Ambulance
This kiss tastes like cement ππβ¨πͺ an uncomfortable reflection on police brutality and superficial youth.
An experimental film viewable in both traditional and VR 360 formats, for stitched 360 version please view with this link: https://vimeo.com/andilandart/ambulance360
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ANDi LANDDirector
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Project Type:Animation, Experimental, Other
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Genres:VR, AR, Augmented Reality, Virtual Reality, Immersive Storytelling, Experimental, Animation
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Completion Date:September 9, 2022
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Production Budget:100 USD
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Country of Origin:United States
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Language:English
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Maryland International Film FestivalHagserstown
United States
March 24, 2023
World Premiere
Best Animated Film -
ALPINALE KurzfilmfestivalBludenz
Austria
August 8, 2023
International Premiere
Official Selection
Andrea Benge / ANDiLAND is a multi-media artist who interrogates the gender grotesque, the idea that established gender roles and current power structures inherently connect sex and violence. She is a multi International award winning filmmaker and has had her work screened at over 15 film festivals around the world including Slamdance Film Festival, Oxford Film Festival, SUPERNOVA Digital Animation Film Festival, Brussels Independent Film Festival, Sydney World Film Festival, Obskuur Ghent Film Festival, Loudon Arts Film Festival, and New Orleans Film Festival. Her recent awards include Best Experimental Film at the Syndey World Film Festival in Syndey, Australia and Best Underground Film at the Obkuur Ghent Film Festival in Ghent, Belgium, and is a three time Tarkovski Grant recipient. She is currently a Tenure-Track Assistant Professor of 3D Animation at Arizona State University Herberger Institute for Design and the Arts. π°π¨ππβ¨πͺ
My work π° invites viewers π€ through the looking glass of reality π down the rabbit hole π of my personal female π psyche, a dreamworld π otherwise known as πͺ ANDiLAND. 𧨠Working in several media, my campy paintingsπ¨, kitschy π sculptures and mischievous β¨ videos create a whimsical π§¨ππππΈππ© wonderland πΈ of immersive sensory overloads. π I interrogate π the idea of sex and violence βοΈ through the lens of popular culture π utilizing the language of π entertainment & simulacra. Exploiting π the gender grotesque π I examine the superficial π construct of reality π© and play with the voluptuous π₯ danger lurking beneath the sticky π sweet surface π°.