Amissa Anima
Four boys survive on the seedy night streets of St Kilda’s red-light district in Australia in the 1980’s. Based on true events. (Adult themes)
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Tatiana DoroshenkoDirectorEarth, Cam Girl, Shot
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David MarkinWriter
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Katrina MathersProducerNullarbor, The Gallant Captain, Half of Me, The Referees
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Bernie CliffordProducer
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Jim DalyKey Cast"Bill"
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Justin HoskingKey Cast"Irvin"
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David KaraKey Cast"Paul"
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Ellery Ryan ACSDirector of Photography
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David MarkinScreenplay
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Tatiana DoroshenkoScreenplayEarth, Cam Girl, Shot
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Project Type:Short
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Runtime:15 minutes
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Completion Date:July 31, 2021
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Country of Origin:Australia
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Country of Filming:Australia
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Language:English
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Shooting Format:RED
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Aspect Ratio:1:77
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
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Catalina Film FestivalLos Angeles
United States
September 17, 2021
World
Official Selection: International Ideas -
HollyShortsSherman Oaks, California
United States
September 23, 2021
Official Selection: International Programme -
Sedicicorto International Film FestivalForlì
Italy
October 1, 2021
European Premiere
Official Selection -
Rome Independent Film Festival: RIFF AwardsRome
Italy
November 18, 2021 -
Buenos Aires International Film FestivalBuenos Aires
Argentina
November 18, 2021
Official Selection: Best Cinematography -
Bucharest Film AwardsBucharest
Romania
October 4, 2021
Best Experimental Film nomination -
Shorts That Are Not Pants Festival
Canada
November 19, 2021
Canadian Premiere -
AIDFF: Athens International Digital Film FestivalAthens
Greece
December 9, 2021
Greek Premiere -
Fusion Film Festival: East European Film Festival, Warsaw editionWarsaw
Poland
December 13, 2021
East European premiere -
International Moving Film Festival
Iran, Islamic Republic of
December 28, 2021 -
BIFF: Boden International Film FestivalBoden
Sweden
January 15, 2022
Swedish premiere
Tatiana’s short films and screen works have seen audiences in Australia, Europe and America. Screening highlights include European Media Arts Festival (EMAF) 2007, VAD Spain 2006, Transmediale Berlin 2002, and the Santiago Biennale in 2003 and HollyShorts 2015. In 2006, she wrote and co-produced a Tropfest finalist short film Last Stop. A number of her short form scripts have done well in local and international competitions. In 2014 she completed a Masters at the Victorian College of the Arts with a psychological thriller that screened at the TCL Cinemas with HollyShorts. The co-written screenplay for the short Amissa Anima was short listed for script awards in Australian, USA and Mexico. She has been a sometime actor since 1986. Tatiana has worked in the community sector and Indigenous organisations, developing collaborative short digital stories. She is a first generation Australian, her parents migrating after the second world war from Poland and Ukraine.
Amissa Anima is set in 1980’s St Kilda, Australia, when a network of paedophiles preyed on street kids as young as 10 years old. The characters are fictional but based on true events and the writers’ personal experiences.
This occurred worldwide and took place before child protection laws and awareness were as strong as they are today. (See the 1981 German film Christiane F. – Wir Kinder vom Bahnhof Zoo). It is still a major crime today, but manifests differently with technology.
David Markin and Tatiana Doroshenko grew up together in St Kilda, they are close to this story, witnessing the long-term effects of child-abuse and neglect across generations. This project is a voice for those silenced by shame, ignorance and pain.
We aimed to give a humanity and authenticity to these stories and crimes that is difficult to access via mainstream media. The historical content and sensitive subject matter called for a classical, black and white visual execution and who better to achieve this than the highly experience veteran cinematographer Ellery Ryan. Ellery and the more experienced amongst us mentored young and emerging crew and actors, many have since spring boarded their careers from this project.
Making this film has been a long emotional journey, an ordeal but greatly rewarding. It was difficult to make on many fronts not only due the production restrictions imposed by working with children on the difficult subject of the exploitation of vulnerable children living on the streets, but also the personal connection to the subject for the creators.
Thanks to a formidable team of committed, generous and wonderful people who believed in it and stuck with us to the end we 'made it'. A special mention to the City of Port Phillip who endorsed it. A lot of hearts went into its making so hopefully, some of that will reach our audiences.