Ada and Eve
A window into a Chinese feminist director’s self-discovery through the camera lens while filmmaking in the US.
Ada Huang, a feminist director from China, pursues her dream of making movies in Atlanta, US. The film "Ada and Eve," based on her script, is currently in rehearsal. However, the filming process is not smooth, and she has to face embarrassing situations caused by cultural conflicts with racial and gender misunderstandings. Under tremendous pressure, Ada turns the conflict into motivation and writes it into the script. In this process, she gradually gains a clearer understanding of feminism, and under the influence of her good friend Kate, she sees a more concrete self.
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Audrey FullahDirectorLoving Strangers
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Audrey FullahWriterLoving Strangers
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Anne DoKey Cast"ADA"Everyone Will Die
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Audrey FullahProducer
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Ronesha StricklandProducerNumb
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Nelson Botter JrProducere Nosso Louco Amor
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Project Type:Experimental, Short
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Genres:Comedy, Experimental
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Runtime:11 minutes 59 seconds
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Completion Date:August 27, 2024
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Production Budget:16,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:ARRI RAW 4K & RED RAW 6K
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - Savannah College of Art and Design
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Digital Cinema Package:Unavailable
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Atlanta Underground Film FestivalAtlanta
United States
August 10, 2025
North American Premiere
Best Emerging Filmmaker (nominee)
Audrey Fullah focused on feminism and the fusion of East and West in her films. Her directorial characteristics include solid and comprehensive professional skills, accurate casting, and getting the best out of each character on set. In addition to nine years of experience, she has a master's degree in film and a cross-border background in engineering. After traveling to most of China, she starts her international journey in filmmaking.
As a female director, I focus on moral support for the intersectionality community in my films. Ada and Eve is a short feminist portrait narrative with an in-film structure based on authentic experience. It aims to speak for an intellectual female filmmaker who insists on strategic empathy to create long-term change rather than rely on expressing anger. 60% of people behind the screen come from the intersectionality community.