bryan Yanbing Lee
    Script Supervisor
  • Flora Nolan
    Music
  • Muhil Vaseekaran
    Color
  • Sam Lowenburg
    VFX
  • Chaya Gurkov
    Production Assistants
  • Milton Vargas
    Production Assistants
  • Pooja -Accamma
    Production Assistants
  • Tim Wang
    BTS Photography
  • Emily Massey
    BTS Photography
  • Emily Cho
    BTS Photography
  • Rose Sutton
    Editor
  • Rose Sutton
    Producer
  • Project Type:
    Experimental, Short, Student
  • Genres:
    Drama, Romance, Identity, VisualArts, Experimental
  • Runtime:
    14 minutes 51 seconds
  • Completion Date:
    February 9, 2024
  • Production Budget:
    7,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - New York University
  • Digital Cinema Package:
    Unavailable
Director Biography - Rose Sutton

Rose Sutton, of full Syrian-Jewish descent, is a Brooklyn-based filmmaker specializing in directing, editing, and photography. A recent graduate of NYU Tisch’s Film & Television program as a Tisch Scholarship recipient, her work explores emotional complexity, and the interplay between lived experience—past, present, and imagined—and artistic expression.

Born in Los Angeles and raised across shifting homes after her parents' divorce, Rose developed a deep appreciation for storytelling that embraces nuance, abstraction, and collaboration. Her style leans into bold visual experimentation, often merging music, movement, and layered imagery to evoke feelings that resist traditional narrative.

At NYU, she created Color My Grey Street and her senior thesis, The Music Coma, a feature film set for completion in 2026. Her films have screened at festivals including the Big Apple Film Festival and NYU's First Run Film Festival among others, where she received awards for screenwriting, performance, and sound design. She was also awarded grants from the NYU Clive Davis Institute and the Lancer Family Foundation for excellent use of music in film. In 2021, she was selected to be a part of the Tisch Collaborative Research Cohort for her conceptualization of dance film, "Don't Hold The Wall".

​As a photographer, Rose has shot for several dance companies throughout New York City, and has done BTS for over 40+ film sets. Her personal work can be described as sensual and intimate, frequently experimenting between the world of analog and digital. With a continued passion for producing, Rose has worked to curate over 10+ productions, student and non-student led. Her work can be located under her CV, along with additional projects ranging from music videos to photographic installations.

Outside of filmmaking, Rose is a movement artist and poet. Returning to dance in high school, she continues to use the moving body as an unbounded life force. She is currently working on a poetry book, and loves to explore the world ear buds on and off; listening to her favorite sounds and lyrics.

Her inspirations include Luca Guadagnino, Joachim Trier, Jillian Rose Banks, and various other multi-hyphenate artists. Music remains the catalyst behind everything she creates; she hopes to tap into many waters within the creative medium throughout her lifetime. Aside from The Music Coma, she is currently in the development stages of her next feature, CAVES-- an adapted, spec scene from the film set to shoot in February, 2026.

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Director Statement

My film, "Color My Grey Street" holds deep personal value to me. Throughout my life I have struggled with anxiety, anxiety that was often perpetuated through family conflict. As a result, I relied on the consumption of music as a form of healing. Likewise, Ama leans on her paintings to guide her through her troublesome experiences. Like me, she is a black and white thinker. Threading through numerous thematic elements, my film attempts to break down ones distorted perception of their past as a result of childhood trauma. These characters are largely based on people in my own life. Creating this film was healing for me. I hope those who watch it can resonate with using art as a healing mechanism in order to truly grow and find peace with their inner-child.

Our piece tells the story of stubborn, passive character, AMA: a woman who needs something like the force of a breakup to look her past straight in the eye; recognize her own culmination as both an artist and human. As the story concludes, perhaps she resides in a sort of enlightened resting point; a new level of understanding, and a heightened perception of self.
Our film reflects many themes: yearning, desire, a muffled attempt to mend one's childhood trauma, and an artist thirsty for answers that simply sit within herself. If there is one thing we can pick up about this character it is that everything external is truly external; a desperate attempt to run away from one's full potential, or in this case, “third eye”. No one gave it to her, she always had it within herself. I give my audience the freedom to resonate with this statement however they choose fit.

Growing up, I often moved around homes and schools, a result of my parent's divorce from a young age. As a little one with anxiety, this only seemed to perpetuate things. But the extremities of my emotions were something I grew to love and be in awe of…This little girl, craving the thrill of life yet also running straight from it. One minute there was overwhelming love, “THE WHITE” and another, overwhelming isolation, “THE BLACK”

And then, as I grew older, then there was a “grey zone” a period of what felt like dissociation and numbness. I felt like I didn't see a world outside of myself, but at the same time, the world outside of me began to feel too certain, expecting. I was…bored. However, the past couple of years I have learned the true beauty of stillness, the true beauty of healing, and evolved self-expression. Maybe I wasn’t jumping through extreme highs and lows, but I felt content– I felt just as real as one can be. And yet, I would still overthink. I would wonder.. wonder if I could always feel more during these times, times when I feel as though I am taught to feel less and less. That is an artist’s journey. This is Ama’s journey. She has an impulsive desire to feel, but she doesn’t have a long-term need for it– for she can’t sit with anything for too long, as feelings become an entity of the past. In her head, someone is telling her not to, her childhood self becomes her teacher. Whether she makes this self-portrait feeling black, white, or grey, she knows one thing is for sure: her art is a form of self-empowerment; a true reclamation of oneself.