ÃNIMA4
Reinvention of four musical movements of Symphony No. 3 by Vladimir Hirsch "Brands of Tyranny". A proposal for consideration regarding the behavioral issue of human violence in the treatment of animals. Images taken with a cell phone.
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JOESER ALVAREZDirector
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ARIANA BOAVENTURADirector
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JOESER ALVAREZWriter
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ARIANA BOAVENTURAWriter
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COLETIVO MADEIRISTAProducer
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JOESER ALVAREZEDITION/PHOTOGRAPHY
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VLADIMIR HIRSCHMUSIC
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Project Type:Documentary, Experimental, Music Video, Short, Student, Web / New Media
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Genres:EXPERIMENTAL, DOCUMENTARY, ENVIROMENTAL, ANIMAL RIGHTS
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Runtime:4 minutes 44 seconds
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Completion Date:August 31, 2012
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Production Budget:10 USD
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Country of Origin:Brazil
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Country of Filming:Brazil
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Language:English
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Shooting Format:Digital, H264 Full HD
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Festival Audiovisual por los Derechos de los Animales CINE ANIMAL IBogotá
October 4, 2016 -
12th Festcineamazônia – Festival Latino Americano de Cinema e Vídeo AmbientalPorto Velho
Brazil
November 5, 2014
South American Premiere
Manoel Rodrigues Ferreira Prize - Best Experimental -
1th Mostra Curta ParáBelém
Brazil
February 10, 2015 -
XVIII Cine Pobre 2015 Official SelectionHavana
Cuba
April 30, 2015
Latin American Premiere -
#15 Los Angeles Cinefest 2015Los Angeles
United States
October 31, 2015
Noth American Premiere -
Festival Online Futuros AsimétricosMexico DF
Mexico
May 30, 2016 -
12 Months Film FestivalCluj
Romania
May 13, 2016 -
I Festival de Video Libre de Tele KMadrid
Spain
April 3, 2016
European Premiére
Mejor Cortometraje de No Ficción
Distribution Information
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ACME FilmsCountry: BrazilRights: All Rights
The Madeirista Collective is a multidisciplinary group of artists who meet to production and discussion of contemporary art, with works in the area of literature, net art, visual poetry, photography, performance, site-specific, urban interventions and video art. All participating artists live and work in Porto Velho city, Rondônia, South Amazon, Brazil periphery.
Our filmic look is about people and events of our time, we try to make films that can multiply or look at the world, sometimes in a poetic way, other times in a raw way. In our view, each film has a good gestation time until it is ready, then, after we mature, we can share our fruits with people and let them go their way in the world.