Sofia's Eyes
A short, reflective photo-documentary that explores memory and the significance of photography by looking at the way in which 6-year old Sofia will learn about her late father.
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Rory FarmerDirector
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Rory FarmerProducer
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Project Type:Documentary, Short, Student
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Runtime:5 minutes 17 seconds
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Completion Date:November 11, 2016
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Production Budget:0 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital, Canon 5D miii
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes
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Wales International Documentary FestivalBlackwood
United Kingdom
April 7, 2017
UK Premiere
Official Selection -
Ffresh Student Media FestivalCardiff
United Kingdom
May 10, 2017
Official Selection -
Carmarthen Bay Film FestivalCarmarthen
United Kingdom
May 12, 2017
Official Selection -
DAE Studio Film FestivalDarwen
United Kingdom
July 14, 2017
Best Student Film
Distribution Information
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Rory FarmerRights: All Rights
Rory is currently studying on the MA Filmmaking course at Bangor University in Wales. Rory grew up in the English county of Staffordshire and began to develop a keen interest in film with a friend at school, inspired by the works of Edgar Wright. By the age of 17 the two had produced a comedy feature using friends for actors and this was the moment Rory actively began to pursue film as a career.
At University Rory began to crew on a variety of short films and took on a number of projects on behalf of the University. Despite a keen interest in a variety of different genres, Rory has always been interested in documentary and recently flew to South Korea to work on a BBC Wales documentary. Upon his return he began developing a number of documentary projects of his own, including 'Sofia's Eyes'.
Making 'Sofia's Eyes' was one of the toughest challenges of my life, but it has also been incredibly rewarding. My Dad passed away in 2015 and he'd been a huge support to me, he never questioned my decision to pursue my dreams of being a filmmaker and I wanted to dedicate this to him.
I have always had this interest in photographs, and it stems from looking at old photographs of different ancestors. This got me thinking about how I would teach my own children one day about my Dad, but upon more reflection I realised that my six year old sister Sofia would also be in the same boat. So I wanted to make a documentary that would allow the audience to understand their situation, and to perhaps ultimately reflect on the value of their own family photos. This in turn, is why I constructed the documentary through photographs; the audience learns about Matt in the same way that Sofia will, through Sofia's eyes.