Apocalypse Mart
A Madura small grocery store that will only close on doomsday is owned by Amat and Bubeh, a couple of Madurese descent who longs to be intimate again. The husband is hesitant to close his store because if he does, the inevitable doomsday will come.
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Dzauqy IlhamDirectorCult's Cut (2024), Chaotic Of The Oskab (2022), No SIgnal No Score (2020), Grain (2020)
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Dzauqy IlhamWriterCult's Cut (2024), Chaotic Of The Oskab (2022), No SIgnal No Score (2020),
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Agung TeriWriterCult's Cut (2024), Ara,Dika,Raka (2026), Asmo (2023)
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Wildan Aji GumelarProducerSuraci (2024), Jangka Kala (2025), Closed Mouth Catches No Flies (2020),
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Anank MahadewaKey Cast"Amat"Tutup Hari Kiamat (2025), Kembang Selir (2025)
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Ma'rifatul LatifahKey Cast"Bubeh"Tutup Hari Kiamat (2025)
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Agung Kebon TeriKey Cast"Bon"Cult's Cut (2024), Tutup Hari Kiamat (2025)
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Lingga Galih PermadiDirector of PhotographyJangka Kala (2025), Bong (2024), Krisan (2024), Golden Apple Squad (2023), Chaotic Of The Oskab (2022), Ghulam (2021)
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Naufal FirdausyEditorSuraci (2024)
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Dzauqy IlhamEditorJangka Kala (2025), Suraci (2024)
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Vidyasa DutaMusic DirectorAsmo (2022), Ara, Dika, Raka (2024)
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Rizal WahyuSound DesignerJangka Kala (2025), Bong (2024)
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Firly Khurin'inProduction DesignerSuraci (2024)
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Sekar MarveliaCostume DesignerTutup Hari Kiamat (2025)
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Camelia RhamdaniMake Up & Hair StylistTutup Hari Kiamat (2025)
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Rakha MagelhaensVisual Effect ArtisSuraci (2024), Chicken Awaken (2022)
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Kaia ParahitaColoristTutup Hari Kiamat (2025), Panitia Hari Kiamat (2024)
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Project Title (Original Language):Tutup Hari Kiamat
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Project Type:Short
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Genres:Comedy, Drama, Black Comedy, Fantasy
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Runtime:13 minutes 48 seconds
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Completion Date:November 1, 2025
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Production Budget:2,259 USD
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Country of Origin:Indonesia
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Country of Filming:Indonesia
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Language:Indonesian
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Shooting Format:Digital
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Aspect Ratio:2.35:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
Dzauqy Ilham began his filmmaking journey after completing his Bachelor's degree in Communication Studies. He then focused on directing and screenwriting. He is an alumnus of Viu Shorts! Season 2 (2020), a workshop and incubation program organized by Viu Indonesia. He often explores stories rooted in the cultural, traditional, social, and political phenomena of his surroundings. He tends to frame these narratives with shades of satire, comedy, and fantasy. His short films have screened and competed at numerous prominent festivals, including the Indiskop Film Festival , Viddsee Juree Awards, Open Air Cinema-Jogja-NETPAC Asian Film Festival (JAFF) 2022 and the DOSS Film Festival 2024. One of his most notable works, the short film "Tutup Hari Kiamat" (Apocalypse Mart), has garnered significant recognition. It was named an Official Selection at Europe on Screen 2025, won 2nd Place at the Madani International Film Festival 2025, and was shortlisted in the top 20 for the Best Live Action Short Film category at the 2025 Festival Film Indonesia (FFI).
With the growing popularity of Warung Madura (Madura Store), it seems that this phenomenon will become a trend in Indonesia. Everyone has responded positively to its presence due to its affordability. For me, the Madura store has its own charm. I am surrounded by Madura people since my brothers-in-law are Madura. From this closeness, I have gained interesting life perspectives from the Madura community that I can adapt. They are a people who possess a certain level of determination in life because they have a deep faith in their God, who is both friendly and steadfast. Writing the phrase “Open: 24 Hours, Close: Doomsday” on the sign at a Madura store reflects their bond with God. It’s as if they have a guarantee that God will guide them through every step of their lives, even until the end of time. This statement is both humorous and controversial. Yet, it is a reflection of a part of Indonesian society, especially the Madura people. We know that God, the Creator, is the one who designs all fates, but we also feel that God has a unique sense of humor, and God can test or surprise humans in ways that are unexpected.
When I read "Open: 24 Hours, Close: Doomsday," I smiled mischievously and thought about making the opposite story. I believe that if there is a beginning, there must also be an end. For me, doomsday is something inevitable, unlike in Hollywood movies that have been seen before. Because God has a sense of humor, perhaps the onset of the doomsday could start from something small and absurd or something large and serious. Actually, this is a classic story dilemma between control and acceptance. The store in this story is not just a place to survive, but also a metaphor for choices and consequences. We want to control the world around us, but we often forget what is most important in life.