A Different Home
A Different Home asks what “home” means for queer people who live in a city but grew up in a rural place. Interviews layered on Scottish landscape shots explore the tensions between craving a rural life and thriving in an urban queer community. Interviewees share their sense of belonging to and alienation from both cities and rural spaces. Visually rooted to the land, this documentary reflects on what it means to grieve a space and a home which are still there but do not welcome us as who we are.
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Jules Lacave-FontourcyDirector
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Mitchell MortonEditor and cinematographer
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Project Type:Documentary, Short
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Genres:LGBTQ+, Experimental
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Runtime:15 minutes
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Completion Date:June 1, 2024
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Production Budget:300 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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SQIFF: Scottish Queer International Film FestivalGlasgow
United Kingdom
October 8, 2024
Official Selection -
Tampa Bay Transgender Film FestivalSt Petersburgh
United States
March 28, 2025
Official Selection -
QueerCine International Film festivalGhent
Belgium
April 28, 2025
Best New Voice -
Prisma - Queer Film FestivalCork
United Kingdom
August 30, 2025
Nominated for Best International Short -
Sea Change Film FestivalTiree Island
United Kingdom
September 20, 2025
Official Selection -
Phoenix Rising International FIlm FestivalLondon
United Kingdom
November 14, 2025
Official Selection
Jules is a non-binary filmmaker and photographer based in the Scottish Borders. They are currently exploring how places, both urban and rural, shape us and what they mean for queer identities and practices. Jules is particularly interested in how we connect with queer people from the past through film and photography as we create our own archive in the present.
I wanted to make a film that speaks to queer people for whom the narrative “I left my bigoted small town and found my community in a city and lived there happily ever after” doesn’t apply. It wasn’t true for me, and it’s not true for many of us. Where do we sit when both spaces are equally vital to us?