Private Project

A Blue Shroud

After surviving an attempt on his life, a disgraced police officer enlists the help of his partner to seek revenge, bringing into focus their differing sense of morality and responsibility to the community they serve.

  • Jason Snellman
    Director
    The Zombie Defense, I Still Haven't Found the Droids I'm Looking For, TV For Monsters
  • Jason Snellman
    Writer
  • Shelly Snellman
    Producer
    TV for Monsters
  • Robo & Bash Productions
    Producer
  • Brandon Alan Smith
    Key Cast
    "Adam Hoffman"
    Brawl in Cell Block 99, Gotham
  • Telvin Griffin
    Key Cast
    "David Carter"
    Amazing Stories, Dynasty, Queen Sugar
  • Shelly Snellman
    Key Cast
    "Officer Jacobs"
    TV for Monsters
  • Alexandra Seigel
    Key Cast
    "Sarah Hoffman"
    Workaholics, Eastbound & Down
  • Nathan Marlow
    Key Cast
    "Officer Carter"
  • Chad Addison
    Key Cast
    "Officer Day"
    9-1-1, All Rise, The Rookie
  • Eddie Alfano
    Key Cast
    "Officer Williamson"
    Babysplitters, Harley Quinn: Birds of Prey, Shameless
  • Leif Gantvoort
    Key Cast
    "Detective"
    The Amazing Spider-Man, The Crossing, General Hospital
  • I'ke Mitchell
    Key Cast
    "Martin"
  • Travis "TJ" Johnson
    Key Cast
    "Louis"
    The Little Mermaid Live!
  • Project Type:
    Short
  • Runtime:
    29 minutes 26 seconds
  • Completion Date:
    August 1, 2020
  • Production Budget:
    30,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital, ARRI Alexa
  • Aspect Ratio:
    2.39:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Garden State Film Festival
    Asbury Park, NJ
    United States
    March 28, 2021
    World Premiere
  • Micheaux Film Festival
    Los Angeles, CA
    United States
    April 26, 2021
    Los Angeles Premiere
    Outstanding Dramatic Actor (Short form) - Telvin Griffin
  • The IndieFest Awards

    Award of Merit - Cinematography, Award of Merit - Liberation/Social Justice/Protest
  • Los Angeles Cinematography Awards

    Best American Film
  • Marina del Rey Film Festival
    Marina del Rey, CA
    United States
    July 17, 2021
  • North Dakota Human Rights Film Festival
    Fargo, ND
    United States
    November 5, 2021
  • San Pedro International Film Festival
    San Pedro, CA
    United States
    November 7, 2021
  • Studio City International Film Festival
    Studio City, CA
    United States
    November 19, 2021
Director Biography - Jason Snellman

Jason was born and raised in the Upper Mid-west. His love and admiration of visual story telling carried him to Minneapolis where he studied theater arts at the University of Minnesota before moving to Los Angeles where he attended the New York Film Academy. Since graduating, he has slowly been building his directing resume along with his professional relationships within the industry, with the ultimate goal of directing meaningful films and television for an audience eager to challenge their perceptions. Most recently, he was honored to be brought on board the hit Hulu show "Pen15" as the director's assistant for all five of the shows immensely talented directors.

Add Director Biography
Director Statement

I first started wrestling with the idea of telling this story while sitting on a plane, blinded from the outside world by a sleep mask, my mind racing with thoughts of rage. It was 2015, and cell phone footage of Walter Scott's murder had just been unleashed upon the world. This and similar events around the time seemed to finally be lifting the shroud that was concealing the ugly underbelly of American race relations, but much of society's fervor had dwindled by the time my piecemeal thoughts finally became a script and then a production, circa late-2019. Nevertheless, the quiet that had settled on the subject did not mean that the problem had been solved. The death of black Americans at the hands of "peacekeepers" is a plague on our nation. Sadly, 2020 has shown us once again how perpetual this injustice is and how far we still need to go. My aim with this piece is for audiences to begin by questioning "Who done it?" and leave the theater thinking "Who will undo it?"