Adorn
An experimental erotic game. Sadie and Parker face each other naked; by the end they are mostly clothed and utterly exhausted. What’s in between is unique and completely improvised by the performers themselves. Restrained by the rules of their game, they create a love scene in reverse. With music by acclaimed folk-pop songwriter Zoe Boekbinder.
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Jennifer Lyon BellDirectorSecond Date (VR), Silver Shoes, Skin.Like.Sun., Matinée, Headshot
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Jennifer Lyon BellWriterSecond Date (VR), Silver Shoes, Skin.Like.Sun., Matinée, Headshot
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Jennifer Lyon BellProducerSecond Date (VR), Silver Shoes, Skin.Like.Sun., Matinée, Headshot
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Sadie LuneKey Cast
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Parker MarxKey Cast
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Jonathan MasseyDirector of PhotographyFive Broken Cameras, Second Date (VR)
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Jennifer Lyon BellDirector of PhotographySilver Shoes, Skin. Like. Sun.
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Julia ter HorstAssistant DirectorSecond Date (VR)
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Julia ter HorstGafferSecond Date (VR)
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Julia ter HorstCamera AssistantSecond Date (VR)
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Zoe BoekbinderMusic
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Yvette LuhrsOn-Set Sound MixerSilver Shoes
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Robin van der LindeHairstyling
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Lotte van NijverdalCostume DesignSecond Date (VR), Silver Shoes
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Brand BerghouwerStill Photography
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S.W.A.Postproduction Sound Design
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Zoe D'AmaroBehind The ScenesSecond Date (VR)
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Mark BakkerGraphic DesignMatinée, Silver Shoes, Second Date (VR)
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Jonathan MasseyEditorFive Broken Cameras, Second Date (VR)
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Project Type:Documentary, Experimental, Short
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Genres:Romance, Erotic
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Runtime:28 minutes
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Completion Date:October 3, 2018
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Country of Origin:Netherlands
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Country of Filming:Netherlands
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Language:English
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Shooting Format:4K and HD
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Oslo/Fusion International FilmFestivalOslo
Norway
September 25, 2020
Norwegian premiere
Official Selection -
Cinedans FESTAmsterdam
Netherlands
March 26, 2021
Netherlands Premiere
Official Selection -
International Shorts Film FestivalMelbourne
Australia
December 2, 2019
Australian premiere
Official Selection -
Choreoscope - International Dance Film Festival of BarcelonaBarcelona
Spain
October 31, 2019
Spanish Premiere
Official Selection -
Los Angeles Underground Film FestivalLos Angeles
United States
Award: Special Mention -
CineKink/NY - **Best Dramatic Short Film**New York
United States
April 6, 2019
USA Premiere
Best Dramatic Short Film -
Hacker Porn Film FestivalRome
Italy
April 29, 2019
Italian Premiere
Official Selection -
Porn Filmfestival BerlinBerlin
Germany
October 24, 2018
World Premiere
Official Selection -
Porn Film Festival ViennaVienna
Austria
April 7, 2019
Austrian premiere
Official Selection -
Norwegian Short Film Festival (Kortfilmfestivalen)Grimstad
Norway
June 11, 2020
Official Selection
Forever wishing that all movies had longer and better sex scenes, Jennifer Lyon Bell decided to mix arthouse cinema with hot explicit sex in her own work. With Blue Artichoke Films (Amsterdam), she creates erotic fiction films and documentaries that illuminate the riveting, intimate, and sometimes delightfully awkward side of sex.
A Harvard psychology graduate with a master’s degree in Film Studies, her award-winning films screen at international festivals, cinemas, and museums all over America, Europe, Japan, and South America. Her body of work recently won the 2015 European Feminist Porn Award. Her trilogy “Silver Shoes” premiered at the London ICA (Institute of Contemporary Arts), screened by invitation at the Schwules Museum Berlin, and received the “Movie Of The Year” grand prize at the Feminist Porn Awards in Toronto. Her explicitly erotic fiction film “Matinée” has won three Best Film awards including one from the Melbourne Underground Film Festival which it won by jury prize -- even though the film was technically banned from the festival by the Australian Classification Board for its intense sexual content. Her love/porn collaboration “Skin. Like. Sun.” has been embraced by sexologists at home and abroad for its unusually realistic depiction of female pleasure. And her arty erotic documentary “Headshot,” which screened at the Cannes Short Film Corner at its launch, broadcast recently on primetime television for half a million viewers. Her new virtual reality 3D 360° immersive experience film “Second Date” was nominated for a VR award at the Raindance Film Festival (London) at its World Premiere, and recently screened at the EYE Filmmuseum in Amsterdam.
In addition to filmmaking, Jennifer curates erotic-themed film programs and exhibitions for museums, arts institutions, and festivals including one of the longest running exhibitions ever at The Museum of Sex/New York (MOSEX). She was a co-director of Amsterdam’s own Rated X Amsterdam Alternative Erotica Film Festival, and a consultant for the Dutch EYE FilmMuseum’s erotic archive. She enjoys writing and presenting on porn; she recently gave the closing keynote, “Empathy and Pornography,” at the first Sex And The Cinema film studies conference at the University of Kent and has written for the academic journals Film Studies and Porn Studies, as well as various art publications. An innovator, she taught at the Dutch Film Academy (NFTA) in what may be the first ever erotic film workshop offered at a national film school. She was the alternative newspaper Amsterdam Weekly’s first and only sex columnist, “Ladywood”. Her current workshops include alternative/feminist porn, historical stag films, cognitive film theory approaches to porn, and the self-empowering creative workshop “From Fantasy To Film: Design Your Own Erotic Film” which she has taught all over the world.
www.blueartichokefilms.com
Adorn is my lighthearted experiment with a serious goal: To reveal the intense emotion that plays under the surface of even a one-night-stand between strangers. By creating a game that starts naked with one single rule —“You may only touch your partner under or over clothing that you dress them in” — I hoped to completely disrupt the traditional order of erotic progression in lovescenes. No sexual act could then be a “given,” not even kissing, and anything would be possible. This experiment was 100% improvised in the moment by the participants, even though at times they almost seem to be dancing or moving by design. For me, the best part of Adorn is the unexpected intensity of emotion that shines through. They must trust each other and communicate honestly in order to make it through the game, and in a strange quirk of chemistry, this somehow breaks open their relationship into a kind of intimacy that looks very much like love at times. Whatever this strange intimacy actually is, I believe it is undeniably precious.