American Woman
A qualified young woman interviewing at a male-dominated corporation must embrace her violent fantasies to secure a job offer and gain the respect of her sinful, misogynistic interviewers.
-
Matison LeBlancDirectorDirty Laundry, Shit Happens, Ada and the Doc
-
Ashley WehrsDirector
-
Matison LeBlancWriterDirty Laundry, Shit Happens, Ada and the Doc
-
Ashley WehrsWriterFrankensprout, For Jamie, Tours & Attractions, The How Book
-
Matison LeBlancProducerShit Happens, Ada and the Doc
-
Ashley WehrsProducerFor Jamie
-
Caroline McAlaineKey Cast"Mary"
-
Chris TrevinoKey Cast"Sean"
-
Antonio SuarezKey Cast"Charles Moore"
-
Project Type:Short
-
Genres:Horror, Satire
-
Runtime:7 minutes 47 seconds
-
Completion Date:May 22, 2026
-
Production Budget:1,000 USD
-
Country of Origin:United States
-
Country of Filming:United States
-
Language:English
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:Yes - Savannah College of Art and Design
-
Digital Cinema Package:Unavailable
Matison LeBlanc and Ashley Wehrs are longtime creative collaborators whose partnership was formed while studying together at the Savannah College of Art and Design. Over the years, the two have worked together across multiple short films and creative projects, developing a shared storytelling language rooted in character-driven narratives, dark humor, and explorations of identity and womanhood. Their collaboration deepened through a series of film and screenwriting courses at SCAD, particularly a horror genre class that ultimately sparked the creation of American Woman.
Matison LeBlanc is a Louisiana-born filmmaker whose work explores regional identity, womanhood, and inherited social systems. Influenced by her upbringing in South Louisiana and a multidisciplinary background in painting, theatre, dance, and writing, her storytelling is rooted in atmosphere and psychologically driven narratives. She is a first-generation college graduate of SCAD, where she wrote and directed five short films. Her debut feature, Ada and the Doc, expands on a proof-of-concept short inspired by the true story of the first woman executed by the state of Louisiana, which screened at Oscar-qualifying festivals including Festival de Cannes. Her work has been recognized by The Black List, the Sundance Institute, the Writers Guild Initiative, and Stowe Story Labs, and she has sharpened her leadership and communication skills on professional productions for Amazon MGM, AMC, A&E, and the NFL.
Ashley Wehrs is an Atlanta-based writer and producer whose work blends comedy with darker subject matter through a sharp satirical lens, often centering female and LGBTQ+ perspectives. Ashley’s introduction to the world of being a writer-producer started with her LGBTQ+ horror comedy short “For Jamie”, and continued into her first experience co-directing “American Woman." In addition to writing multiple short films, a children’s animated mini-series, and the feature screenplay Lupercalia, Ashley has written commercials for brands including The Coca-Cola Company and Capital One, while also crafting branching narratives for tabletop and video game companies. Her production experience includes more than 14 continuity department credits as a script supervisor.
Together, Matison and Ashley bring a collaborative approach that merges satire, horror, and character-focused storytelling, creating films that examine the systems shaping women’s lives while balancing unsettling subject matter with sharp humor and atmospheric tension.
Statistically, when a man interviews a woman, they dominate 60% of the conversation. Women are more likely to be questioned to prove their worth and power. They're touched, condoned, and minimized, while men take up space, boast confidence, and exaggerate.
Inspired by the horror genre’s championship of chaotic women and the satirical brutality of American Psycho, we were compelled to ask... what would happen if a woman were allowed the same violent fantasies, rage, and narrative freedom as Patrick Bateman? What horrors are born from constantly swallowing frustration, humiliation, and fear to survive?
For Matison, these questions began long before filmmaking. Growing up in South Louisiana, she watched her mother work in the corporate insurance world — consistently underpaid, overqualified, and undervalued compared to male counterparts who were promoted more quickly and respected more easily despite having less experience. That imbalance became an early blueprint for understanding how systemic misogyny quietly embeds itself into everyday professional life.
When Ashley was younger, she knew that being kind, compassionate, and thoughtful were good things, but didn’t realize how each of these strengths would be weaponized against her and the other women she respected. She would later learn that girlhood includes never-ending challenges to decipher false narratives; intelligent women are know-it-alls, direct language is bitchy, and ambition means you’re trying too hard and care too much.
Matison and Ashley shared a desire to channel their feminine rage into Mary, an overqualified job candidate forced to endure one final interview against Sean, one of the world’s blandest nepo-baby opponents. Lovingly named after American Psycho director Mary Harron, Mary represents the “American Woman”: endlessly underestimated, forced to perform composure, competence, likability, and restraint in a system designed to diminish her.
American Woman blends psychological horror and satire to explore the terrifying performance of surviving corporate misogyny. By blurring the line between intrusive thoughts and reality, the audience is invited to sit inside Mary’s anxiety, rage, humiliation, and desire for control, while also confronting the casual cruelty and absurdity embedded within male-dominated professional spaces.
The film was created by a crew of 16 powerful women alongside incredible allies, and stands as both a cathartic genre exercise and a reflection of lived experience.