Breathing Through
astradream’s Breathing Through plays with the cinematic
possibilities of a 360° VR environment, allowing the
stages of life to be immersively experienced both
architecturally and psychologically.
An exciting VR experimental short film about the journeying
of consciousness from birth, through the stages of life,
into rebirth.
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Stan AdardDirectorTime(s) To Breathe
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astradreamProducer
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Mihaly HorvathSoundscape
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astradreamPostproduction
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Project Type:Virtual Reality, 360 Video
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Genres:Experimental, Health
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Runtime:3 minutes 39 seconds
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Completion Date:March 31, 2020
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Production Budget:25,000 USD
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Country of Origin:Switzerland
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Language:English
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Student Project:No
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Golden Fox AwardsKolkata
India
February 3, 2021
Winner VIRTUAL REALITY (VR) 360° Video -
Global Film Festival AwardsLos Angeles, CA
United States
September 30, 2020
Winner -
Florence Film AwardsFlorence
Italy
September 5, 2020
Premiere Italy
Award Winner -
Blu-Hill Film Festival
Germany
January 21, 2021
Winner -
Hollywood Gold AwardsLos Angeles
United States
September 5, 2020
LA Premiere
Award Winner -
Canadian Cinematography Awards (CaCA)Toronto
Canada
August 7, 2021
Canada Premiere
Finalist -
Calcutta International Cult Film FestivalCalcutta
India
September 5, 2020
India Premiere
Award Winner -
Venice Film Awards - Monthly CompetitionVenice
Italy
September 5, 2020
Finalist -
Picasso Einstein Buddha International Film FestivalRishikesh, Uttarakhand 249192
India
September 26, 2020
Award Winner Experimental Short Film -
World Film Carnival - SingaporeSingapore
Singapore
December 12, 2020
Singapore Premiere
Award Winner Virtual Reality -
Milan Gold AwardsMilan
Italy
September 5, 2020
Finalist
Stan Adard (born 1954 in Schaffhausen, Switzerland) is a Swiss artist (digital art, video, music) and pioneer in digital flow art. Adard lives in Kienberg, Switzerland, is married with Christine and has three adult sons.
He got internationally known for his breathing pictures that he started developing in 2014.
Stan Adard works with 3D modeling and rendering software to create his artwork. The breathing effect of his digital art is created through an algorithm that mimics human breathing patterns, something Adard developed specifically for The Breathing Pictures project.
The actual pandemic has set a somber tone for people used to showing art and creating experiences—dancers, musicians, performers, filmmakers. In the absence of public events like these, virtual space has become one of the most immersive sensory experiences available to us. As people acclimate to having more and more emotional and contemplative experiences mediated by technology, a work like Breathing Through is a marker of the times. Traveling through a digitally constructed world, surrounded by scenes cultivated from history, autobiography, nature, the objects one experiences become timeless symbols. Logic and perspective matter less than the journey of life itself. Images aren’t supporting structures; the road we have chosen is only relative. But the meaning of our personal narrative, like the viewpoint one chooses to see in the video, is ultimately grounded in the breath.