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Bajo Fuego

Bajo Fuego depicts the unraveling of peace for a group of coca growing peasants in the southwest of Colombia. The film takes the perspective of the ‘cocaleros’ and over a period of 3 years shows how they survive in the midst of the most difficult circumstances. The government delays in fulfilling what it promised in the agreement, economic difficulties arise for families that substituted their coca trees, and the increasing presence of armed groups start to terrorise the region. The promised peace in Colombia turns out to be an illusion when the newly armed groups take control, assassinations occur, and the films’ main protagonists are being threatened with their lives and displaced. Even though peace was supposedly signed in Colombia, Bajo Fuego shows that for many in the southwest of Colombia the war continues.

  • Sjoerd van Grootheest
    Director
    Voces de Guerrilla
  • Irene Vélez-Torres
    Director
    Voces de Guerrila
  • Sjoerd van Grootheest
    Writer
    Voces de Guerrilla
  • Irene Vélez Torres
    Producer
    Voces de Guerilla
  • Sjoerd van Grootheest
    Key Cast
  • Project Type:
    Documentary
  • Runtime:
    1 hour 25 minutes
  • Completion Date:
    September 30, 2020
  • Production Budget:
    85,000 USD
  • Country of Origin:
    Colombia
  • Country of Filming:
    Colombia
  • Language:
    Spanish
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2K
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • MIDBO
    Bogota
    Colombia
    October 29, 2020
    World Premiere
  • Festival por los Derechos Humanos
    Bogotá
    Colombia
    November 17, 2020
    best feature documentary
  • FICCALI 2020
    Cali
    Colombia
    November 24, 2020
    Valle del Cauca
  • Human Rights Film Festival Madrid
    Madrid
    Spain
    December 4, 2020
    International
  • The 7th Peloponnisos International Documentary Festival
    Peloponnisos
    Greece
    February 10, 2021
    Greece
  • Human Rights Watch Film Festival
    London
    United Kingdom
    March 24, 2021
    UK
  • IMPACTE! Festival de Cinema i Drets Humans de Catalunya
    Catalunya
    Spain
    March 11, 2021
    Catalunya
  • HOTDOCS
    Toronto
    Canada
    April 29, 2021
    North American Premiere
  • SANFICI – Santander Festival Internacional de Cine Independiente
    Bucaramanga
    Colombia
    February 20, 2021
    Santander
Distribution Information
  • Preciosa Media
    Sales Agent
    Country: Colombia
    Rights: All Rights
Director Biography - Sjoerd van Grootheest, Irene Vélez-Torres

Sjoerd van Grootheest (director/producer), graduated in Cultural and Media Studies (MA) and Anthropology (Bsc.), with a specialization in Visual Ethnography, and is currently active as an independent documentary producer and director in Colombia.
His latest production is called Voces de Guerrilla that depicts the year of demobilization of the 6th front of FARC-EP in a rehabilitation camp in the North of Cauca province. It has been selected by international film festivals in Europe and the America’s, received several special mentions and won the price for best feature documentary at the Festival de Cine por los Derechos Humanos en Bogotá 2018.

Irene Vélez-Torres (producer/producer) is currently attached to the University of Valle as Full Professor and specializes in socio-environmental conflicts and ethno-racial inequalities. While engaging in research she frequently applies audio-visual technology as a research methodology or as a means to present her findings and experiences to a broader audience rather than just an academic one. In 2015 she produced two mid-length documentaries as part of a broad and international research project about environmental conflicts in the Cauca province. Her latest production is called ‘Voces de Guerrilla’, which she produced together with Sjoerd van Grootheest.

Add Director Biography
Director Statement

The peasant community in Colombia has historically been excluded from economic progress and rural development; while their needs and interests have been neglected, their collective identity has been un-/underrepresented in the public and political debate. The peace agreement signed in 2016 constituted an opportunity to change the trend of marginalization, and, amongst other things, on paper made it possible to access basic needs such as land and technical assistance for rural development and increase social participation in decision-making processes on the local, regional and national level.
We consider it important to be present and film in the context of the implementation of the peace agreement while allowing the perspective of the peasants to be central in the representation of the current historical moment. We believe that the internal armed conflict in Colombia has been the result of a history of segregation and rural underdevelopment. Further, we believe that it is important to allow for the voices of the marginalized to be heard, particularly now, as they can help in understanding the importance of the proper, full and timely implementation of the 2016 peace agreement that ultimately seeks to end decades of violence in Colombian society.
One of the issues the peace agreement aimed to resolve was the substitution of the coca crops held and cultivated by (generally poor) peasants. Miranda and the surrounding rural communities features a lot of coca cultivation (as well as marihuana) and the concretization of the (desired and proposed) transformation of the local situation is urgent, as the political decision-making process with regards to the substitution of coca seems to be in a continuous state of flux. The policy changes announced by Colombia’s newly elected president Ivan Duque have included forced eradication and the return of fumigation with the carcinogenic glyphosate. This documentary aims to focus on these dynamics by following the events from the perspectives of the peasants. In doing so, it aims to humanize the experiences of these rural communities, while also telling a story on the difficulties of this historical moment from a social perspective that is not easily recognized in the public domain.
Apart from the issues related to the substitution program, this documentary has another focus, which relates to the issue of security, human rights and territorial control. We have already seen, in our first year of research and production, that the security in the region is very fragile. Several armed groups have appeared in the region after the demobilization of FARC-EP, and local leaders are currently under threat by some of these groups that have turned against the effort of implementing the peace agreement, and substituting the economy based on the cultivation of coca.
So, despite the peace agreement being signed in 2016, this documentary aims to show that in the case of this community of coca-peasants the conflict changes, and takes a different form, making it difficult to talk of peace, or ‘post-conflict’. Rather, it seems that the state and its central government in Bogotá are not really interested in addressing the issues of these local, impoverished and marginalized communities. To be able to listen to the people that live these situations first-hand is important, we believe, as it has the potential to visualize and humanize the harsh realities that impoverished and marginalized communities in Colombia continue to live today.