A Very Long Carriage Ride
Hooroo Jackson’s A Very Long Carriage Ride is the first dual release in the history of cinema, marking the first AI stop motion animated feature film, and the first AI classic style animated feature film at once, both made completely with AI tools. And like Jackson’s previous films, it was created entirely by one person. No crew. No studio. No compromise.
A Very Long Carriage Ride is a period adventure set in the divided land of Gooseberry. Autumn Watt—a sharp, principled letter-writer—sets off with her best friend, the pragmatic surgeon Dr. Katy Bloom, to attend a weekend of high-society weddings. On the road they learn that Gooseberry’s celebrated philanthropist, Meijor Donaldson, has secretly ruined and abused three women, among them Lady Brandy, estranged daughter of Hopkins Brandy, a once-great merchant now sunk in drink. Autumn joins forces with the broken but still-fierce Brandy and a small gaggle of travelling companions, determined to carry the women’s joint accusation straight to Donaldson’s own wedding. But beneath its wit, magical realism, and romantic swerves, lies hidden secrets.
The $2,000 budgeted production ($1,000 per version) proves the concept from 'The New Machine Cinema: Foundations in AI Film Theory' and Jackson's essay 'The Living Breathing Cinema'—a framework where a film isn’t a fixed object, but a living, changing work. Here, audiences choose which version they want to watch. Both are the same story, same performances, same vision, told through different aesthetic forms.
Alongside the film, Jackson published 'One Film, Two Ways: Introducing A Very Long Carriage Ride' positing that 'a film is no longer a film, a film is a series of possibilities.' Carriage Ride premiered on April 22nd, 2025, and was released commercially on May 30th, 2025 on blu-ray and streaming.
It was Jackson's third major milestone in cinema history following the first fully AI feature film ever made (Window Seat, July 2023) and the first fully AI animated feature film ever made (DreadClub: Vampire's Verdict, July 2024).
The creation of the screenplay--written by Jackson and workshopped with AI--is documented in 'The Making of A Very Long Carriage Ride', serving as both a production diary and a complete archive of his dialogue with LLMs during the six month production of the film. Over 40 hours of video documenting the complete making of the film in real time was also recorded.
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Hooroo JacksonDirectorWindow Seat, DreadClub: Vampire's Verdict
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Project Type:Animation, Feature
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Genres:Animation, Adventure, Comedy, Drama, Romance
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Runtime:1 hour 20 minutes
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Completion Date:April 22, 2025
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Production Budget:1,000 USD
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Country of Origin:United States
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Red Rocks AI Film Festival Official Selection
Best AI Film -
Seoul International AI Film Festival Official Selection
Official Selection -
AI Film Awards
Official Selection -
AI Film 3 Festival
Official Selection
Hooroo Jackson is an American film director, screenwriter, editor, and film theorist, responsible for several firsts in the history of cinema:
July 2023: Window Seat, the first AI feature film ever made. Complete AI video and performances. Made solo with a $100 budget.
July 2024: DreadClub: Vampire’s Verdict, the first AI animated feature film ever made. 100% of its sound, music, video, and performances made with AI tools.
December 2024: The New Machine Cinema: Foundational Essays in AI Film Theory
May 2025: A Very Long Carriage Ride, the first film in the history of cinema released in two different styles simultaneously, in the process becoming the first stop motion animated feature film, and the first classic style animated feature film made entirely with AI.
In 'A Very Long Carriage Ride,' my aim was to redefine what's possible in filmmaking by merging advanced AI technology with classic storytelling. The film is a playful yet profound exploration of class, identity, and the heart’s conflicted loyalties, set against an 18th-century Dickensian backdrop. It’s the first film released simultaneously in two distinct animation styles simultaneously—claymation and traditional 2D Disney animation—illustrating my concept of "Living Breathing Cinema," from the New Machine Cinema: Foundations in AI Film Theory; where audiences actively choose their experience. By fully embracing AI's artistic potential, I've created a work that confronts traditional gatekeeping, democratizes storytelling, and embodies cinema's new frontier.