An Infinite Scream

Concerned about the ever-increasing uranium mining in Namibia a local artist sets out to give the Namib Desert a voice: An Infinite Scream

Thousands of thorns arranged into traps in the blistering desert heat? Black rubbish bag roses planted between dunes or half a ton of salt poured into six huge circles?

Imke Rust’s land art installations not only show her concern about the extent of exploitation and pollution happening in the Namib Desert. They are also an attempt to symbolically protect the land and raising awareness about the effects of the ever-growing uranium mining industry.

Can art be an invocation for change?

Shot in Namibia and Berlin, Holzkamp’s approach is determined by the nature and pace of Rust’s artworks. Meditative sequences documenting the making of the “Salt Circles” are followed by reportage style filming of the “The Scream”, an art action at the Atlantic coast.

When the local arts association unexpectedly rejects Rust’s exhibition, the film takes a dramaturgical turn and shifts the focus to the ensuing controversy about freedom of arts in Namibia. The well-known artist, with the help of a network of supporters, now finds alternative ways to ensure her works will be seen.

Strong imagery, breath-taking locations and atmospheric music weave the film into an impressive portrait of courage and initiative in a rather conservative society.