Blue is Lost
Trapped and lost in a crowded metropolis, the Grief navigates its way to find its missing owner. There is no timeline, no directions, and everything is a cycle. The Grief evolves as it travels through urban spaces & public transportation.
As the Grief finally finds its missing owner, it looks to each other and realizing that all this time, they’ve always been together but both are lost.
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Robert Joshua San LuisDirector
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Robert Joshua San LuisWriter
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John Gabriel GemzonWriter
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Janna VergaraWriter
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Sig YuProducer
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Tristan OrtegaProducer
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Ivette CaburnayProducer
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Kyle MendrezProducer
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Estee GabrielProducer
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Bryan RalaProducer
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Arianne ArgameKey Cast
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Project Type:Experimental
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Runtime:15 minutes
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Completion Date:February 10, 2025
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Production Budget:298 USD
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Country of Origin:Philippines
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Country of Filming:Philippines
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Language:Tagalog
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
He is a multidisciplinary artist. He is an actor, director, producer, writer and professor for theater, film & commercial. His works focus on experimental, mental health and eccentricity.
He owns “Shepherd Pictures”, an independent film company. He is currently a film & theater professor at Far Eastern University.
Some of his works for full length films are Cinema One Originals "Paglisan" and Netflix "Keys to the Heart". For experimental films: "Salang", "Bunyag" and "Dekalarat". For short films: "Suka & Toyo Can Make Adobo", "Ma,", "Masid", "Mary Go Round, Mary Go Round" and "Leaving The Raven's Nest". For commercials: Grab, Royal, Ritemed and Generika Drug Store. And for theater plays: "Portraits", "Nanay Isog", "Gabun" and "Silang Walang Tahanan".
His works were screened and staged at Cinemalaya, Gawad Alternatibo, BINISAYA, Ngilngig, Cinema One, CCP, Pasinaya, Benilde, Virgin Labfest, Pista Nin Teatro and UP Dulaan Lab in the Philippines. And for international, his works were screened in Singapore for World Film Carnival, Pakistan for Gandhara Independent Film Fest, Brunei and Singapore, San Diego, California and in United Kingdom.
He is an Iksinema Best Actor, Sine Reel Best Actor, Sining Sine Best Supporting Actor, Kabisera Best Actor and a recepient of "Most Outstanding Artist in Bulacan 2021". He represented Philippines as a Platform Busan delegate at the 28th Busan International Film Festival in South Korea. This year, he is awarded by the Province of Bulacan as "Gawad Dangal Natatanging Mamamayan Ng Sining at Kultura".
Para sa tao, sa bayan at higit sa lahat, para Sa Diyos.
This is my film directorial debut.
I always have a deep and personal relationship with grief & spaces. How grief evolves based on the spaces that I am living in and how these spaces affect my grief. I am a commuter traveling from my province to Metro Manila, and I have always been vocal with my depression. The chaos in the metro has deeply affected the way I grieve. In this fast-paced and crowded metropolis, I tend to separate myself from my grief because I couldn’t find a safe space for it. I envision my relationship with my grief as similar to the spaces and transportation in Metro Manila. It is messy, repetitive, endless, crowded, noisy, and chaotic.
This film is a collective testimony of people experiencing grief while navigating their lives in the metro. This is a reflection of how spaces, urban planning, and architecture could affect one’s mental health. This is a story about how grieving is as similar to traveling in the metro. In this crowded and rush hour metropolis, how can we grieve? Or are we still allowed to grieve? I hope grief finds you. I hope the both of you go home.