A very nice guy
A prestigious film director is publicly accused of rape, and he makes a documentary to prove his innocence.
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Minerva R. BolanosDirector
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Minerva R. BolanosWriter
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Marta MorenoPhotography Director
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Minerva R. BolanosProducer
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Claudia Garibaldi1st AD
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María José CastilloProduction Design
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Liliana VillaseñorDirect Sound
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Roberto DuarteKey Cast"Rodrigo"Matando Cabos II
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Denisse CoronaKey Cast"Mariana"
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Cinthya HernándezKey Cast"Cristina"
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Laila García GuerreroKey Cast"Laila"
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Olivia LagunasKey Cast"Olivia"
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Gustavo ProalKey Cast"Bruno"
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Diana AboujianKey Cast"Diana Tv Host"
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Belicosa FilmsProduction Company
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Project Title (Original Language):Una buena persona
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Project Type:Short
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Genres:Mockumentary, acid comedy, comedy, social justice
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Runtime:21 minutes 57 seconds
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Completion Date:January 31, 2023
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Production Budget:12,000 USD
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Country of Origin:Mexico
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Country of Filming:Mexico
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Language:Spanish
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Shooting Format:Digital
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Aspect Ratio:01:85
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Guanajuato International Film FestivalGuanajuato
Mexico
July 21, 2023
World Premiere
Official Competition -
San Diego Latino Film FestivalSan Diego
United States
March 24, 2024
National Premiere
Official Competition -
Mirada Corta Film FestivalMexico
Mexico
January 22, 2024
Young Promise Award -
On Vous Ment! Mockumentary Film Festival
Distribution Information
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Belicosa Films & DistributionSales AgentCountry: WorldwideRights: All Rights
*ESPAÑOL*
Minerva Elisa Rivera Bolaños, 1988, Chihuahua, Chihuahua. Estudió diseño gráfico, artes plásticas y terminó su carrera de Cine Digital en el CAAV, 2013 (Centro de Medios Audiovisuales, GDL). Egresada de Licenciatura de Realización Cinematográfica en el CCC (Centro de Capacitación Cinematográfica) en el 2022. Directora y guionista de contenidos altamente políticos en favor de los derechos humanos. Su cortometraje, “En cualquier lugar” ha estado en más de 40 festivales a nivel mundial y ganado 19 premios y reconocimientos, entre los cuales destacan: el premio del Jurado Joven en el Brussels Short Film Festival; el Dinosaurio de Oro en el Festival Etiuda & Anima en Polonia; el Fellini de Oro a mejor Cortometraje de Ficción en los Premios CEC, Guadalajara, 2023; y fue nominado a los Premios de la Academia de México “Los Arieles” 2023. Su último cortometraje, “Una buena persona” fue hecho con el apoyo de PROCINE, en la convocatoria “contra la violencia de género en el audiovisual”. Actualmente está en desarrollo de su primer largometraje, “Caminos para volver a casa”, sobre el parto, la sororidad y el amor romántico; el cual, en el 2022, ganó el apoyo para rescritura del IMCINE y Mejor Guion de Largometraje por el Festival Internacional de Cine de Guanajuato.
*ENGLISH*
Minerva R. Bolaños, 1988, Chihuahua, Chihuahua. Studied graphic design, plastic arts and finished her degree in Digital Cinema at CAAV, 2013 (Audiovisual Media Center, GDL). Graduated in Filmmaking at the CCC (Film Training Center) in 2022. Director and screenwriter of highly political content in favor of human rights. Her short film, "Any place", about child abuse, has been in more than 40 festivals worldwide and won 19 awards and recognitions, among which stand out: the Young Jury Award at the Brussels Short Film Festival; the Golden Dinosaur at the Etiuda & Anima Festival in Poland; the Golden Fellini for Best Fiction Short Film at the CEC Awards, Guadalajara, 2023; and was nominated for the Mexican Academy Awards "Los Arieles" 2023.
Her last short film, "A very nice guy" was made with the support of PROCINE, in the call "against gender violence in the audiovisual". She’s currently in development of her first feature film, "Roads back home", about childbirth, sorority and romantic love; which, in 2022, won the IMCINE rewriting support and Best Feature Script by the Guanajuato International Film Festival.
When the MeToo era seems to have gone out of fashion because "everything is in peace" and "justice has been done," I stop to look inward to see what happened in my country and Latin America. I realize that it is nothing like Hollywood portraits, where the perpetrators of violence were persecuted and brought to justice. Here, those who were persecuted and punished were the ones who dared to raise their voices. It was never just about one man but about a whole system, a culture, and so far, I have not seen any audiovisual product that talks about it, about the culture of silence. I am sorry to say it, but "the bad guys of the story" are us, who continue to cover up rapists and help them to silence the whistleblowers. In Mexico, at least, we bathed for a couple of months in their tears when their funds for filming were temporarily threatened. They lived an illusion of lost success, but as soon as MeToo went out of fashion, the women who denounced it disappeared from the map. The rapists flourished, waking up from a nightmare where they did not learn anything and only played victims for a while, just like their accomplices.
The reality in Latin America has to come to light. Neither restorative justice nor any other in this country has been done; few people found out about what happened, and even fewer people cared significantly if it did not affect them directly. During our brief MeToo, we did see a union among women. Still, the most significant wave was the enormous amount of people who revictimized the complainants, fighting for nothing to change. When it was "over," they all took care of wiping these women off the map and implemented minimal measures just for show. Yes, there is still a lot of violence in the sets; the women who denounced lost; I do not know of a single case of success; hundreds are still legally silenced, and hundreds or thousands of others quit the cinema, frustrated and tired of fighting so hard just for nothing to change; the few defendants who have a little shame, keep a low profile today, few asked for genuine apologies, and the wounds are still open and maybe with time they will heal. Still, I honestly do not think I will see it. Thus is born "A very nice guy," because our MeToo was more like a "Nothing happened here," 'cause at the end everyone said: "Come on! but he's such a nice guy!"
As my friend Laura says, If you have an industry in which the professional value is based on the mistreatment of the other person instead of the actual value of the work, you are building a violent environment.
“A very nice guy” invites you to look inward and stop pretending "nothing happened."