CHANT OF THE DESERT FLOWER
A young man prepares to meet his mother for the first time, a woman shaped by a traumatic past and the circumstances of his birth. As they come face to face, an awkward and fragile conversation unfolds, revealing unspoken pain, longing, and questions carried for years. Through hesitant words and shared silences, mother and son begin a quiet journey toward understanding and healing, choosing connection over the weight of the past.
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SOPHEA KIMDirector
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SOPHEA KIMWriter
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RITHY PANHProducerThe Missing Picture, Meeting With Pol Pot, First They Killed My Father...
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SARITA RETHProducer
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CEDRIC ELOYProducer
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RYNET MAKey Cast
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NORAKSATYA VONGKey Cast
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AYMERICK PILARSKICinematographyEgg, Invisible Tattoo, Meeting With Pol Pot...
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SOPHEAP NHEMOriginal Painting Artworks
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SETSOCHHATA SINOriginal Score
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EUAN GRAYOriginal Score
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Project Type:Short
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Genres:Poetic Drama
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Runtime:15 minutes 35 seconds
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Completion Date:March 24, 2026
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Production Budget:45,000 USD
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Country of Origin:Cambodia
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Country of Filming:Cambodia
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Language:Central Khmer
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Shooting Format:Arri Alexa Mini
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Cambodia International Film FestivalPhnom Penh
Cambodia
March 25, 2026
Cambodia Premiere
Official Selection -
Short Shorts & Asia Film FestivalTokyo
Japan
June 8, 2026
Japan Premiere
Asia International Competition -
Huesca International Film Festival - International CompetitionHuesca
Spain
June 10, 2026
Europe Premiere
International Competition
Distribution Information
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ANUPHEAP (Cambodia)DistributorCountry: CambodiaRights: All Rights
SOPHEA KIM grew up and currently lives in Cambodia, a Kingdom where very few women can raise their voices, especially in the Arts.
In late 2007, She began a career in the film industry on Rithy Panh's feature "The Sea Wall". In 2009, she joined the founding team of the Cambodia Film Commission and multiplied the trainings and experiences as assistant director and production coordinator with numerous international filmmakers, director such as Rithy Panh ("Shiiku The Catch", "The Missing Picture"), Boje Buck ("Same Same But Different"), Regis Wargnier ("The Gate"), Chantal Akerman ("Almayer’s Folly"), Jeanne Labrune ("The Path") and Angelina Jolie ("First They Killed My Father").
In 2019 she decided to step into writing and directing. She develops her own short and feature film projects, as she wants to share her vision about a fast changing Cambodia, where too few stories come to the screen, and where women's voices are little or never heard. In 2019, she directed her debut short film "Grey Feather" that premiered as the Opening film at the Cambodia International Film Festival, it was invited as part of Locarno - Open Doors and was selected in several international film festivals in Europe, Africa, North America and received several Awards.
FILMOGRAPHY:
GREY FEATHER by Sophea Kim (Cambodia/2020/20min)
⇢ Short film - Writing & directing
CHANT OF THE DESERT FLOWER by Sophea Kim (Cambodia/2026/15min)
⇢ Short film - Writing & directing
OTHER KEY FILMMAKING EXPERIENCES:
ALMAYER's FOLLY by Chantal Akerman (2010)
⇢ Script khmer adaptation - Casting Director
ACT OF VALOR by Mike McCoy, Scott Waugh (2012)
⇢ 2nd Assistant Director
THE GATE by Regis Wargnier (2013)
⇢ Casting Director
THE MISSING PICTURE by Rithy Panh (2013) - Oscar Nominated
⇢ Khmer version translation & adaptation
FIRST THEY KILLED MY FATHER by Angelina Jolie (2016)
⇢ Script khmer adaptation - Set 3rd Assistant Director
THE PATH by Jeanne Labrune (2017)
⇢ Script dialogue adaptation
YOUNG LOVE by Lomorpich Rithy (2019)
⇢ 1st Assistant Director
ONODA: 10,000 NIGHTS IN THE JUNGLE by Arthur Harari (2020)
⇢ Extras Casting Director - Managing Director
At age of 6 years old, I have personally experienced sexual assault by my step father and his father. I tried to tell my mother about this tragedy, and she told me to keep quiet, to bury this painful secret, to forget about what happened. Time has gone but until today, I cannot say I have fully recovered, nor forgotten, but I want to help women who are on the same path of healing and highlight the widely supported injustice of people’s behavior regarding this issue.
Rape has been and is still too common in our society and victims are often marginalized when they dare to speak out, as much as perpetrators are rarely punished… A popular saying in Cambodia is « Women are Prahok (fermented fish), when you open them, they stink », as for men the saying is opposite « Men are gold, whatever their actions, they can be washed clean ». As women, when we confront our perpetrators, our relatives often tell us that “it's shameful for our entire family and it can tarnish the reputation of our family”, especially in a society where virginity of young girls literally has a « face value ». Ultimately, it is we, the victims, who are left feeling ashamed in our own village, in our own families.
With this film, I want to speak out for all the women who do not dare to speak as they fear society will point fingers and exclude them. We are punished twice, and families who keep these heavy secrets share a responsibility in the brutality made to us women and the inhumanity we are treated with. I would like our society to realize this by depicting the broken lives caused by rape and emphasis their pains, but also show their humanity.
A man who assaults a girl or a woman, often cannot fathom the multiple negative impacts it will have over an entire existence, and an unwanted child will carry a burden, as a PTSD is transmitted through several generations. Rape impacts us physically, we feel multiple pains that come back in waves, even years later and a child can become a physical scar, nevertheless, most women decide to keep the child and give them love. But rape has long lasting psychological consequences leading to lack of self-confidence, anxiety, depression, and even suicide, it is a never-ending nightmare.
I have based this story not only on my experience but also inspired by the stories of many women of Cambodia who have to live through this. All these women and children need to live, need to love and be loved, even though they are damaged and their heart has been burned to ashes. I want this film to give hope to these women, to allow them to love again and look toward the future. By showing the humanity of this mother and child, I want to call for indulgence toward women who have a painful past and try to create relationships. Hope and love can overcome our tragic experiences and make us strong again, even if some wound shall never heal.