American Meltdown
CHATTANOOGA FILM FESTIVAL "BEST FEATURE" WINNER 2023. A 'Millennial Coming-of-Rage' story about a young woman who loses her job and struggles to pay rent… Until she befriends a pickpocket named Mari who convinces her that the only way to make it in America is by committing petty crime.
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Andrew AdamsDirector
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Andrew AdamsWriter
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Andrew AdamsProducer
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Andrew CrabtreeProducerInherit The Viper
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Stewart Castleberry CoryProducer
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Jacki Von PreysingKey Cast"Olivia Walker"Banish'd
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Nicolette SweeneyKey Cast"Mari Navarro"Skyman, Everwinter Night
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Clayton FarrisKey Cast"Lou"9-1-1, Bosch: Legacy, Gordita Chronicles
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DeMorge BrownKey Cast"Detective Sampson"The Civil Dead, The Dress Up Gang, Murderville
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Shaun BoylanKey Cast"Officer Bronson"
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Project Type:Feature
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Runtime:1 hour 21 minutes 51 seconds
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Completion Date:March 5, 2023
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Production Budget:65,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital (ARRI Alexa)
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Aspect Ratio:2.39
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Chattanooga Film Festival
Best Feature Film -
San Antonio Film FestivalSan Antonio
United States
August 1, 2023
Jury Prize for Best Performance -
Haunted Garage Horror FestivalSt. Louis
Best Feature, Best Director, Best Actress, Best Screenwriting -
Topanga Film FestivalTopanga
Luna Spirit Award -
FilmQuestProvo, Utah
United States
Best Screenplay -
Breckenridge Film FestivalBreckenridge, Colorado
United States
September 23, 2023
Colorado Premiere -
Raleigh Film & Art FestivalRaleigh, North Carolina
United States
October 7, 2023 -
Louisville International Film FestivalLouisville, Kentucky
United States
October 7, 2023
Kentucky Premiere -
Anchorage International Film FestivalAnchorage, Alaska
United States
December 7, 2023
Alaska Premiere -
Clapham International Film FestivalLondon
United Kingdom
November 9, 2023
International Premiere -
Cinema On The BayouLafayette, Lousiana
United States
Louisiana Premiere -
Sherman Oaks Film FestivalLos Angeles, CA
United States
November 29, 2023
Best Feature Film (Drama), Best Actress (Feature), Best Supporting Actress (Feature)
Distribution Information
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MPXSales AgentCountry: United StatesRights: All Rights
Andrew Adams is an adventure videographer and narrative filmmaker who has worked in over 25 countries across six continents. Though he hails from the East Coast originally, he currently resides in Los Angeles.
THE CAVALRY ISN'T COMING. Those are the words that set me down this journey, several years back. Before the pandemic. I was driving through the Utah desert, working as a travel videographer and killing time with podcasts, when I stumbled onto Mark Duplass' famous speech and immediately began to brim with inspiration. I relistened. Again. And again. And again. All on one drive.
I had just landed in Argentina when COVID hit, about to start my biggest and most ambitious travel job ever, only to find myself cancelling everything and boarding a plane back home just a few days later. All my work dried up and I was unemployed for months. And watching everything fall apart reminded me of the day I left film school, bright-eyed and bushy-tailed, to enter the working world. It was 2009, and the Great Recession didn't have a name yet.
I struggled. I internalized those failures as personal flaws. But COVID helped me see the repeating patterns -- helped me understand the economic realities that my generation has encountered. I got angry. And I began to write. I poured my frustration into a script I knew I could produce. Something to capture the way it felt to get knocked off my feet time and again.
This is what birthed "AMERICAN MELTDOWN" -- the most personal thing I'd ever written. I knew it was angry (it's about wanting to burn down the system) so I filled it with jokes and big characters and fun plot twists to make sure that it stayed fun and entertaining despite its weight. It became a strange fusion of comedy, character drama, politics, crime, and tension. It defied categorization. But I loved it. So I made it.
We filmed in December 2021 on a microbudget cobbled together from loans and savings and credit cards. We had a crew size of seven. We did everything we could to embrace DIY filmmaking -- limited locations, small cast, lots of dialogue -- while also pushing back in creative ways. Interweaving timelines to keep the movie mysterious and dynamic, rotating through recurring characters, shooting on beautiful anamorphic lenses, trying to make everything cinematic. And I'm very proud of what we achieved.
I hope it speaks to you, but I'm also sorry if it does.