Experiencing Interruptions?

No born

Do we live in an imperfect world? Ingrained male superiority over the centuries by the holder of male power is offset by the inability to childbirth
Incido in the individual's identity. I focus on the conditions that shape their personality, their anxieties, needs, sexual orientation and social acceptance. A desert island in a globalized world.

  • Ausín Sáinz
  • Ausín Sáinz
  • Ausín Sáinz
  • Ausín Sáinz
    Key Cast
  • Project Type:
    Animation, Experimental, Short
  • Runtime:
    4 minutes 54 seconds
  • Completion Date:
    December 31, 2014
  • Production Budget:
    0 USD
  • Country of Origin:
  • Country of Filming:
  • Shooting Format:
  • Film Color:
  • First-time Filmmaker:
  • Student Project:
  • Total Art – Alienated Timelines II, CologneOFF X – 10th Cologne International Videoart Festival.
  • Total Art --Alienated Territories, and Alienated Timelines II, CologneOFF X, CeC 2015 - Carnival of e-Creativity, North Western Hills University ShillongIndia.
  • Videopride de ArcópoliMuestra Cultura Difractada, Espacio Labruc.
  • Instants Vidéo Numériques et poétiques, The 28th Festival Les Instants Vidéo 2015, Friche La Belle de Mai, Espace Culture, ADPEI, SARA, La Fraternité.
  • Instants Vidéo Numériques et poétiques, The 28th Festival Les Instants Vidéo 2015, [BOX] Galerie, Milan, Italy; Visual Container TV;
Director Biography - Ausín Sáinz

He is multidisciplinary artist.
provocative and conscientious remove.
Ausín Sáinz (Burgos, 1969) creates integral installations mixing different plastic techniques with a great reflexive and critical load.
1999-2001 Sculpture Specialty, Faculty of Fine Arts, University of Salamanca.
1997-1999 Painting Specialty, Faculty of Fine Arts, University of Salamanca.
1987-1992 A Degree Fine Arts, specialty of Graphic Design and Audiovisual Communication, University of Salamanca.

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Director Statement

My work of art arises as a critical reaction faced with social injustice. I perceive that the humanity is submitted to a system which is imposed and whose unique exit is death. But the death, which can be emotional, social or physical comes smoother by the romanticism by the beauty of the context or by the religious symbology. All this reduces the affliction produced by death and gives meaning to the final composition showing feelings as pain, guilt or loneless. My life, my experiences and my close acquaintenance´s ones are the source of my inspiration. I try to report every social thing that I consider it can be improved.
I look for a lack of a defined time and space in order to obtain the most generalisation as possible and so the clothes and the figures are as simple as i can represent them. These figures don´t have any decorative element and their models are always my sister for women and me for men just to insist specially in the ideas.
The hardness of the topics contrasts with the beauty of the result. Through this beauty I try to catch spectator’s attention to introduce them in this world that is, in fact, our world.