4 Better or 4 Worse
Trapped in an abusive home and desperate to live as her true self, Jennifer risks everything to transition using unsafe, black-market hormones. When she reaches the verge of her death, her chosen family—Barbara, Tintoy, and Bianca—step in, joining beauty pageants to raise money for her survival.
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Ronjay-C Fernandez MendiolaDirector
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Ronjay-C Fernandez MendiolaWriter
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Maricris Soneja CondeProducer
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Ronjae RealubinKey Cast
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Gerson RavenKey Cast
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Pau GutierrezKey Cast
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Alon SinagKey Cast
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Project Type:Short
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Genres:Comedy, Drama, Romance
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Completion Date:August 12, 2025
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Production Budget:200,000 PHP
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Country of Origin:Philippines
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Country of Filming:Philippines
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Language:English, Tagalog
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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8th Sine Kabataan Film Lab and FestivalManila
Philippines
September 5, 2025
Philippine Premiere
Official Finalist -
5th Queer Film Festival WeimarWeimar
Germany
December 11, 2025
European Premiere
Official Selection -
Trans Image/Trans Experience Film Festival 2026Dublin
Ireland
April 14, 2026
Irish Premiere
Official Selection -
7th OFN LGBTQIA+ Film FestivalLondon
United States
April 12, 2026
British Premiere
Official Selection -
3rd Queer Spectrum Film FestivalDublin
Ireland
June 13, 2026
Official Selection -
5th Urbanite Arts & Film FestivalNew York City
United States
August 6, 2026
North American Premiere
Official Selection, Quarter-finalist
Ronjay Mendiola is an emerging Filipino filmmaker recognized for his socially resonant storytelling. He first gained acclaim with Last Shift (2024), a short drama about the sacrifices of call center agents balancing livelihood and personal aspirations. The film won Best Short at the Puregold CinePanalo Film Festival and was praised for its authenticity and empathy in portraying working-class struggles.
Following this success, Mendiola directed 4 Better or 4 Worse (2025), a short film exploring the struggles of the transgender community and the inaccessibility of trans healthcare in the Philippines. Selected as an official finalist at the Sine Kabataan Short Film Festival, the film broadens Mendiola’s scope as a storyteller, taking on themes of identity, dignity, and systemic barriers faced by marginalized groups.
Mendiola’s filmmaking is defined by a grounded, humanistic lens—whether illuminating the quiet perseverance of BPO workers or giving voice to the trans community’s fight for recognition and care. His collaborative style with cast and crew, alongside his ability to navigate logistical and creative challenges, underscores a commitment to craft and purpose.
With two impactful films already recognized on the festival circuit, Mendiola continues to build a body of work that blends social relevance with compelling narrative power.
I am fortunate to have many transgender friends who are some of the most vibrant, playful, and often sarcastic people I know. They joke, they laugh, and they share the same kind of humor. But beneath that humor, I see the quiet struggles they carry every day, which are struggles that too often go unnoticed by society. In the Philippines, transgender people, and many in the LGBTQIA+ community, are not truly accepted; they are tolerated, forced to navigate a world that neither fully sees nor fully acknowledges their humanity. This is something I refuse to accept, because I believe that every transgender individual, and every member of the LGBTQIA+ community, deserves more than mere tolerance. They deserve to take up space in a world where they are celebrated and recognized for who they truly are.
As a young filmmaker, my goal is to use this film to shed light on the harsh realities that many transgender individuals, particularly those from impoverished backgrounds, face every day. This is a story that needs to be told—the story of transgender individuals who fight not only for survival, but for dignity. They turn to beauty pageants and other competitions, seeking validation and a way to make ends meet. They endure the financial strain of hormone replacement therapy (HRT), often resorting to unregulated, cheaper alternatives, because proper medical care is simply out of reach. And above all, they constantly sacrifice their health, safety, and well-being in the hope of being accepted for who they are.
This film is inspired by the loss of a dear friend of mine who tragically passed away due to the complications of unregulated HRT during her transition. She wanted nothing more than to be accepted as a trans woman, and in her desperation to find a path to that acceptance, she turned to what she thought would help, only for it to take her life instead. While the film does not tell her exact story, it is her memory, her struggle, and her dreams of belonging that fuel this project.
In this film, I want her to live. I want her to defy the odds, to survive, and to revel in the beauty of her dream. I want this story to be our second chance to give, as friends, the unwavering support we should have given when she lay in that hospital bed.
This is not merely a film; it is a vision of the life that could have been, the dreams that might have soared, if only trans people had access to the healthcare they deserve and did not have to gamble with their very lives for the simple dignity of being accepted.
This is not just Jennifer’s story. It’s a story about what happens when survival becomes an act of defiance. It’s about chosen family, about friendship forged in fire. It’s about the trans community’s relentless fight for the right to exist, to be seen, to live without fear. It’s about the human cost of being denied access to healthcare, safety, and acceptance. It’s a love letter to every trans person who’s ever been told they don’t belong and a rallying cry for those who believe otherwise.