Asoh: Soul of the Hills
Set amidst the lush hills and deep-rooted traditions of Arunachal Pradesh, Asoh: Soul of the Hills is a visceral, immersive film unravels the intertwined threads of love, culture, tradition and kinship. Told through the lens of a wedding and the bride price to be paid, this story delves deep into the search
for a Mithun, a semi-wild bovine revered across many indigenous communities in the Eastern Himalayan Region.
In the cultural fabric of several tribes of Arunachal Pradesh, the bride price is not paid in currency, but in a Mithun. More than a transaction, this practice is symbolic – it is wealth, honor, social status. and the strength of ties between the two families. The film follows a group of men from the groom’s family as they embark on a grueling expedition into the forested hills, attempting to track, tame and retrieve a Mithun from the wild.
Through intimate cinematography and layered storytelling, the film captures not only the physical intensity of the journey but also the emotional stakes. Alongside the drama of the search, the film gently weaves in the ritualistic processes of the wedding, showcasing the meticulous preparations that blend indigenous belief systems, cultural practices, ancestral practices and collective celebration.
Through observational footage and poetic vignettes, the film presents a cultural chronicle and a visual anthropology, while reminding us that rituals are not just relics but also lived, breathed and carried forward through the everyday acts of people who chose to remember, honor and endure.
In a time when the threads of traditional ecological knowledge and cultural practices are at risk, this film stands as a powerful ode to the spiritual and material significance of the Mithun and its relationship with humans – between kin, community and land, which sustains life in the hills.
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Linda HoramDirector
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Takar PujenDirector
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Green HubProducer
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Gechi JorangKey Cast"Gechi (Groom)"
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Yai PuningKey Cast"Yai (Bride)"
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Sumit SisodiyaMentor
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Project Type:Documentary
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Genres:Documentary, Indigenous Community, Adi Wedding
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Runtime:51 minutes
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Completion Date:May 15, 2025
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Country of Origin:India
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Country of Filming:India
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Language:Hindi
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Shooting Format:Digital HD
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
Linda Horam is an emerging filmmaker from the Tangkhul Naga tribe, based in Ukhrul, Manipur. A recent graduate of the Green Hub Fellowship in Tezpur, Assam, her experience there has deeply shaped her storytelling lens and strengthened her commitment to documenting indigenous realities with care and authenticity.
Her work sits at the intersection of indigenous identity, environmental justice, and everyday resilience. She is drawn to stories rooted in land—where cultural memory, ecological knowledge, and lived experience meet in subtle, powerful ways. Through film, she seeks to challenge mainstream narratives that often exclude or romanticize indigenous voices, and instead foreground the perspectives of communities that have long been custodians of their environments.
During her fellowship, she collaborated with fellow filmmaker Takar Pujen on three documentary films: Asoh: Soul of the Hills, Forest of Hopes: Bioresources of Mouling National Park, and a short film on the biodiversity of Mouling. These projects allowed for deep immersion in diverse landscapes and communities, revealing how trust, patience, and listening can shape meaningful storytelling.
Asoh: Soul of the Hills, in particular, holds deep personal resonance for Linda. While centered on the revered Mithun, the film becomes a meditation on cultural continuity, reverence for life, and the spiritual ties between people and the land. It reflects her broader artistic practice—one that seeks to reclaim ecological narratives from indigenous worldviews, offering a perspective that is both intimate and political.
During my Green Hub fellowship, I collaborated with my friend Takar Pujen to create a film exploring the significance of the Mithun in Adi culture. The film follows a groom’s journey as he attempts to capture a Mithun as part of the bride price tradition. Over 25 days, we documented the families involved, from the challenging process of capturing the Mithun to its sacred sacrifice during the wedding ceremony.
Throughout the making of this documentary, I was deeply moved by the Mithun’s quiet majesty, how it gracefully roamed the forest and how the villagers spoke of it with profound respect and reverence. For the Adi people, the Mithun is far more than just an animal; it is intricately woven into their identity and way of life.
Yet alongside this admiration came pressing questions, about the Mithun’s population and the future of these sacred rituals. Are these age-old practices of sacrifice changing? How will this culture adapt as modern pressures and environmental challenges grow?