Private Project

Border Chocolate – The Second Life Economy of Cars

This documentary uncovers the complex journey of secondhand vehicle exports between the United States and Mexico—a trade that profoundly influences mobility, economics, and the environment in both nations. With approximately 1.4 million vehicles crossing the border annually, many of them introduced informally and colloquially referred to as "carros chocolate", these cars become indispensable to daily life in Mexico while sparking critical questions about long-term sustainability.
As hybrid and electric vehicles sales increase in the US and begin entering the second-hand export flow, the narrative spotlights a growing environmental challenge: the disposal and recycling of spent batteries. These components, laden with toxic materials, pose significant risks to land and water pollution in regions ill-equipped with the necessary infrastructure for safe handling. The film explores the tension between the promise of cleaner technologies and the unintended consequences of inadequate end-of-life management in communities reliant on used cars.
Through the voices of everyday users, mechanics, scrapyard workers, and binational environmental experts, the documentary underscores the urgent need for robust regulatory frameworks, sustainable recycling practices, and international cooperation to ensure the responsible management and reintegration of critical minerals into North American battery supply chains. It invites audiences to reflect on the broader implications of transitioning to electric mobility in a transnational context, where gaps in infrastructure and policy risk undermining progress toward a cleaner, more equitable future.
The film draws from original fieldwork by Francisco Parés Olguín, conducted as part of his graduate research on the U.S.–Mexico used vehicle trade.

  • Francisco Parés Olguín
    Research Director
  • Adrian Macias Diaz
    Director
  • Francisco Parés Olguín
    Writer
  • Carolina Zepeda Cafuentes
    Writer
  • Adrian Macias Diaz
    Writer
  • Francisco Parés Olguín
    Producer
  • Carolina Zepeda Cafuentes
    Producer
  • Adrian Macias Diaz
    Producer
  • Omar Ruiz Medina
    Key Cast
  • Francisco Parés Olguín
    Key Cast
  • Victor Gonzalez
    Key Cast
  • Ivan Salazar Migoni
    Key Cast
  • Nadia Islas Cital
    Key Cast
  • Meg Slattery
    Key Cast
  • Juan Meza Leon
    Voice Over
  • Project Type:
    Documentary, Short
  • Runtime:
    15 minutes
  • Completion Date:
    May 12, 2025
  • Production Budget:
    6,000 USD
  • Country of Origin:
    Mexico, United States
  • Country of Filming:
    Mexico, United States
  • Language:
    English, Spanish
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes - University of California Davis
  • Digital Cinema Package:
    Unavailable
Director Biography - Adrian Macias Diaz

Adrián Macías is a filmmaker, photographer, and screenwriter with broad experience in documentary and commercial production. He began his career with Jalmá (2012), a documentary nominated at the Morelia International Film Festival, and went on to work with ëskua Casa Productora on projects for major clients like Coca-Cola, Cemex, and Tecnológico de Monterrey.

His debut feature Mujeres de Manos Cálidas (2017) won Best Feature from Nuevo León at the Monterrey International Film Festival and screened internationally. He later released Vivir entre el desierto y el mar (2018), Rampage (2019), and Biografías Alimentarias (2020, 2024), which showcased food stories across Mexico and the U.S.

Macías has collaborated with organizations like CONAHCYT, Fasol AC, and the EU-backed Ventana Adelante project, and contributed to award-winning films such as Amor Ice (Cannes Short Film Corner). His latest work, Debacle, a fantasy-horror film, has been featured in festivals across Latin America.

He currently teaches audiovisual storytelling at the Autonomous University of Baja California and continues to explore storytelling at the intersection of culture, science, and community.

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