āyí
In a crowded dormitory in Flushing, NYC, an undocumented housekeeper, āyí, endures exploitation while striving for a better life. Her only escape is Baduanjin, a meditative Tai Chi practice that offers fleeting peace. But as hardships mount, she must choose between silence and resistance.
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Jiayi LiDirectorDirector
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Jiayi LiWriter
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Nippich SuppasiripokaProducer
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Eleven LeeKey Cast"Shuping"
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Ru HeDirector of PhotographyDiretor of Photography
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Project Title (Original Language):阿姨
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Project Type:Short
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Runtime:13 minutes 8 seconds
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Completion Date:June 7, 2025
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Production Budget:5,000 USD
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Country of Origin:China
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Country of Filming:United States
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Language:English, Mandarin Chinese
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Shooting Format:Digital, Arri Mini
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Tribeca Film FestivalNew York
United States
June 8, 2025
World Premiere
Special Jury Mention in Student Visionary -
Mar del Plata International Film FestivalMar del Plate
Argentina
November 13, 2025
International Premeire
Special Jury Mention in Best International Short Film -
Hawaii International Film FestivalHawaii
United States
October 17, 2025
Hawaii Premiere -
Virginia Film FestivalVirginia
United States
October 24, 2025
Virginia Premiere -
Hainan Island International Film FestivalSanya, Hainan Island
China
December 8, 2025
Asian Premiere
Special Jury Mention in Best Short Film -
Asian Film FestivalRome
Italy
April 15, 2026
European Premier
Jiayi Li is a filmmaker, actor, and interdisciplinary artist born in China and shaped by life across China, Australia, and the U.S. She is currently pursuing an MFA in Directing and Screenwriting at Columbia University.
Her work focuses on lives at the margins—stories rooted in overlooked bodies, silences, and everyday rhythms. With a background in architecture, she brings a restrained, visually sensitive approach to narrative.
She is developing her debut feature, Escaping, about a New York-based Asian artist whose life unexpectedly intersects with an elderly homeless woman from Central Asia—two women bound by gender, solitude, and the discovery of buried artistic brilliance.
āyí tells the story of a Chinese woman in her fifties, living in New York and working as an undocumented day laborer. She is a domestic worker who maintains the order of other people’s lives, yet returns each night to a cramped shared dormitory, with no privacy and no sense of belonging.
In many Asian communities, “āyí” is a familiar and respectful term, but it also blurs identity. We rarely ask for her name or her story—we see her only as someone who is useful. This film is an attempt to truly look at her, to really see her.
Through this work, I want to ask a simple but urgent question: Can someone without legal status, support, or language rights still be seen as a whole person? Can her dignity, her exhaustion, her emotions, and her quiet longings be heard?