Chelita, Como me Duele Quererte
A clumsy young baker tries to reconnect with his first love after discovering she has become an Adelita (female soldier) in the Mexican Revolution.
-
Luis Gerardo Ponce PinonDirector
-
Riley S. QuinnDirector
-
Angela Mauvezin-QuirogaProducer
-
Grace MartinArtists
-
Grace HawleyArtists
-
Jack TrewArtists
-
Han LeeArtists
-
Sungjun ChoArtists
-
Andres GossmanArtists
-
Iman GadallaArtists
-
Nina MalleryArtists
-
Mahea BinghamArtists
-
Kalia SwintArtists
-
Dani DockArtists
-
Mae HonarkArtists
-
Diana GrantArtists
-
Sofia GygerArtists
-
Walter SalgadoMusical Arrangement by
-
Jake WilliamsMusical Arrangement by
-
Jose Luis PonceMusical Arrangement by
-
Anya PerezAnimator
-
Andrew MottolaAnimator
-
Jonatan MartinezAnimator
-
Annelise CoelloAnimator
-
Stephanie AnokamAnimator
-
Jannah MannehAnimator
-
Laila JamesAnimator
-
Jayla MontgomeryAnimator
-
Kaz MonteroAnimator
-
Amber GuoAnimator
-
Kei KellyAnimator
-
Yijun YaoAnimator
-
Isabella Lee KingAnimator
-
Aarti DamaniAnimator
-
Matthew ButtafuocoAnimator
-
Esther KutiAnimator
-
Faith Anne DoverAnimator
-
Cole FourqureanAnimator
-
Akira MaynardAnimator
-
Jenny ParkAnimator
-
Sydney AmesAnimator
-
Solomon ThorpeAnimator
-
CJ CaverAnimator
-
T-bone SermkarnvanichClean up and Color Artist
-
Evan Austin -PuhrClean up and Color Artist
-
Joanna NhemaClean up and Color Artist
-
Maria Laura VilasClean up and Color Artist
-
Bijou ForgetClean up and Color Artist
-
Ernesto SernaClean up and Color Artist
-
Anar ZhanuzakkyzyClean up and Color Artist
-
Jessica GoddardClean up and Color Artist
-
Lucas PennellClean up and Color Artist
-
Brittany YatesClean up and Color Artist
-
Kassandra Luis Hernandez ZuñigaClean up and Color Artist
-
Derek PerezClean up and Color Artist
-
Eugene ParkClean up and Color Artist
-
Jacob ZetinaClean up and Color Artist
-
Paul RobertsonClean up and Color Artist
-
Ren LudlowClean up and Color Artist
-
Lizbeth PinedaClean up and Color Artist
-
Catherine LovelloClean up and Color Artist
-
Leo DurkeeClean up and Color Artist
-
Stephanie HolstonClean up and Color Artist
-
Laila BaraziClean up and Color Artist
-
Nayarit RiosClean up and Color Artist
-
Anika SheelClean up and Color Artist
-
Neko Pilarcik-TellezCompositor
-
Dejay PenaCompositor
-
Yingzhou ZhangCompositor
-
Candace BigelowCompositor
-
Levin MwauraCompositor
-
Sara HanifCompositor
-
Jonathan GrantCompositor
-
Isabella AcquasalienteCompositor
-
William NorrisCompositor
-
Audrey BroughtonCompositor
-
Sonia UddinSound Design
-
Luis Gerardo Ponce PinonVoice Acting
-
Andrew MottolaVoice Acting
-
Rafael ContrerasMusicians
-
Ivan PerezMusicians
-
Jose LopezMusicians
-
Jesus GodinesMusicians
-
Luis GodinesMusicians
-
Marco Antonio Ortega OlivaMusicians
-
Alma Mexicana Danza FolklóricaDance Consultation
-
Hilda Lucia Estrella de LevDance Consultation
-
Giovanni HerreraDance Consultation
-
Ponarq3dSpecial Thanks
-
Gregg AzzopardiSpecial Thanks
-
Celeste JamneckSpecial Thanks
-
Matthew MaloneySpecial Thanks
-
Jenna ZonaSpecial Thanks
-
Aaron McComasSpecial Thanks
-
Ted TySpecial Thanks
-
Project Type:Animation, Short, Student
-
Genres:romance, romantic comedy, historical fiction, comedy, war, historical comedy
-
Runtime:6 minutes 22 seconds
-
Production Budget:10,000 USD
-
Country of Origin:Mexico
-
Country of Filming:United States
-
Language:English, Spanish
-
Shooting Format:digital
-
Aspect Ratio:16:9
-
Film Color:Color
-
First-time Filmmaker:Yes
-
Student Project:Yes - Savannah College of art and Design
Originally from Mexico City, Luis Gerardo Ponce Pinon has always had a fascination with the arts, specifically an interest in the Animation field, fueled by his father’s enthusiasm for the medium. With a specialization and passion in concept development for animation, Luis’ knack for creating endearing stories, loveable characters and unified aesthetics has followed him throughout his life and has brought him great opportunities such as forming part of the inaugural class of the Netflix Animation Foundation Program in a partnership with LatinX in Animation.
Having grown up in the United States, his parents always instilled a love and respect for the culture and traditions of his home country, Mexico. This has been a huge inspiration behind a lot of his work where his goal is to break the myth of the monolithic Mexican experience and show the diversity in culture within different regions of the country. "Chelita, Como me Duele Quererte" is the first film he has written and directed and it has been such an honor to bring to life this story that is a tribute to the history and the beautiful things Mexico has to offer through a medium in which it is rarely depicted.
Riley S. Quinn is a story artist, with a strong online presence dedicated to showcasing the beauty of diversity in the realm of animation. She has worked in character design for animation at Bento Box Entertainment, and storyboarded for national advertisement at Vitro Agency.
Beyond her digital influence, Riley has also made her mark as an author with The Pendant of Hyacinth trilogy, amassing hundreds of thousands of followers on both Instagram and TikTok as part of her marketing campaign. She has twice been a featured panelist at San Diego Comic-Con, and looks forward to her next written project.
She is immeasurably proud to be directing “Chelita, Como Me Duele Quererte”, where she created the master-storyboard, supervised animation, and contributed to the film as a key animator herself. Being a leader for such a talented team is the highest honor, and she is elated to be showcasing the fruits of everyone’s labor alongside her brilliant peers.
Beginning as a high school dramatic writing class pitch by director Luis Gerardo Ponce Pinon, Chelita Como me Duele Quererte, has always had the purpose of bringing him and other Mexicans closer to their heritage and educating others about the customs and history of Mexico. Taking inspiration from the Cine de Oro Mexicano (Golden Age of Mexican Cinema) of the mid 20th century, Chelita is meant to celebrate and showcase the vibrance and warmth of the culture, despite the lack of color similar to the films it emulates with Luis’ art direction, and the film’s other director Riley S. Quinn’s storyboards. With both love and criticism towards this genre, Luis’ goal for this film is to highlight the beautiful things the culture has to offer and is meant to be a cine de oro film for today’s audience, taking the aesthetic, narrative and comedic style of this genre and extracting the negative aspects of these films such as Machismo, homophobia and sexism prevalent in this time.