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Bhamakalapam

The story begins with Bhumi, a curious and bright-eyed young girl, watching a Tholubommalata puppet show about the legendary battle of Narakasura. While everyone praises Krishna as the hero of the tale, Bhumi feels that Satyabhama, Krishna’s wife, deserves equal recognition for her bravery in the battle. This sparks Bhumi’s desire to challenge the status quo and tell the story from Satyabhama’s perspective. As she grows, Bhumi trains in puppetry under Guruji’s mentorship, dreaming of directing the village’s Diwali puppet show. However, when Guruji dismisses her ambitions due to her age and lack of experience, Bhumi refuses to give up. She gathers a group of friends to help her create the show herself, despite facing rejection from the villagers and her own family who urge her to conform to tradition. The girls work tirelessly, creating their own puppets, crafting a set, and practicing every night. One day, their parents discover that the girls have been sneaking out at night to practice. In a wave of anger and disappointment, they rush in and take their children away, leaving Bhumi all alone. She stands there, feeling completely hopeless, overwhelmed by the weight of their disapproval. In the midst of this, a woman named Leela arrives, offering her help as a musician for the show. Together, they create a performance honoring Satyabhama’s heroism, but when the show begins, the puppets fail, and the audience begins to leave. In a moment of crisis, Leela steps behind the screen and begins to perform the story of Satyabhama herself, using dance and storytelling to captivate the audience. Bhumi joins in, and the two together manage to finish the play with a powerful and emotional conclusion. The audience, moved by the performance, applauds, and Bhumi realizes that Leela’s actions and her mysterious presence might have been a sign of Satyabhama herself, a manifestation of the forgotten heroine’s spirit.

  • Likhitha Krishna
    Director
  • Likhitha Krishna
    Writer
  • Annapurna College of Film and Media
    Producer
  • Saranya Sharma
    Key Cast
    "Bhumi"
  • Likhitha Srinivas
    Key Cast
    " Leela"
  • Adigoppula Maanvita
    Key Cast
    "Bhumi (Kid)"
  • Dharamoni Vishnu Vardhan
    Executive Producer
  • Sheri Shashank Reddy
    Director of Photography
  • Amartya Saha
    Editor
  • Naman Jain
    Sound designer
  • Project Type:
    Student
  • Genres:
    Periodic drama
  • Runtime:
    20 minutes 6 seconds
  • Completion Date:
    June 1, 2025
  • Production Budget:
    850,000 INR
  • Country of Origin:
    India
  • Country of Filming:
    India
  • Language:
    Telugu
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2.39:1
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes - Annapurna College of Film and Media
  • Digital Cinema Package:
    Unavailable
  • JAGRAN FILM FESTIVAL 2025
    Delhi
    India
    June 1, 2025
    Indian
    Official Selection
  • INDIC Film Festival 2025
    Dallas
    United States
    October 1, 2025
    world
    BEST SHORT FILM - JURY CHOICE
Director Biography - Likhitha Krishna

Likhitha Krishna is a filmmaker with a background in History and Political Science from Lady Shri Ram College, Delhi University. Her journey into cinema began during the COVID-19 pandemic, when she became increasingly aware of the limited and stereotypical portrayals of women in mainstream films. This realization sparked a passion to create stories that center female voices and challenge dominant narratives.
She is currently pursuing a Master's in Direction and Cinematography at Annapurna College of Film and Media, where she has directed and shot multiple short films, documentaries, and independent projects. Her recent works include Bhamakalapam, a short film that interrogates the way stories are traditionally told, and she worked as the cinematographer for an independent feature film 'Aatmanirbhar Bharat' and a indie short film 'Tea kottu 83.' Her directorial work spans diverse formats, including web series (Library Story), experimental shorts (What if Gossip is a Camera), and social campaigns (Recovery is Possible).
Likhitha’s filmmaking perspective is rooted in empathy, social awareness, and a deep belief in cinema's power to influence culture. Her unique style blends grounded realism with striking visuals, often focusing on women’s inner worlds and untold strength. She aspires to make commercially successful films with women as protagonists and aims to tell stories that are both entertaining and socially conscious.

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Director Statement

'Bhamakalapam' is a poetic excavation of memory, identity, and resistance, centered on Bhumi’s emotional and artistic journey. My vision is to craft an intimate yet layered narrative that blurs the lines between performance and personal truth. The film will unfold like a lived memory — warm, textured, and quietly radical. Visual storytelling will lean on natural light and shadow, drawing from 1970s rural Andhra to ground Bhumi’s rebellion in a culturally rich world. Each frame will be deliberate: from her lonely rehearsals in forgotten corners to the symbolic breaking of the puppet on stage. I aim to highlight the silence between words, the gaze that lingers, the sound of footsteps echoing in rejection. Music and ambient sound will guide emotional flow more than dialogue. This is not just Bhumi’s story — it is a reclaiming of erased histories. I want the audience to leave stirred, reflective, and awakened