Experiencing Interruptions?

Buah (Fruit)

In a time and place where abortion is illegal, a pregnant
woman’s repeated attempts to end her pregnancy fail until she crosses paths with a strange bus driver.

  • Jen Nee Lim
    Director
    The Note, Elsa
  • Jen Nee Lim
    Writer
    The Note, Elsa
  • Ke Ning Lee
    Producer
  • Tysha Khan
    Key Cast
    "Siti"
  • Hana Nadira
    Key Cast
    "Driver"
  • Wan Ahmad
    Key Cast
    "Ibrahim"
  • Aloeng Silalahi
    Key Cast
    "Bomoh"
  • Project Title (Original Language):
    Buah
  • Project Type:
    Short
  • Genres:
    Drama, Supernatural, Dark Comedy, Mystery
  • Runtime:
    14 minutes 35 seconds
  • Completion Date:
    July 21, 2025
  • Production Budget:
    51,612 SGD
  • Country of Origin:
    Singapore
  • Country of Filming:
    Malaysia
  • Language:
    Malay
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2.39
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • 30th Busan International Film Festival 2025
    Busan
    South Korea
    September 21, 2025
    World Premiere
    Wide Angle: Asian Short Film Competition
  • 36th Singapore International Film Festival 2025
    Singapore
    Singapore
    December 4, 2025
    Southeast Asian Premiere
    Best Performance - Tysha Khan/ Southeast Asian Short Film Competition
  • 48th Clermont-Ferrand International Short Film Festival 2026
    Clermont-Ferrand
    France
    January 31, 2026
    European Premiere
    International Special Jury Prize; Queer Jury Special Mention
  • Sundance Film Festival 2026
    Park City
    United States
    January 24, 2026
    North American Premiere
    Official Selection
  • SXSW Film & TV Festival 2026
    Austin, Texas
    United States
    March 13, 2026
    Texas Premiere
    Narrative Short Competition
  • 39th Medina del Campo Film Festival – SECIME 2026
    Medina del Campo
    Spain
    April 24, 2026
    Spanish Premiere
    International Short Film Competition
  • 5th iCOFF-GASTEIZ 2026
    Basque Country
    Spain
    May 21, 2026
    Basque Country Premiere
    Official Selection
  • 66th Krakow Film Festival 2026
    Krakow
    Poland
    May 31, 2026
    Polish Premiere
    Short Film Competition
  • 49th Norwegian Short Film Festival 2026
    Grimstad
    Norway
    June 11, 2026
    Norwegian Premiere
    International Short Film and Short Documentaries Competition
  • 32nd Palm Springs International Short Film Festival (ShortFest) 2026
    Palm Springs
    United States
    June 27, 2026
    California Premiere
    Official Selection
Director Biography - Jen Nee Lim

Jen spent 15 years producing, writing, and working across film acquisition, marketing, and distribution. As producer-writer, her feature film Truth Be Told (2007) won Best Original Film at the Asian Film Festival of Rome, and she later produced the International Emmy-nominated web series People Like Us (2016, 2019). Eventually, she shifted her focus to directing, beginning with Elsa (2019), a docu-short that earned a Special Mention at SeaShorts 2020, and The Note (2021), which screened at Inside Out Toronto 2022. Her latest short, Buah (Fruit), competed in Busan, Sundance, Clermont-Ferrand (Special Jury Prize and Queer Jury Special Mention), and SXSW. She is now developing Trash, a revisionist western short, and her debut feature Unmother. Jen approaches each film as a chance to push boundaries quietly but deliberately, shaping stories on her own terms.

Add Director Biography
Director Statement

What if a woman who never wants to be a mother finds herself pregnant in a world where abortion is illegal and deeply frowned upon? What if the only way out is through death, by turning into a spiritual being?
The initial idea for Buah was to explore an alternative origin story of how a woman could be transformed into a Pontianak, an infamous ghost well-known in Singapore and Malaysia. There are variations to this folktale, but the reason she comes into being is often the same: a woman who dies during childbirth transforms into a vengeful spirit. During the day, she resides in a banana tree. At night, she becomes a beautiful woman who seduces men and devours their organs, and/or goes after pregnant women for their unborn child.
But what if the Pontianak isn’t vindictive at all, but a liberator of other women who don’t want to become mothers?
And no, I’ve never encountered a Pontianak (but I have friends who have), nor had an abortion (but I have friends who have). But I did become obsessed with bananas and banana plants after reading about them (though that’s another story). In Buah, bananas and their connotations tie the characters and story together.
Buah is purposely set some time ago in an unspecified place in Southeast Asia where abortion is illegal and deeply frowned upon. This scenario isn’t far off from reality in many places. That is the horrifying part.
Imbued with a tiny dose of the supernatural and a cheeky attitude, Buah pays respect to women who died fighting for their right to live.