A Garden Under The Earth
In a series of dreamlike digital vignettes, two wild fairies engage in an increasingly intense erotic ritual.
Through lyrical poetry and oneiric imagery, the film mythologizes the homosexual practice of “cruising”: clandestine sexual encounters in public spaces. It analogizes this queer custom to ancestral Pan-European accounts of fairie ceremonies and equates the faerie ring–a mythical portal to the underworld–to the real world liminal spaces where cruising historically occurred.
These sensual, magical encounters take place in-between worlds. Spaces not yet completely retaken by nature but no longer the domain of man either; alluding both to ancient beliefs that the faerie realm was located somewhere between humanity and the wild; and to the history of queer sexuality: often relegated to the fringes of society.
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✹ NEWFEST / THE NEW YORK LGBTQ+ FILM FESTIVAL: OFFICIAL SELECTION
✹ CUTOUT FEST / FESTIVAL INTERNACIONAL DE ANIMACIÓN Y ARTE DIGITAL: OFFICIAL SELECTION
✹ FACC* FESTIVAL DE CINE Y ARTE CONTRASEXUAL: ✦ WINNER ✦ TECNOP*RNO
✹ CUÓRUM MORELIA: OFFICIAL SELECTION
✹ PAN EROS FILM FESTIVAL: OFFICIAL SELECTION
✹ HACKER PORN FILM FESTIVAL: ✦ WINNER ✦ OUTSTANDING ARTISTIC CONTRIBUTION
✹ SQUISH MOVIE CAMP: OFFICIAL SELECTION
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Pedro LavinDirectorLa Pequeña Muerte, Sophia
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Pedro LavinWriterLa Pequeña Muerte, Sophia
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Jordan HallKey Cast"Fairie"
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Jack BlackmonKey Cast"Fairie"
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Pedro Lavin3D DesignLa Pequeña Muerte, Sophia
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Simon Kounovsky3D Design and Animation
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Wesley EnsmingerMovement Direction
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Ignacio FerrarazzoMusic
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Taüs JafarSound Design and Mix
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Mayukh Goswami2D Animation
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Project Type:Animation, Experimental, Short, Web / New Media
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Genres:Fantasy, Erotic, Queer, Mythology, Experimental
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Runtime:5 minutes 30 seconds
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Completion Date:July 8, 2024
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Production Budget:5,000 USD
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Country of Origin:Mexico
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Country of Filming:Mexico, United States
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Language:English
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Shooting Format:Digital
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
Pedro Lavin (b. 1989) is filmmaker, writer and visual artist from Mexico City.
His work weaves together oneiric fantasy and visceral eroticism with his own personal histories in a biomythographic process. This aesthetic pursuit is rooted in themes of mythology, ritual and folklore; the metamorphotic power of nature; and the primal link between the divine and the profane. With an extensive background in creative direction for film, animation and VFX; and an audacious, pioneering embrace of novel tech and AI; Lavin’s multidisciplinary practice unfolds across a variety of mediums including film, animation, concept and generative art.
Lavin’s filmic work has been selected by and awarded at numerous film festivals internationally including Sundance, Outfest LA, Queer Screen, Annecy, Berlin Porn Film Festival and Choreoscope Barcelona among others. His artistic output has been exhibited at galleries worldwide including REDCAT in Los Angeles, JO-HS in Mexico City, Chinatown Soup in New York City and distant.gallery virtually.
Queer sexuality is strange.
It gestates enveloped in shame and fear that is inextricably braided with deep wants and desires. The psychological push and pull of such a contradiction results in a dynamic sexuality that is delicious and frightening all at once. We delight in the unorthodoxy and seeming degeneracy of our passions: we’ve been told they’re incorrect but yet, we want it. We need it.
With “A Garden Under The Earth” I aim to explore these conflicting and fascinating emotional dynamics. I hope to understand this distinctly homosexual instinct to challenge the existing paradigm; and how that can counterintuitively be a source of subversive pride; provide a path to the reclamation of our bodies and identities; and set the stage for a rebellious self-rebirth.
Fairie mythologies are the perfect vehicle to explore these themes: in researching folkloric fairie beliefs, I came to find striking parallels between the way these mischievous, often dangerous spirits were perceived and the fears that surround non-normative sexual identities to this day. The fae ceremonies from these old tales also bear surprising resemblances to modern day queer, erotic rituals, which often occur in liminal spaces, hidden away from the venomous eyes of those that may not understand and available only to those that know where to find these underworlds.
I perceive queerness as a challenge to convention, a crossing of seemingly rigid borders. Myth, fantasy, and folklore inspire this worldview: in those stories, characters obscure distinctions between male and female, human and spirit, floral and faunal. They traverse between realms and identities, showing how fixed boundaries can be made permeable. In my work, queerness is depicted as a difficult but transformative, magical ritual. Through it, I aim to unravel the emotional complexity that arises from being othered and sublimate it into visceral, sensual fantasy.