Dürer was the first artist who introduced the self - portrait as a defining element of his art, using the most modern of its time technique. Today's self - portraits have become popular thanks to digital images. In this video I emulating a self - portrait self - portrait Dürer youth where it appears as boyfriend with thistle flower between his fingers, German symbol of fidelity. It arose following the statement that his father sent him when he was forming outside Germany, which confirmed its commitment to a young rich. That hard faithfulness little time as quickly came the first marital discord. This liken it to the fidelity to which we submit today. Our daily struggle for stability at the expense of whatever, in a globalized world.

  • Ausín Sáinz.
  • Ausín Sáinz.
  • Ausín Sáinz.
  • Ausín Sáinz.
    Key Cast
  • Project Type:
  • Runtime:
    6 minutes 2 seconds
  • Completion Date:
    December 31, 2015
  • Production Budget:
    0 USD
  • Country of Origin:
  • Country of Filming:
  • Shooting Format:
  • Film Color:
  • First-time Filmmaker:
  • Student Project:
  • IVAHM, Centro de Artes de Vanguardia, La Neomudejar, Madrid; Facade Video Festival 2016, Plovdiv, Bulgaria; PLAY IT, Art & Breakfast, Museum Carmen Thyssen (Málaga), MADATACA (Madrid); IX Festival Intencional de Vídeo arte de Barcelona, BANG, La Galeria Contrast, Galeria H20 y Casa Elizalde. (Barcelona); Fideluty, V edición NemoArtFestival, La Nave Gris, Galería La hormiga, (Priego de Córdoba); XVI EAC Encuentro de Arte Contemporáneo, MUA, (Alicante)
    Málaga, Madrid, Barcelona, Córdoba, Alicante.
Director Biography - Ausín Sáinz.
He is multidisciplinary artist.
provocative and conscientious remove.
Ausín Sáinz (Burgos, 1969) creates integral installations mixing different plastic techniques with a great reflexive and critical load.
1999-2001 Sculpture Specialty, Faculty of Fine Arts, University of Salamanca.
1997-1999 Painting Specialty, Faculty of Fine Arts, University of Salamanca.
1987-1992 Fine Arts, specialty of Graphic Design and Audiovisual Communication, University of Salamanca.

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Director Statement

My work of art arises as a critical reaction faced with social injustice. I perceive that the humanity is submitted to a system which is imposed and whose unique exit is death. But the death, which can be emotional, social or physical comes smoother by the romanticism by the beauty of the context or by the religious symbology. All this reduces the affliction produced by death and gives meaning to the final composition showing feelings as pain, guilt or loneless. My life, my experiences and my close acquaintenance´s ones are the source of my inspiration. I try to report every social thing that I consider it can be improved.
look for a lack of a defined time and space in order to obtain the most generalisation as possible and so the clothes and the figures are as simple as i can represent them. These figures don´t have any decorative element and their models are always my sister for women and me for men just to insist specially in the ideas.
The hardness of the topics contrasts with the beauty of the result. Through this beauty I try to catch spectator’s attention to introduce them in this world that is, in fact, our world.