Bullet Points
“A world where corporate warfare involves actual war.”
GENRE: Action-Comedy
PAGE COUNT: 112
WRITTEN BY: Ryan Lis & Thomas Thomas
● LOGLINE: Caught between a hostile takeover and an FBI raid, two feuding private military contractors must join forces to save their coworkers, outwit their corrupt boss, and survive an office full of heavily armed employees... one bullet-riddled cubicle at a time. Think Lethal Weapon meets Office Space with a modern John Wick edge.
● THE STORY: It’s 2006, height of the PMC Boom. Jonathan Reeve and Edward Nash are elite operatives at Shepherd Protective Services, a private military firm once founded on moral purpose and top-tier talentTM. But after the sudden deaths of its founders, new leadership is gutting the company from the inside out.
When Reeve uncovers a secret operation known as “The Final Tally,” he and Nash discover a chilling truth: Shepherd has been quietly sold to its biggest rival, the Ashford Group, who plan to “streamline operations” by firing 90% of the staff... with an actual firing squad.
With the clock ticking and the FBI en route, Reeve and Nash hatch a rogue plan to take back the company. Standing in their way is Zahra Al-Fayed: Reeve’s former flame, Nash’s current boss, and the daughter of Shepherd’s late founders; a woman who believes the buyout is necessary, no matter the cost. As the takeover unfolds, Reeve and Nash must navigate gunfights, betrayals, a building full of dangerous operatives, and worse: performance reviews.
It’s a locked-box shootout, a last stand for the soul of the company, and a two-man rebellion against a system that sees people as profit margins. Bullet Points is a stylish, bloody, fast-talking takedown of corporate evil with franchise potential and cult film appeal.
● WHY NOW: In a time of mass layoffs, rising worker alienation, and hostile corporate mergers, Bullet Points delivers sharp satire through explosive spectacle. It channels the catharsis of John Wick and the corporate angst of Severance into an action-packed, violent takedown of late-stage capitalism; proving once and for all that office jobs really are trying to kill us.
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Ryan LisWriter
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Thomas ThomasWriter
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Project Type:Screenplay
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Number of Pages:112
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Language:English
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First-time Screenwriter:No
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Student Project:No
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Digital Cinema Package:Unavailable