Breakfast Tea
What's not to love about being woken before dawn by your neighbour's power saw?
A story about busy neighbours, early birds and worms.
Scripted, shot and edited in 24 hours during social lockdown.
Take care of your neighbours.
-
Jennifer PiperWriter
-
Jennifer PiperDirector
-
Jasper PooleProducer
-
Jennifer PiperKey Cast"The Person"
-
Jasper PooleEditing
-
Project Type:Short
-
Runtime:3 minutes 27 seconds
-
Completion Date:April 19, 2020
-
Production Budget:85 AUD
-
Country of Origin:Australia
-
Country of Filming:Australia
-
Language:English
-
Aspect Ratio:16:9
-
Film Color:Color
-
First-time Filmmaker:Yes
-
Student Project:No
-
American Golden Picture International Film FestivalJacksonville, Florida
United States
October 3, 2020
Official Selection -
The Quarantini Monthly Film FestivalLos Angeles
United States
October 23, 2020
Official Selection -
SacFilmChallengeSacramento
United States
October 25, 2020
Official Selection -
Top Indie Film AwardsTokyo
Japan
December 31, 2020
Official Selection -
Top Indie Film AwardsTokyo
Japan
December 31, 2020
Nominee: Best Editing -
Top Indie Film AwardsTokyo
Japan
December 31, 2020
Nominee: Best Message -
LIFFT INDIA FILMOTSAV & AWARDSPUNE, MAHARASHTRA
India
December 25, 2020
Nominee, Best Smartphone Film -
Papaya Rocks Film FestivalLondon
United Kingdom
February 25, 2021
Official Selection -
Hollywood Monthly Film FestivalHollywood, California
United States
October 15, 2021
Official Selection -
1st Monthly Film FestivalBelgrade
Serbia
September 23, 2021
Winner, Best Mobile Phone Film -
GENiUSLos Angeles, CA
United States
October 10, 2021
Official Selection -
African Smartphone International FilmFestivalLagos
Nigeria
December 15, 2021
Official Selection
Jennifer ‘JP’ Piper is a multidisciplinary storyteller who loves messing with the boundaries of artform. In 2019, JP created ‘The Representation Hour’ for Triple Bi-Pass on JOYFM Melbourne, exploring queer representation in pop culture. Her stageplays A Scandal in the Weimar and That Time Everything Went Well And We Were Totally Fine are published via Australian Plays and her short films, Facing the Future, At Home with Anne Zieté, skate. and Breakfast Tea – all created in isolation during Melbourne lockdown – have enjoyed official selection at various film festivals. This year, her academic writing will feature in a new text, Queering the Vampire Narrative, published by Brill | Sense. Having spent the last 12 years away, JP is thrilled to be back on Whadjuk Noongar Boodjar.