Experiencing Interruptions?

Land

I think critically about land ownership. now many refugees and immigrants want to come to Europe. They want to improve poor citizens in another country. Rich people have full freedom of movement.

  • Ausín Sáinz
    Director
  • Project Type:
    Experimental
  • Runtime:
    3 minutes 52 seconds
  • Completion Date:
    December 31, 2015
  • Production Budget:
    0 USD
  • Country of Origin:
    Spain
  • Country of Filming:
    Spain
  • Shooting Format:
    mp4
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • GlobalVideos, StichtingWhiteCube. Filmhuis Alkmaar,
    Alkmaar
    Netherlands
  • VideoBardo, Festival Internacional de Videopoesia (VI)
    Buenos Aires
    Argentina
  • Friche la Belle de Mai at Instants Video Festival Galerie Deux
    Marsella
    France
  • EXILIO. Zocalo de la cuidad de México
    México
    Mexico
  • INTERFERENCE 2016. 3RD VISUAL COMMUNICATION FESTIVAL.
    GDAŃSK
    Poland
  • GlobalVideos, StichtingWhiteCube. Kulturhuset Kilden.
    Brøndby
    Denmark
  • GlobalVideos, StichtingWhiteCube. Burnaby Arts Council/Deer Lake Gallery.
    Burnaby BC
    Canada
  • GlobalVideos, StichtingWhiteCube. Helsinki Cosmopolitan Association.
    Helsink.
    Finland
  • GlobalVideos, StichtingWhiteCube. Studio Seven.
    Karachi
    Pakistan
  • GlobalVideos, StichtingWhiteCube. Gallery Mcube.
    Lalitpur
    Nepal
  • GlobalVideos, StichtingWhiteCube. Beechwood House,
    Moffat, Scotland.
    United Kingdom
  • GlobalVideos, StichtingWhiteCube. Paratissima/Chovekot pred sè.
    Skopje.
    Macedonia, the former Yugoslav Republic of
  • GlobalVideos, StichtingWhiteCube. Galleria Rajatila.
    Tampere
    Finland
  • GlobalVideos, StichtingWhiteCube. Studio Sonia Gil.
    Rio de Janeiro.
    Brazil
  • GlobalVideos, StichtingWhiteCube. Podium de Flux.
    Zaandam.
    Netherlands
  • GlobalVideos, StichtingWhiteCube. Sinema Kolekan.
    Jakarta.
    Indonesia
  • GlobalVideos, StichtingWhiteCube. Mamuta Art and Research Center.
    Jerusalem.
    Israel
  • GlobalVideos, StichtingWhiteCube. Spóldzielnia Orgniwo,
    Kraków.
    Poland
  • GlobalVideos, StichtingWhiteCube. The Serpentine Gallery.
    Lismore NSW.
    Australia
  • GlobalVideos, StichtingWhiteCube. Comuna de Han-Ian.
    Macau, Macau SAR.
    Macao
  • GlobalVideos, StichtingWhiteCube. Noname hub Milan.
    Milan.
    Italy
  • GlobalVideos, StichtingWhiteCube. The Litte One Atelie.
    Hong Kong, Hong Kong SAR.
    Hong Kong
Director Biography - Ausín Sáinz

ausinsainz@hotmail.com
He is multidisciplinary artist.
provocative and conscientious remove.
Ausín Sáinz (Burgos, 1969) creates integral installations mixing different plastic techniques with a great reflexive and critical load.
1999-2001 Sculpture Specialty, Faculty of Fine Arts, University of Salamanca.
1997-1999 Painting Specialty, Faculty of Fine Arts, University of Salamanca.
1987-1992 A Degree Fine Arts, specialty of Graphic Design and Audiovisual Communication, University of Salamanca.

Add Director Biography
Director Statement

My work of art arises as a critical reaction faced with social injustice. I perceive that the humanity is submitted to a system which is imposed and whose unique exit is death. But the death, which can be emotional, social or physical comes smoother by the romanticism by the beauty of the context or by the religious symbology. All this reduces the affliction produced by death and gives meaning to the final composition showing feelings as pain, guilt or loneless. My life, my experiences and my close acquaintenance´s ones are the source of my inspiration. I try to report every social thing that I consider it can be improved.
I look for a lack of a defined time and space in order to obtain the most generalisation as possible and so the clothes and the figures are as simple as i can represent them. These figures don´t have any decorative element and their models are always my sister for women and me for men just to insist specially in the ideas.
The hardness of the topics contrasts with the beauty of the result. Through this beauty I try to catch spectator’s attention to introduce them in this world that is, in fact, our world.