Private Project

The Road to Krasnostav

Krasnostav was a Jewish shtetl in Ukraine with a population around 2000 in 1930s.
A half of the population was Jew, another half was Ukrainian. In August 1941 German soldiers and local Ukrainian collaborators carried out a mass execution of all 800 Jews remaining in the town.
Seventy-four years later, in May 2015, the descendants of those Jews gathered in Kiev in order to find out the circumstances of the lives and deaths of their forefathers. This fact-finding trip forms the basis of the film's narrative.
The grim details of Babi Yar’s mass killing of Jews in Kiev was a starting point of their discoveries. Than the group traveled to Krasnostav, which became a small desolated village with only 300 inhabitants, no Jews live there any more. But two aged women still remember past glory of the town, its central plaza, stores, workshops and Jewish neighbors that helped them in the harsh time.
The trail brought the group to the war memorials, mass graves and Jewish cemeteries in and around Krasnostav, Izyslavl, Berezdov and Slavuta. Those monuments and graves surrounded by picturesque landscapes are the only remnant of the former Jewish population.
Why did it happen in this particular Ukrainian town where the Ukrainians and the Jews had lived alongside each other for centuries only to end up as murders and victims? So who killed the Jews? How does hate grow in people's hearts over the course of a day? A lingering sense of a tragedy that can’t be reconciled is punctuating the film treads.
The film is valuable as a historical account about “The Holocaust by bullets” when the Germans entered Ukraine in July 1941 and destroyed every Jewish community in their path. Nearly every Jew who did not manage to flee was killed in the space of two and a half years, between June, 1941 and December, 1943.
According to Ukrainian historian, Alexandre Kruglov: 500 000 persons were exterminated in 1941, over 700 000 in 1942, and 200 000 in 1943 before the Wehrmacht’s retreat in 1944. Just 20% of Ukrainian Jews were deported to Belzec, Sobibor and Auschwitz. The remaining 80% were killed by SS commando and Ukrainian collaborators.

  • Julia Melamed
    Director
    Degen, Moscovites, The One, The Abdiction of Europe
  • Michael Levin
    Producer
  • Leonid Vayn
    Producer
  • Julia Melamed
    Camera
  • Igor Klyonov
    Camera
  • Julia Melamed
    Editors
  • Igor Klyonov
    Editors
  • Alexsey Gotfrid
    Sound
  • Leonid Vayn
    Photography
  • Project Title (Original Language):
    Дорога на Красностав
  • Project Type:
    Documentary
  • Runtime:
    1 hour 3 minutes
  • Completion Date:
    December 1, 2015
  • Production Budget:
    40,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    Ukraine
  • Language:
    Russian
  • Shooting Format:
    HD
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • International Film Festival for Peace, Inspiration & Equality
    Jakarta
    Indonesia
    September 22, 2016
    Indonesian Premiere
    Award of Merit
  • TruDoc
    Nikolaev
    Ukraine
    September 9, 2016
    Nikolaev Premiere
Director Biography - Julia Melamed

Julia Melamed produces movies covering wide spectrum of genres such as, documentaries, docu-dramas, play and short movies.
Julia’s documentary «The abduction of Europe» won Best Documentary at the New-York International Independent Film and Video Festival 2006
Julia’s short «THE ONE» is the winner of Shanghai Short film Contest 2011.
http://www.youtube.com/watch?v=dwnxzKg20Ek
http://www.youtube.com/watch?v=gGvpJr4X-ek
Recently Julia get involved in multimedia cross-platform projects.
www.7muscovites.com
Julia also writes for a philosophical journal «Logos”, Moscow. She is an author of the following papers:
«Reposted ergo sum», Logos #1 [85], 2013. The article undertakes the comparative analysis of text on the social networks LiveJournal, Facebook and Twitter.
«Three Most Notorious Suicides in History: Socrates—Kirillov—Malevich» Logos #3 [99], 2014. The article deconstructs three rhyming plots in world history: the death of Socrates—the suicide of Alexey Kirillov in «The Possessed»—The Black Square by Malevich. It claims that in all the three episodes, a “logical suicide” had taken place.

Education:
Moscow Pedagogical State University. Teacher of Russian Literature and Language for the deaf and hard-of-hearing children, BS
1993
Higher Courses of Writes and Filmdirectors. Film Directing. 2005. MA.
Courses of playwrights and directors, dramaturgy and play movie workshops, Moscow

Filmography

«Degen», documentary, screenplay, director, 2014
«Muscovites», multimedia project, consists of 7 shorts, screenplay, director, 2013/14
7muscovites.com
«Quod erat demonstrandum», series, screenplay, 2012
«The One», short, the winner of the Shanghai Short film Contest 2011, screenplay, director, 2011
«Risk area», docu-drama, screenplay, director, 2010
«I am Culture», documentary, screenplay, director, 2007
«Prototypes»,documentary, screenplay, director, 2006
«To die for the beauty», documentary, screenplay, director, 2006
«The abduction of Europe», documentary, screenplay, director, 2005, Best Documentary at the New-York International Independent Film and Video Festival 2006
«Captivity. Four stories», documentary, screenplay, director, 2001
«The era of radio», documentary, screenplay, director, 2001
«The Master and Margarita», documentary, screenplay, director, 2000
«25/07/2000», documentary, screenplay, director, 2000
«Blessed are the poor», documentary, screenplay, director, 2000
«A birth», documentary, screenplay, director, 1998

Add Director Biography
Director Statement

The enigma of the Holocaust has changed society and human consciousness no less than the invention of the wheel, the discovery of America, and the French Revolution. People found out something unpleasant about themselves and their neighbors.... or did they? Or do they still refuse to face the truth?
“Road to Krasnostav” – a film and a riddle about the life and death of a shtetl. But the fate and destruction of a little shtetl raises questions that are still universally relevant today, 74 years later.
….Before the war, two communities, Ukrainians and Jews, lived side by side in a Ukrainian town. In terms of percentages, it was about a 50-50 split. All told, there were over two thousand inhabitants. They lived together peacefully, amicably. They socialized and did business with each other. During the holidays, they would bring each other food and drink. On the main square there was a church, on the neighboring square – a synagogue. At the very beginning of the war, on a warm, sunny day on August 31, 1941, all of the town's the Jews were killed – by three or four German sub-machine gunners, and the rest were local executioners... In a single day...
That's one version of what happened. But there's also another....
Seventy-four years later, in May 2015, the descendants of those Jews gathered in Kiev in order to find out the circumstances of the lives and deaths of their forefathers. This fact-finding trip forms the basis of the film's narrative.
Some of the film's protagonists are convinced and attempt to prove, documents in hand, that “it wasn't the Ukranians who were killing the Jews,” that “the Germans did it,” that it wasn't just three or four Nazis, but a whole division that “surrounded” the village, that there were some collaborators, but only a few. Especially since only Denis the cop was put on trial. They still talk about his cruelty in the village. He was the only one tried, he was the only one hanged, right in front of his mother's window. It was his fault...
So who killed the Jews? How does hate grow in people's hearts over the course of a day? What is the real face of the Holocaust, if the killers weren't Nazi sadists? What if the killers were our neighbors, who would bring us vodka during their holidays, and in turn receive gifts of hamantaschen from us for Purim? Can the Holocaust happen again? How quickly can it return? Does it only concern Jews? We only think we know the answers to these questions...
The film was shot in May 2015 in Kiev and a few former shteltls: Slavuta, Iziaslav, Berezdov and Krasnostav.