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Corpes Are Not Buried With Knives

Shirin goes to the border in search of her brother. Through their neighbor, Omid, she learns that her brother, Yousef, went to the border with Omid in an attempt to leave Iran. But since Omid crossed earlier, he never saw Yousef again. Now, Omid, trying to help Shirin, takes her to the smuggler who was last seen with Yousef. In her first encounter with the smuggler, Shirin discovers that Yousef is dead and his body was buried somewhere near the border—a place the smuggler can no longer remember. None of them ever saw the killer’s face, as an unknown masked man appeared in the final moments, stabbing Yousef with a knife. The smuggler, when burying him, pulled the knife out of Yousef’s heart.

Determined to find her brother’s body at any cost, Shirin returns to the city and seeks out Morteza, Yousef’s close friend, to borrow his father’s metal detector. With it, she hopes to locate Yousef’s body through the platinum implant in his leg. When visiting Morteza, Shirin realizes that his father has recently been released from prison. She asks for the device, but as she says goodbye, she notices a knife on Morteza’s belt—strikingly similar to the one used to kill Yousef. After leaving their house and piecing the clues together, she realizes that the killer was in fact Morteza.

Lost in these thoughts, Shirin is suddenly attacked by two thieves, who steal everything from her—including the bag containing the metal detector. When the thieves discover what was inside, they assume Shirin must be searching for hidden treasure. Believing this, they decide to pursue her as she makes her way back toward Morteza’s house.

  • Leili Rasouli
    Director
  • Leili Rasouli
    Writer
  • Ali Kalhor
    Producer
  • Pouya Beigi
    Key Cast
  • Reza Barzan
    Key Cast
  • Leyli Rasouli
    Key Cast
  • Keyvan Azad
    Key Cast
  • Milad Safavi
    Key Cast
  • Amir Mansour Monfared
    Key Cast
  • Hamidreza Noori
    Key Cast
  • Ali Kalhor
    Director Of Photography
  • Moein Najari
    Assistants Of Photography
  • Mehdi Estiri
    Assistants Of Photography
  • Amir Lotfi
    Assistants Of Photography
  • Mehdi Doosti
    Assistants Of Photography
  • Masih Hadpoor Seraj
    Audio Technician
  • Babak Moradi
    Assist Of Audio Technician
  • Aein Potgar
    Editing
  • Mehdi Shetabi
    Editing
  • Ali Kalhor
    Music Composer
  • Fatemeh Rasouli
    Set Designer
  • Fatemeh Soltani
    Make Up Artist
  • Amirmohammad Ahmadian
    Script Supervisor
  • Alireza Sarmadi
    Production Manager
  • Hossein Jafari
    Sound Designer
  • Ali Shetabi
    Poster Designer
  • Yousef Vejdandoost
    Directors' Consultant
  • Mohammad Afkhami
    Assistant Director
  • Alireza Nike Khah
    Assistant Director
  • Lian Studio
    Digital Laboratory
  • Mohammad Hossein Eshaghi
    Color Correction
  • Abolfazl Pouya
    Color Correction Assistant
  • Amirhossein Fahadan
    Public Relations Manager
  • Project Title (Original Language):
    جسد ها با چاقو دفن نمی‌شوند.
  • Project Type:
    Short
  • Runtime:
    26 minutes 29 seconds
  • Completion Date:
    January 20, 2025
  • Production Budget:
    500 USD
  • Country of Origin:
    Iran
  • Country of Filming:
    Iran
  • Language:
    Persian
  • Shooting Format:
    4k H264
  • Aspect Ratio:
    16 : 9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Distribution Information
  • Amirhossein Fahadan
    Distributor
    Country: Iran, Islamic Republic of
    Rights: All Rights
Director Biography - Leili Rasouli

Leili Rasouli, born in December 1994, is an Iranian screenwriter, theater and cinema actress, and director. She is the writer and director of two films, "Corpses Are Not Buried with Knives" and "The Book of Law", and has acted in cinema, short films, TV series, and theater. She holds a bachelor’s degree in film directing.

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Director Statement

Society, social justice, law, and humanity are the core of my perspective and the lens through which I tell stories in my films. The characters in my films are often entangled in secrecy and injustices caused by others. This cycle of human struggle within society continues—whether with oneself or with others. The narratives, like narrow plains, eventually lead to a similar state and share the same source for their ending: a tragic and bitter conclusion. In my works, human beings are always in search of something—sometimes in search of another person, sometimes in search of truth, and sometimes in search of themselves and the meaning of life.