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64 Days

From the filmmaker embedded with the Proud Boys, this is a first hand account of the conspiracy to steal the election

  • Nick Quested
    Director
    Restrepo, Hell on Earth, Stretch and Bobbito
  • David Kennedy
    Producer
    I Want My MTV, Stretch and Bobbito, The Social Network
  • Gretchen McGowan
    Producer
    Carol, Restrepo, Hell on Earth
  • Project Type:
    Documentary
  • Runtime:
    1 hour 42 minutes
  • Completion Date:
    August 30, 2024
  • Production Budget:
    750,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • Woodstock Film Festival
    Woodstock
    United States
    October 15, 2024
    North American Premiere
    Special Presentation with Panel
Distribution Information
  • Goldcrest Films International
    Rights: All Rights
Director Biography - Nick Quested

Nick Quested is Executive Director and owner of Goldcrest Films, where he has built one of the premier documentary brands in the world. Mr. Quested has served as a producer on over 60 films, and for his work, Mr. Quested won an Emmy and has been nominated for a PGA Award, and produced the Oscar nominated Restrepo.

Mr. Quested is also the recipient of the 2018 duPont-Columbia Award, which is dedicated to upholding the highest standards in journalism. In June 2022, Mr. Quested was subpoenaed by Congress and served as the opening witness in the January 6th Committee Hearings.

Prior to focusing his attention on documentaries, Mr. Quested was an award-winning director with over 100 music videos and commercials to his credit, working with world renowned artists such as Dr. Dre, Common, Nas, Sean “P. Diddy’ Combs, and Sting and with brands such as Sprite, Nike, Lexus, and Land Rover.

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Director Statement

In the summer of 2020, in the wake of the murder of George Floyd and at the height of the protests for social justice, I began making a film about division in America. I immersed myself with groups from the extreme left and right sides of the political spectrum and asked questions such as “what does it mean to be American?” and “What do all Americans have in common?” I was curious, perhaps even hopeful, I’d find a common ground or similar grievances. It wasn’t the case.

As the summer heated up, what became increasingly more alarming was that across America, the disorganized rhetoric behind the divergent groups of far-right protesters started to find focus. MAGA influencers and political operators deployed myriad tactics to radicalize a large population of people who supported Back the Blue, anti-vax, and covid lockdown protests, and amplified by President Trump and his tweets, these radicalized Americans started coalescing around the #stopthesteal campaign, a grass- roots political movement that sowed the seeds of doubt in the presidential election and unified everyone with the common goal of keeping Trump in power.

As #stopthesteal grew, so did the extremists and their fervor. I reached out to Enrique Tarrio, the leader of the Proud Boys, and he graciously invited me to embed with them at various protests as well as his home in Miami. In a matter of months, I filmed a men’s drinking club evolve into a militia vowing to control the streets, and soon, they’d become the boots on the ground catalyst for the January 6th insurrection.

What’s more, #StoptheSteal zealots, the Proud Boys, and President Trump followed through on exactly what they said they would do. For months on end, they boldly telegraphed that if Trump didn’t get the votes, there could be only one justification–it was a rigged election. As such, any means necessary should be used to take the country back. They orchestrated and instigated a coup in plain sight at our nation’s Capital.

While I have covered many conflicts all over the world, never in a million years would have ever predicted that one day I’d be filming on the frontlines of the battle for democracy in America at the steps of our nation’s capital. Nor could I have ever imagined that I’d be sitting in front of congressional hearings testifying to what I witnessed.

64 DAYS is without question the single most important film I’ve directed. I owe a great deal of gratitude to all the people at Goldcrest and Smuggler, as well as all the “fair witnesses,” scholars, and journalists who have helped me report the objective truth that now stands as a cautionary tale for our future. The erosion of democracy is a gradual process, until it isn’t. January 6 reminds us that for a democracy to be successful, it needs the honest participation of everyone.