Catching Bullets
A generation ago, Darren sold dope. Behind a gun and a bullet-proof vest, he once made a name for himself in Walnut Park, one of the most dangerous neighborhoods in St. Louis — a city itself haunted by a perennially high murder rate. Now in his 50s and marked with the scars of 13 bullets, Darren buys a condemned church building in his old neighborhood and channels his energy into establishing a youth mentoring center, dedicated to breaking the cycle of violence he once perpetuated. When Preston, the 18-year-old son of Darren’s late friend, is tempted by the allure of street-level drug dealing, Darren pledges to save Preston from winding up in a jail cell or worse.
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Ben ScholleDirector
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Derrick PhillipsProducer
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Ben ScholleProducer
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Mike GualdoniCo-Producer
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Kevin Coleman-CohenAssociate Producer
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Darren SealsPrincipal Collaborator
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Preston JonesPrincipal Collaborator
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Kateri Chapman-KramerContent Advisor
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Precious JonesContent Advisor
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LJ PunchContent Advisor
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Jamala RogersContent Advisor
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Lydia WoodContent Advisor
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Project Type:Documentary
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Runtime:1 hour 24 minutes 17 seconds
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Completion Date:January 1, 2024
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Production Budget:96,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:RED, Digital
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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St. Louis Filmmakers ShowcaseSt. Louis, MO
United States
July 28, 2024
World Premiere
Best Documentary -
Red Rock Film FestivalCedar City, UT
United States
September 28, 2024
Utah Premiere
Official Selection -
DocuWest Film FestivalDenver, CO
United States
October 17, 2024
Colorado Premiere
Marvin Booker and Michael Marshall Civil Rights Selection -
Lake County Film FestivalGreyslake, IL
United States
November 2, 2024
Illinois Premiere -
St. Louis International Film FestivalSt. Louis, MO
United States
November 9, 2024
Distribution Information
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BloodSweatHoneySales AgentCountry: United StatesRights: All Rights
Director, Ben Scholle, completed his first feature documentary in 2005. HairKuTT followed a barber struggling to kick his heroin addiction. It was selected for MoMA’s Documentary Fortnight and aired on BET and the Documentary Channel. It also played theatrically in Indianapolis and Boston and screened in schools and universities nationwide. Scholle’s recently completed third feature film, The Worst Crime, examines the story of a capital murder case from 2002, provoking questions about the death penalty and mental illness. The film is distributed in the US by Cineverse. Ben Scholle is a senior professor of cinema at Lindenwood University in St. Charles, MO.
Producer, Derrick Phillips, is a filmmaker and activist based in the St. Louis area. He earned a BA in Cinema Arts from Lindenwood University in 2011. He covered the Ferguson protests extensively, beginning in 2014, and he has created relationships with protesters, community organizers, activists, and politicians. In 2020, on the eve of the pandemic, he partnered with Ben Scholle to document anti-gun violence efforts in the city of St. Louis.
Director’s Statement
St. Louis is a notoriously divided community in terms of race, health, education, wealth, and more, but the news of 13 children killed by bullets in the summer of 2019 struck us all profoundly. In the city, neighborhoods both north and south of the “Delmar Divide” felt the pain of loss. Gun violence in St. Louis was nothing new, but it felt like it was spiraling out of control.
With each report of a new shooting, I found myself wondering who the shooters were. With the entire city on edge, what could be going on in the minds of the often very young people pulling the triggers? As the City of St. Louis adopted new public health-based approaches to violence prevention, Derrick Phillips and I decided to partner and tell the story in a way that would be deeper and more nuanced than the typical 90-second news package.
We began by partnering with different organizations, offering to create videos for them as a way of helping and learning about their work. While we gained deep understanding of all of our partners, the story of Darren Seals and the Sankofa Unity Center is the one that best represents the vastness of the problem, the complexity of the solutions, and the humanity of the community.
Producer’s Statement
I grew up in St. Louis with three brothers. By the age of 16, all four of us had been shot or stabbed. My interest in filmmaking began at age nine. By 13, I fell in love with basketball, but growing up on the west side of St. Louis, violence was a constant part of my upbringing. Escaping the hood at 18, I got my GED and went on to study filmmaking. 45 years later, I feel a need to share my experiences through film.
It’s easy to become numb to the news of violence, shootings, and deaths, but sometimes our outrage percolates. It can no longer be suppressed or contained. With this film, I hope to remind audiences how raw and real the losses can feel.