Anchor Point
Women have been a force in wildland firefighting since 1942.
Still, they remain outnumbered 10-to-1 on the fire lines and do double-duty battling both the infernos that scorch public lands and the smoldering embers of discrimination, misogyny and sexual harrassment that continue to supress their voices.
Told in cinema verite, ANCHOR POINT chronicles the 2019 fire season through the eyes of two women, generations apart, as they push to change the culture of wildland fire.
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Holly TuckettDirectorChurch & State (2018)
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Holly TuckettWriterChurch & State (2018)
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Jennifer Lee DobnerWriterChurch & State (2018)
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Holly TuckettProducerChurch & State (2018)
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Maddy PurvesProducer"Same-Sex Attracted" (2020)
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Jennifer DobnerProducerChurch & State (2018)
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Sara UrquhartProducer
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Stephanie SteeleExecutive Producers
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Holly TuckettCinematographer
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Maddy PurvesEditors"Same-Sex Attracted" (2020)
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Torben BernhardAdditional EditorsChurch & State (2018), I Want My MTV (2019)
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Nami MelumadComposer
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Tim BickfordMusic Supervisors
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Mandi CollierMusic Supervisors
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Marissa LilaCo-ProducersGood Fire (TBD)
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Patrick AlachCo-Producers
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Lacey EnglandKey Cast
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Kelly MartinKey Cast
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Project Type:Documentary, Feature
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Genres:Feminist, Environmental, Sexual Harassment, Discrimination
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Runtime:1 hour 30 minutes 30 seconds
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Completion Date:December 14, 2020
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Production Budget:200,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Cinequest Film FestivalSan Jose, California
United States
March 20, 2021
World Premiere
Best Feature Documentary/Official Selection -
AmDocs Film FestivalPalm Springs, California
United States
March 26, 2021
Southern California Premiere
2020 Pitch Fund Winner, 2021 Official Selection -
Austin International Arts FestivalAustin, Texas
United States
March 31, 2021
Best Cinematography -
REEL Labor Film FestivalSanta Cruz, California
United States
April 6, 2021
2021 Official Selection -
Eastern Sierra Mountain Film FestivalMammoth Lakes, California
United States
April 25, 2021
2021 Official Selection - Closing Night Film -
Ashland Independent Film FestivalAshland, Oregon
United States
April 19, 2021
2021 Official Selection -
Melbourne Documentary Film FestivalMelbourne, Australia
Australia
July 21, 2021
Australian Premiere
Finalist for SUPREME FEATURE AWARD, BEST INTERNATIONAL FEATURE AWARD, BEST DIRECTOR – INTERNATIONAL - Holly Tuckett, 2021 Official Selection -
Denali Film FestivalDenali, Alaska
United States
July 15, 2021
2021 Official Selection -
Bozeman International Film FestivalBozeman, Montana
United States
September 9, 2021
2021 Official Selection -
Vail Film FestivalVail, Colorado
United States
September 23, 2021
2021 Official Selection -
Newport Beach Film FestivalNewport Beach, California
United States
October 25, 2021
2021 Official Selection -
Portland Film FestivalPortland, Oregon
United States
October 6, 2021
2021 Official Selection
Holly Tuckett has contributed to more than 40 narrative and documentary and television productions, including National Geographic, Discovery, American Idol and NBC Olympics. Most recently, Holly shot and directed Church & State (2018), the heavy-hitting documentary about the political turmoil surrounding legalizing same-sex marriage in Utah.
DIRECTORS STATEMENT — HOLLY TUCKETT
Storytelling is the breath that gives me life. It’s innate — who I am, not just what I do.
Throughout my life, stories have been the vehicle for new adventure and experiences, meaningful connections with others and a broadening of my understanding of the world.
As a nonfiction filmmaker I have the good fortune to do work that allows me to live within my core values of connection, loyalty and quality. Each is intertwined with the other and each grows from trust. Trust lays the foundation for deep connections that allow me into their world to begin to build the intimacy that leads to impactful films. Loyalty is required to maintain the trust that opens deeper narratives and engenders a level of comfort with my place behind the lens as they lay themselves bare to the world. The end result is the kind of quality storytelling I want to do.
As with any artist, I do bring a point of view to the stories I tell through documentary film. Each begins with the thread of an idea that gets woven through the characters and circumstances that make their way to the screen.
But it’s never my desire to tell an audience what to think or how to react. Rather, I strive to use my artistic voice to make films that challenge the viewer. I want to take them on a journey through varied perspectives and push against assumption and common belief. I hope to broaden horizons by fostering conversation and even disagreement. I seek to tell stories that create empathy, offer insight and fuel change so that each member of the audience can arrive at their own crossroads of thought and perhaps walk down a path previously untravelled.
Anchor Point is exactly that kind of journey. The world of wildland firefighting wasn’t well-known to me before I began filming. I knew women chose the profession and worked the fire lines, but I did not know about the challenges — gender bias, discrimination, sexual assualt — they have faced. On some level that was not surprising; women in every profession continue to have to fight their way through such barriers no matter what work they do. But I never really considered that in a career which by definition demands skills, physical and emotional strength equally from men and women was still a place where equitable treatment was still so hard to find.
Over the two years it took to create Anchor Point, I developed a strong emotional bond with these women. As someone who often works in the male-dominated camera department, I felt like I was seeing my own career mirrored through the camera lens. I know what it is like to do back breaking work to slowly be promoted up through the ranks. So many times I have been in a room of men who were talking shit about women without considering that it made me uncomfortable. I have also struggled to brush off the sexist language and “man-up” for the sake of keeping a job or fitting in. The women of wildland firefighting carry those burdens with grace and compassion for one another. Their support of each other and the innovative ways they are helping women develop both practical and leadership skills make me feel hopeful about the future for women in all male-dominated careers.