A Mixtape for Stom
"A Mixtape for Stom" is an intimate documentary portrait of Japanese experimental filmmaker Stom Sogo (1975–2012), whose frenetic Super-8mm works became emblematic of New York’s underground cinema at the turn of the millennium. A close friend, filmmaker Adrian Goycoolea reflects on Sogo’s life and legacy, framing the film as a reply to the final email he received from him.
Drawing from personal archives, interviews, and memory, the film assembles a collage of Sogo’s art and presence: radiant, restless, and unresolved. Contributors include Jonas Mekas, Bruce McClure, Raha Raissnia, Julius Ziz, Ed Halter, Andy Lampert, and members of Sogo’s family, offering perspectives on his talent, struggles, and influence.
Scored by Joe Watson of Stereolab, "A Mixtape for Stom" is at once an elegy and an act of remembrance; a meditation on friendship and grief, and a testament to an underground legacy that continues to reverberate.
(Note to programmers: The filmmaker can assist in organising a companion programme of Stom Sogo shorts if you would like.)
-
Adrian GoycooleaDirectorAI Jetée, Flight of the Humming Bird, ¡Viva Chile Mierda!, Uncle Denis?
-
Adrian GoycooleaProducer
-
Jonas MekasKey Cast"Himself"
-
Bruce McClureKey Cast"Himself"
-
Ed HalterKey Cast"Himself"
-
Raha RaissniaKey Cast"Herself"
-
Andy LampertKey Cast"Himself"
-
Zoe GreenbergKey Cast"Herself"
-
Julius ZizKey Cast"Himself"
-
Albert HerterKey Cast"Himself"
-
Kate ElmoreKey Cast"Herself"
-
Ai WatanabeKey Cast"Herself"
-
Yukiko SogoKey Cast"Herself"
-
John MhiripiriKey Cast"Himself"
-
Moira TierneyKey Cast"Herself"
-
Jeff PerkinsKey Cast"Himself"
-
Oona MekasKey Cast"Herself"
-
Mark McElhattenKey Cast
-
Mau CeppiKey Cast"Himself"
-
Joe WatsonMusical ScoreStereolab
-
Project Type:Documentary, Experimental
-
Genres:Artist film, Portrait documentary, Arts documentary, Biographical documentary
-
Runtime:1 hour 42 minutes 36 seconds
-
Completion Date:April 10, 2025
-
Production Budget:1,800 USD
-
Country of Origin:United Kingdom
-
Country of Filming:United Kingdom, United States
-
Language:English, Japanese
-
Shooting Format:Digital
-
Aspect Ratio:16:9
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:No
-
Chicago Underground Film FestivalChicago, Illinois
United States
September 20, 2025
World Premiere -
Light Matter Film Festival (Experimental Film and Media Art)Albert, New York
United States
November 8, 2025
New York State -
CineCity Film FestivalBrighton
United Kingdom
November 13, 2025
United Kingdom -
Art Kino TheaterRijeka
Croatia
December 12, 2025
Croatia -
FOMO CinemaTblisi
Georgia
December 18, 2025
Georgia -
Anthology Film ArchivesNew York City
United States
January 17, 2026
USA -
New Jersey Film FestivalNew Brunswick
United States
February 21, 2026
New Jersey
Adrian Goycoolea is an American–Chilean–Brazilian filmmaker whose work spans documentary, experimental film, and hybrid media. His films explore memory, identity, and political history, combining personal narratives with archival material and technological innovation. His feature "¡Viva Chile Mierda!" is held in Chile’s Museum of Memory and Human Rights and has screened internationally. Other notable works include "Uncle Denis?", part of the BFI National Archive, and "AI Jetée", an award-winning AI-generated reimagining of Chris Marker's "La Jetée".
His latest film, "A Mixtape for Stom", is an intimate documentary about Japanese experimental filmmaker Stom Sogo. Goycoolea’s work has been presented at festivals including Rotterdam, Frameline, Antimatter, BFI Flare, and FIDOCS. He is based in Brighton and teaches filmmaking at the University of Sussex.
"A Mixtape for Stom" is a personal documentary exploring the life of my close friend, Stom Sogo, a Japanese experimental filmmaker whose untimely death in 2012 profoundly affected those who knew him. Structured around my response to the last email he sent me, the film integrates personal voiceover, archival material, and interviews with artists, filmmakers, and members of his family.
Stom was more than a filmmaker. He was a pivotal figure within New York's experimental film community around the turn of the millennium. As a projectionist at Anthology Film Archives, he organised screenings and fostered connections among an emerging generation of underground artists. His work, distinguished by strobing visuals, re-photography, and complex sound layering, was profoundly personal and deeply shaped by his traumatic past, struggles with drug use, epilepsy, and engagement with avant-garde film history.
In creating this documentary, my aim was not only to honour Stom’s artistic achievements but also to examine the forces that influenced his life and ultimately contributed to his death from a drug overdose. "A Mixtape for Stom" thus serves both as a tribute and as a critical reflection, exploring themes of memory and loss, as well as the complexities inherent in reconciling an artist’s creative brilliance with the troubling realities revealed only after their passing.