Blaming and Shaming
In a modern portrayal of events following Sita's rescue from her abductor Ravana, as detailed in the Hindu epic poem The Ramayana, Sita finds herself in therapy and wrestles with the psychological effects of her abduction and slut shaming, leaving her with even more questions than answers.
Despite the connection to the characters' ancient Hindu origin stories, this tale is relatable to so many as the themes in the tale continue to repeat, even today.
Because these topics are sensitive by definition, viewers may find themselves in a place of discomfort and hopefully will learn a little about themselves through that discomfort.
*Contains adult language and mature themes, not suitable for children
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Joya JosephDirector
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Joya JosephWriterPressure Cooked
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Joya JosephProducerPressure Cooked
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Rob UnderhillProducerThe Carrington Event, Empty Space
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Rob UnderhillDirector of PhotographyThe Carrington Event, Empty Space
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Rob UnderhillEditorThe Carrington Event, Empty Space
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Joya JosephKey Cast"Sita"Swagger, Thumb War!, Pressure Cooked
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Amy PaquetteKey Cast"Dr. Molly Scanlon"Thumb War!
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Tripti BansalKey Cast"Draupdi"
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Varun AggarwalKey Cast"Rama"
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Project Type:Short
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Genres:Drama
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Runtime:10 minutes 37 seconds
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Completion Date:July 1, 2022
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Production Budget:2,800 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Cineville Calcutta Global CinefestKolkata
India
WINNER: BEST SHORT FILM, BEST EDITING, BEST DIRECTOR, BEST PRODUCER, BEST ACTRESS -
Black Swan International Film FestivalKolkata
India
WINNER: OUTSTANDING ACHIEVEMENT-ACTRESS, CRITICS' CHOICE, BEST POSTER -
San Francisco Arthouse Short Festival-July 2022San Francisco
United States
WINNER: BEST FIRST TIME FILMMAKER -
Best Istanbul Film FestivalIstanbul
Turkey
WINNER: BEST ORIGINAL MUSIC -
NJ Film Awards- July 2022Online-New Jersey
United States
WINNER: BEST ACTRESS IN A SHORT, BEST FEMALE FILMMAKER, BEST POSTER -
Tokyo Film AwardsTokyo
Japan
BEST COMPOSER- BRONZE WINNER -
Tagore International Film FestivalOnline- Kolkata
India
AWARD WINNER: BEST DIRECTOR, BEST ACTRESS (CRITICS' CHOICE), BEST SUPPORTING ACTRESS, SHORT FILM- OUTSTANDING ACHIEVEMENT, POSTER, DEBUT FILMMAKER- OUTSTANDING ACHIEVEMENT, WOMEN'S FILMS- OUTSTANDING ACHIEVEMENT, -
Raleigh Film and Art FestivalRaleigh
United States
October 8, 2022
BEST POSTER, Nominated BEST SHORT -
Berlin Shorts Award -July 2022Berlin
Germany
SEMI-FINALIST -
Florida ShortsOnline- Florida
United States
SEMI-FINALIST -
Austin International Art FestivalAustin
United States
SEMI-FINALIST -
Vancouver Movie AwardsVancouver
Canada
SEMI-FINALIST -
Monte Carlo Movie AwardsMontreal
Canada
SEMI FINALIST -
London Indie Short FestivalLondon
United Kingdom
SEMI-FINALIST -
Palm Springs ShortsPalm Springs
United States
SEMI-FINALIST -
LA Asian Film FestivalLos Angeles
United States
SELECTION -
DC South Asian Film FestivalWashington DC
United States
SELECTION -
Asian Film Festival, Los Angeles HollywoodLos Angeles
United States
SELECTION -
Women Cinema and Arts International Film FestivalMumbai
India
SELECTION -
Pune Short Film FestivalPune
India
SELECTION -
Chicago South Asian Film FestivalChicago
United States
September 21, 2023
Official Selection
Joya Joseph (she/her) is a first generation Indian American female first time filmmaker currently living in North Carolina. Her parents moved to the US in the late 60s from West Bengal. When growing up, houses of worship (temples or 'mandir') in the Hindu community, much less the subsections of the Hindu community, were hard to come by so she learned a lot about her religion through reading and talking with her parents. Clearly open minded regarding religion, she married a South Indian Catholic man.
She attended Quaker school in Philadelphia as a child and a Quaker women's college outside of Philadelphia (Bryn Mawr College), though she grew up in New Jersey. The Quaker influence really added to an artistic household. Fast forward to now, when she has decided to pursue a career in acting and has simultaneously found a love of writing and filmmaking. She is eager to continue telling stories that center women, people of color and other marginalized people.
This story has been rattling around my head for pretty much my whole life. I always wondered what it would've been like for Sita to come home from her trauma, only to be constantly retraumatized by the people who supposedly love her. My hope is that we have given our viewers a different perspective on an ancient set of characters, and something new to think about.
My take on these characters is mine alone and I recognize that it will cause people discomfort, whether or not they are familiar with the characters or plots of the source material (The Ramayana & The Mahabharata).
While the film takes major characters out of space and time from The Ramayana (Sita, Rama, Lakshman) and The Mahabharata (Draupadi), my goal is for viewers to engage with a woman discussing her trauma, her relationship, and the way in which the world around her sees her. I believe these themes are still prevalent and relevant today, especially in this post Me Too era. Viewers who are familiar with these original Hindu epics may find discomfort in the flipped narrative. But hopefully, will still feel connected to the new material and can find themselves giving space to that discomfort to analyze what in themselves they recognize or fear. I hope those unfamiliar with the source material are able to engage with the story and are curious enough to explore this world further.
By "flipping the script" on an age-old tale, I believe I am asking members of my community, to look at how we discuss women and how we hold different standards for men and women. While the story focuses around specific Hindu characters, I do believe that conversation is universal to all communities. Difficult conversations are never fun but are always necessary.
Sharing a story that focuses on Indian American characters and actors filmed in North Carolina, fills me with pride as it mirrors a lot of our changing local demographics.