Private Project

Aftershock of a Trauma

After watching her country fall to the Taliban only days after her arrival in the US, Zohal, an Afghan Fulbright Scholar documents the story of three Afghan students studying in the US and struggling with uncertainty and statelessness. At the same time, Zohal struggles with her own trauma, loss and resilience, as she searches for answers that may not come.

  • Zohal Nasrat
    Director
  • Zohal Nasrat
    Producer
  • Brian Plow
    Producer
    The Veterans' Project
  • Zohal Nasrat
    Camera
  • Brian Plow
    Editor
  • Project Type:
    Documentary
  • Runtime:
    20 minutes
  • Completion Date:
    January 1, 2024
  • Production Budget:
    5,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English, Other
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Washington DC International Cinema Festival
    Washington DC
    United States
    N/A
    Finalist
  • New Jersey Documentary Film Festival
    Sparta, NJ
    United States
    July 14, 2024
    World Premiere
    Official Selection
  • DC South Asian Film Festival
    Washington DC
    United States
    September 22, 2024
    Washington DC
    Jury Prize: Best Short Documentary
  • Social Change International Film Festival
    Chicago, Ill
    United States
    N/A
    Honorable Mention
  • Lane Doc Fest
    Jackson, TN
    United States
    Official Selection
Director Biography - Zohal Nasrat

Zohal Nasrat was born in Pakistan as a refugee during the first Taliban regime in Afghanistan. In 2001, Zohal and her family returned to Kabul, with the establishment of a new government. Zohal's mother was a school teacher, and her father worked with the Ministry of Foreign Affairs. Due to the nature of her father's work, Zohal had the chance to visit countries such as Tajikistan and Turkmenistan. Although these constant relocations exposed her to diverse cultures, it also meant adapting to new environments, schools, and people.

Upon returning from Turkmenistan, she successfully passed the university entrance exam and gained admission to the Journalism Faculty of Kabul University. Zohal's time in the university proved to be a life-changing experience, both personally and professionally. In collaboration with NAI, an organization supporting free media in Afghanistan, and Oslo University, she conducted research on the rights of Afghan journalists in non-governmental media across the country, engaging with over 100 journalists from 21 provinces.

Upon graduating from university, Zohal faced the challenge of coping with the loss of her father and primary supporter. A year after graduation, she embarked on a new chapter, working with an international humanitarian organization in Afghanistan, the Danish Committee for Aid to Afghan Refugees, where she emerged as a storyteller. This role allowed her to travel to both urban and hard-to-reach areas of Afghanistan, honing her skills in visual storytelling.

In 2021, Zohal was accepted to Ohio University’s graduate program in Communication and Development studies with the support of the Fulbright Scholarship. It was here she began work on the Aftershock documentary. After graduation in 2023, Zohal began working for the International Rescue Committee, serving Afghan immigrants, in the Western US.

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Director Statement

This was a difficult documentary to make for many reasons. The majority of the Afghan Fulbright students, studying in the US, didn’t want to share their stories because it may be dangerous for them to do so. Many still have family members in Afghanistan who would be vulnerable. Some may ultimately have to return home to face the Taliban. But these three students agreed and they welcomed me into their lives. They were very collaborative, and they see this as their own film – it belongs to all of us. Afghan communities throughout the world greatly value education and the Fulbright scholarship was a great source of pride to us. When this was taken away, we were devastated. We want our voice in the world restored.

Making this film was emotionally exhausting for me, as each story I explored led me back to my own struggles, which I still am in the midst of. I thought, at the time, that the film would bring a small measure of healing, as I processed the my trauma and loss.

But that is no longer true. Unless something changes for me, my family, my friends and Afghans my heart will still be broken.