BO:OM
In a tense black-and-white world, infiltrates the basement of a corporate building, the scene lit only by a stark, solitary bulb. Gunshots echo as he enters, scanning an empty room before discovering a bomb on a central platform. Faced with a countdown and a tangle of wires, the soldier must defuse the bomb despite his inability to differentiate colours, a critical dilemma highlighted when he mistakenly believes he can cut the red wire. A desperate moment reveals a switch labelled "COLOURS," which, when activated, floods the world with vivid hues. Yet, this revelation is short-lived as he discovers all the wires are identical, leading to a high-stakes decision made in the final seconds. The screenplay culminates in a heart-stopping moment as the soldier cuts a wire at random, leaving the outcome shrouded in suspense with a sudden cut to black.
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Kamil GalinDirector
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Ricardo José CastilhoWriter
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Ricardo José CastilhoProducer
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Billy MerrylessKey Cast"The Soldier"
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Project Type:Short
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Runtime:3 minutes 49 seconds
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Completion Date:June 29, 2024
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Production Budget:6,000 CAD
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Country of Origin:Canada
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Country of Filming:Canada
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Black & White and Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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OPEN VAULT FILM FESTIVALToronto
Canada
October 24, 2024
EYESORE CINEMA
AUDIENCE CHOICE AWARD
I graduated from Toronto Film School in 2022, where I met aspiring cinematographer Ricardo Castilho, whose passion for visual storytelling aligned with my own. It was during this time that I developed the concept for BO:OM, originally titled Chromatic Defuse. This 1-minute short film was a chance to experiment with the idea of high-stakes decision-making, blending suspense with a dash of dark humor.
I graduated from Toronto Film School in 2022, where I met aspiring cinematographer Ricardo Castilho. Together, we developed the concept for BO:OM, a 1-minute short film originally titled Chromatic Defuse. My goal with this project was to focus on simple, effective storytelling, capturing a moment of high tension and blending it with a bit of humor.
For me, filmmaking is about distilling complex ideas into straightforward, engaging stories. BO
is a perfect example of that—telling a complete story in just one minute, where every second counts.
BO:OM is about navigating extreme pressure, uncertainty, and the absurdity of decision-making in life-or-death moments. The black-and-white world reflects the soldier’s limitations, both literally and metaphorically. When the switch flips and colour floods the scene, it offers a moment of hope—only to reveal that all the wires still look identical. This is where a touch of dark comedy comes in, highlighting the irony that even with the 'right tools,' the solution remains elusive.
That moment of comedy, brief but important, serves to remind us of the absurdity we often face in life’s most critical moments. It's not just about suspense; it's about how, sometimes, when the stakes are highest, all we can do is laugh at the chaos. The sudden cut to black after the soldier makes his final decision leaves the audience suspended in uncertainty, just as we often are in life, unsure whether to laugh or hold our breath.